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Intention and Unintention or the Hyperconscious in Contemporary Lyric Impulse.

By: Material type: TextTextPublisher: Melbourne : Australian Scholarly Publishing Pty, Limited, 2018Copyright date: ©2018Edition: 1st edDescription: 1 online resource (120 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781922454959
Subject(s): Genre/Form: Additional physical formats: Print version:: Intention and Unintention or the Hyperconscious in Contemporary Lyric ImpulseDDC classification:
  • 808.1
LOC classification:
  • PN1059.A9 C353 2018
Online resources:
Contents:
Intro -- Contents -- Acknowledgments -- Introduction. The Question Outlined and the Key Terms Addressed: Intention, Unintention and Hyperconscious -- Chapter One. Sourcing the Unconscious in the Hyperconscious: Freud's The Interpretation of Dreams and the Process of Intention and Unintention -- Chapter Two. Lacan and Poetry: Jumping the Bar -- Chapter Three. The Embodiment of Emotions in Poetry -- Chapter Four. The Unconscious Metaphor: The Hyperconscious in Action -- Chapter Five. The Poet-paradox: Unintention and the Embodiment of Emotional Truth -- Conclusion -- Appendix: "Last Fathom" by Ian McBryde -- Bibliography.
Summary: The question of how lyric poetry is written, especially in the moment when it first arrives with a poet, is vexed. Grant Caldwells discussion of the hyperconscious and of poetic unintentionality in the contemporary lyric impulse constitutes an original contribution to knowledge in this field.
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Intro -- Contents -- Acknowledgments -- Introduction. The Question Outlined and the Key Terms Addressed: Intention, Unintention and Hyperconscious -- Chapter One. Sourcing the Unconscious in the Hyperconscious: Freud's The Interpretation of Dreams and the Process of Intention and Unintention -- Chapter Two. Lacan and Poetry: Jumping the Bar -- Chapter Three. The Embodiment of Emotions in Poetry -- Chapter Four. The Unconscious Metaphor: The Hyperconscious in Action -- Chapter Five. The Poet-paradox: Unintention and the Embodiment of Emotional Truth -- Conclusion -- Appendix: "Last Fathom" by Ian McBryde -- Bibliography.

The question of how lyric poetry is written, especially in the moment when it first arrives with a poet, is vexed. Grant Caldwells discussion of the hyperconscious and of poetic unintentionality in the contemporary lyric impulse constitutes an original contribution to knowledge in this field.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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