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A History of Too Much.

By: Material type: TextTextPublisher: Pasadena, CA : Red Hen Press, 2018Copyright date: ©2018Edition: 1st edDescription: 1 online resource (92 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781597097543
Subject(s): Genre/Form: Additional physical formats: Print version:: A History of Too MuchDDC classification:
  • 811/.6
LOC classification:
  • PS617 .K354 2018
Online resources:
Contents:
Intro -- Title Page -- Copyright Page -- Acknowledgments -- Contents -- I -- The Startled Dreams of the Fallen in Spring -- Those Days -- The Evening the Referendum Was Repealed -- Hemorrhaging Map -- Slowly -- The Taxi Driver Laments -- The History of Too Much -- My Athens Streets Have This to Say -- This City -- Fatherland -- Ungodly -- Promise -- Erasures -- Reading with Ethel -- II -- Skin -- Because the News Was Bad -- First Audition -- Clothing the Dead -- Stopover in Baden-Baden -- Exilic -- Invitation -- Refusing to Be Demeter -- Winter, Why? -- Because Happiness Is Temporary, Uncertain &amp -- Hospitable -- Missing the Plane -- In a Pomegranate Time -- Dear -- Xxx . . . -- The Return -- Kinds of Places -- The Wound, a Mouth, an Eye -- This Surface -- Let Yourself Forgive -- The Road -- III -- Yellow Wind -- Where the Contour Lies -- Lunar -- Coming Down the Mountain Before Dark -- Gate E2 -- Oblessive Ache -- The Stranger Joy -- Plateia Mavili -- The Hour of the Dumpsters -- What I Wish Might Be Reaped -- Gaze -- The Goodbyes -- Sea -- These Days -- Poem in Pieces, a Log -- Notes -- Biographicalnote.
Summary: These are poems born of facets and interrogations of citizenship and national dissolution in the Greek cultural landscape of economic austerity, of the self in love, too, with topoi imbued with history, eros, and loss. The terrains are multiple and transient, the subjects both quotidian and extraordinary in their lyric consciousness of time.
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Intro -- Title Page -- Copyright Page -- Acknowledgments -- Contents -- I -- The Startled Dreams of the Fallen in Spring -- Those Days -- The Evening the Referendum Was Repealed -- Hemorrhaging Map -- Slowly -- The Taxi Driver Laments -- The History of Too Much -- My Athens Streets Have This to Say -- This City -- Fatherland -- Ungodly -- Promise -- Erasures -- Reading with Ethel -- II -- Skin -- Because the News Was Bad -- First Audition -- Clothing the Dead -- Stopover in Baden-Baden -- Exilic -- Invitation -- Refusing to Be Demeter -- Winter, Why? -- Because Happiness Is Temporary, Uncertain &amp -- Hospitable -- Missing the Plane -- In a Pomegranate Time -- Dear -- Xxx . . . -- The Return -- Kinds of Places -- The Wound, a Mouth, an Eye -- This Surface -- Let Yourself Forgive -- The Road -- III -- Yellow Wind -- Where the Contour Lies -- Lunar -- Coming Down the Mountain Before Dark -- Gate E2 -- Oblessive Ache -- The Stranger Joy -- Plateia Mavili -- The Hour of the Dumpsters -- What I Wish Might Be Reaped -- Gaze -- The Goodbyes -- Sea -- These Days -- Poem in Pieces, a Log -- Notes -- Biographicalnote.

These are poems born of facets and interrogations of citizenship and national dissolution in the Greek cultural landscape of economic austerity, of the self in love, too, with topoi imbued with history, eros, and loss. The terrains are multiple and transient, the subjects both quotidian and extraordinary in their lyric consciousness of time.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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