An Introduction to the Phenomenology of Performance Art : SELF/s.

Front Cover -- Half Title -- Frontispiece -- Title Page -- Copyright Page -- Dedication -- Epigraph -- Table of contents -- Acknowledgements -- Foreword Enduring Reorientations: Self, Time, and Space in Performance -- Author's Note -- Introduction -- 1 Embodied Experience -- Identity, Sexuality, and Gender -- Lori Baldwin -- Anne Bean -- Rosana Cade and Will Dickie -- Esther Marveta Neff -- Niko Wearden -- Cultural Contexts -- Jamal Harewood -- Regina José Galindo -- Health and Dis/Ability -- Katherine Araniello -- Kamil Guenatri -- 2 The Rapture and Rupture of the Lived Body -- Rapture -- Rocio Boliver -- Louis Fleischauer -- Weeks and Whitford -- Rupture -- Hellen Burrough -- Arianna Ferrari -- Ernst Fischer -- 3 The Intersubjectivity and Intercorporeality of Noise and Sonic Arts -- Sound through the Body -- Sarah Glass -- Joke Lanz -- Mother Disorder -- Sound through Collaboration -- FK Alexander -- Clive Henry and Yol -- 4 The Perception of Self/s -- Vulnerability -- Helena Goldwater -- Natalie Ramus -- Helen Spackman -- Failure -- Chelsea Coon -- Selina Bonelli -- Heather Sincavage -- Extremis -- tjb -- Hancock and Kelly -- Niko Raes -- Postface The Argument for Queering 'The Origin of the Work of Art' -- Manifesto for Performance Artist as Artwork -- Notes -- Bibliography -- Back Cover.

An introduction to the study and application of performance art through phenomenology for radical artists, educators and practitioner-researchers. Features exercises to activate your practice, clear introductory definitions to key phenomenological terms, and a multimodal design that lets the reader choose how to read the book. 36 illus.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.