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Power Misses II : Cinema, Asian and Modern.

By: Material type: TextTextPublisher: Bloomington : Indiana University Press, 2020Copyright date: ©2020Edition: 1st edDescription: 1 online resource (265 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780861969777
Subject(s): Genre/Form: Additional physical formats: Print version:: Power Misses IIDDC classification:
  • 791.43095
LOC classification:
  • PN1993.5.E19
Online resources:
Contents:
Cover -- POWER MISSES II CINEMA,ASIANANDMODERN -- Title -- Copyright -- Contents -- Acknowledgements -- Foreword -- Chapter 1 Im Kwon-taek: Korean National Cinema and Buddhism -- Chapter 2 Im Kwon-taek's Use of Nativist Korean Culture as Allegories of Cinema: Ch'unhyang, Chihwaseon, and Hanji -- Chapter 3 The Name of a Desire: Recollections of Socialist Realism in East Asian Art Cinema -- Chapter 4 Tradition and the Movies: The Working-Class Asian American Avant-Garde in Los Angeles -- Chapter 5 The Sons and Daughters of Los: Culture and Community in Los Angeles -- Chapter 6 Toward a Geo-Cinematic Hermeneutics/The City as Means of Production: Representations of Los Angeles in Killer of Sheep and Water and Power -- Chapter 7 Expanded Cinema in Los Angeles: The Single Wing Turquoise Bird -- Chapter 8 L.A.'s Hipster Cinema -- Chapter 9 Film as an Instrument of Thought, Cinema as an Augury of Redemption: Ken Jacobs' The Sky Socialist -- Chapter 10 "Apotheosis Into Tragedy": Catoptrics of Self in Andy Warhol's Lupe -- Chapter 11 Letter to Paul Arthur (Letter With Endnotes) -- Chapter 12 Agricultural Revelation: Land, Labor, and Voice in Three Films About Laxton -- Index.
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Cover -- POWER MISSES II CINEMA,ASIANANDMODERN -- Title -- Copyright -- Contents -- Acknowledgements -- Foreword -- Chapter 1 Im Kwon-taek: Korean National Cinema and Buddhism -- Chapter 2 Im Kwon-taek's Use of Nativist Korean Culture as Allegories of Cinema: Ch'unhyang, Chihwaseon, and Hanji -- Chapter 3 The Name of a Desire: Recollections of Socialist Realism in East Asian Art Cinema -- Chapter 4 Tradition and the Movies: The Working-Class Asian American Avant-Garde in Los Angeles -- Chapter 5 The Sons and Daughters of Los: Culture and Community in Los Angeles -- Chapter 6 Toward a Geo-Cinematic Hermeneutics/The City as Means of Production: Representations of Los Angeles in Killer of Sheep and Water and Power -- Chapter 7 Expanded Cinema in Los Angeles: The Single Wing Turquoise Bird -- Chapter 8 L.A.'s Hipster Cinema -- Chapter 9 Film as an Instrument of Thought, Cinema as an Augury of Redemption: Ken Jacobs' The Sky Socialist -- Chapter 10 "Apotheosis Into Tragedy": Catoptrics of Self in Andy Warhol's Lupe -- Chapter 11 Letter to Paul Arthur (Letter With Endnotes) -- Chapter 12 Agricultural Revelation: Land, Labor, and Voice in Three Films About Laxton -- Index.

w.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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