ORPP logo
Image from Google Jackets

Art in the Eurasian Iron Age : Context, Connections and Scale.

By: Contributor(s): Material type: TextTextPublisher: Havertown : Oxbow Books, Limited, 2020Copyright date: ©2020Edition: 1st edDescription: 1 online resource (257 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781789253979
Subject(s): Genre/Form: Additional physical formats: Print version:: Art in the Eurasian Iron AgeDDC classification:
  • 709.01/3
LOC classification:
  • N5310.5.E83 .N568 2020
Online resources:
Contents:
Cover -- Book Title -- Copyright -- Table of Contents -- List of figures and tables -- List of contributors -- Introduction: Context, connections and scale: Chris Gosden, Helen Chittock, Peter Hommel and Courtney Nimura -- 1. Art, ambiguity and transformation: Chris Gosden -- 2. Collecting Iron Age art: Courtney Nimura, Peter Hommel, Helen Chittock and Chris Gosden -- 3. Eurasian Iron Age interactions: A perspective on the sources and purposes of La Tène style ('Celtic') art: Peter S. Wells -- 4. Fantastic beasts and where to find them: Composite animals in the context of Eurasian Early Iron Age art: Rebecca O'Sullivan and Peter Hommel -- 5. Bodies and objects in Iron Age Europe and beyond: An integrated approach to anthropomorphic imagery: Helen Chittock -- 6. How Celts perceived the world: Early Celtic art and analogical thought: Laurent Olivier -- 7. How can Celtic art styles and motifs act? A case study from later Iron Age Norfolk: Jody Joy -- 8. Visual memory and perceptions in ancient Celtic art: Nathalie Ginoux -- 9. Celtic art before the Early Style: Some new data from south-west Germany and the Heuneburg: Dirk Krausse -- 10. Sign o' the times: The re-use of pre-Roman Iron Age British and European symbols on Late Iron Age Irish equestrian equipment: Rena Maguire -- 11. 'Damn clever metal bashers': The thoughts and insights of 21st century goldsmiths, silversmiths and jewellers regarding Iron Age gold torus torcs: Tess Machling and Roland Williamson -- 12. Refugees, networks, politics and east-west connections in Early Celtic art: Paul Jacobsthal's 'History of a Monster' in context: Sally Crawford and Katharina Ulmschneider -- 13. The history of a monster: Paul Jacobsthal -- Discussion: Dialogues with Jacobsthal: Tim Champion.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
No physical items for this record

Cover -- Book Title -- Copyright -- Table of Contents -- List of figures and tables -- List of contributors -- Introduction: Context, connections and scale: Chris Gosden, Helen Chittock, Peter Hommel and Courtney Nimura -- 1. Art, ambiguity and transformation: Chris Gosden -- 2. Collecting Iron Age art: Courtney Nimura, Peter Hommel, Helen Chittock and Chris Gosden -- 3. Eurasian Iron Age interactions: A perspective on the sources and purposes of La Tène style ('Celtic') art: Peter S. Wells -- 4. Fantastic beasts and where to find them: Composite animals in the context of Eurasian Early Iron Age art: Rebecca O'Sullivan and Peter Hommel -- 5. Bodies and objects in Iron Age Europe and beyond: An integrated approach to anthropomorphic imagery: Helen Chittock -- 6. How Celts perceived the world: Early Celtic art and analogical thought: Laurent Olivier -- 7. How can Celtic art styles and motifs act? A case study from later Iron Age Norfolk: Jody Joy -- 8. Visual memory and perceptions in ancient Celtic art: Nathalie Ginoux -- 9. Celtic art before the Early Style: Some new data from south-west Germany and the Heuneburg: Dirk Krausse -- 10. Sign o' the times: The re-use of pre-Roman Iron Age British and European symbols on Late Iron Age Irish equestrian equipment: Rena Maguire -- 11. 'Damn clever metal bashers': The thoughts and insights of 21st century goldsmiths, silversmiths and jewellers regarding Iron Age gold torus torcs: Tess Machling and Roland Williamson -- 12. Refugees, networks, politics and east-west connections in Early Celtic art: Paul Jacobsthal's 'History of a Monster' in context: Sally Crawford and Katharina Ulmschneider -- 13. The history of a monster: Paul Jacobsthal -- Discussion: Dialogues with Jacobsthal: Tim Champion.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

There are no comments on this title.

to post a comment.

© 2024 Resource Centre. All rights reserved.