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Philosophy of Modern Music.

By: Material type: TextTextSeries: Bloomsbury Revelations SeriesPublisher: London : Bloomsbury Publishing Plc, 2016Copyright date: ©2016Edition: 1st edDescription: 1 online resource (201 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781350225206
Subject(s): Genre/Form: Additional physical formats: Print version:: Philosophy of Modern MusicDDC classification:
  • 780.9/04
LOC classification:
  • ML197 .A313 2016
Online resources:
Contents:
Intro -- Title Page -- Copyright Page -- Contents -- Translators' Introduction -- Preface -- Introduction -- Choice of subject matter -- New conformism -- False musical consciousness -- 'Intellectualism' -- Modern music unprotected -- The antinomy of modern music -- Growing indifferentism -- On method -- Schoenberg and Progress -- Disturbance of the work -- Inherent tendency of musical material -- Schoenberg's criticism of illusion and play -- Dialectics of loneliness -- Loneliness as style -- Expressionism as objectivity -- Total organization of the elements of music -- Total development -- The concept of twelve-tone technique -- Musical domination of nature -- Loss of freedom -- Twelve-tone melos and rhythm -- Differentiation and coarsening -- Harmony -- Instrumental timbre -- Twelve-tone counterpoint -- Function of counterpoint -- Form -- The composers -- Avant-garde and theory -- The renunciation of material -- Cognitive character -- Attitude towards society -- Stravinsky and Restoration -- Authenticity -- Sacrifice and the absence of intention -- The hand organ as a primeval phenomenon -- Sacre and African sculpture -- Technical elements in Sacre -- 'Rhythm' -- Identification with the collective -- Archaism, modernism, infantilism -- Permanent regression and musical form -- The psychotic aspect -- Ritual -- Alienation as objectivity -- Fetishism of the means -- Depersonalization -- Hebephrenia -- Catatonia -- Music about music -- Denaturation and simplification -- Dissociation of time -- Music - a pseudomorphism of painting -- Theory of ballet music -- Modes of listening -- The deception of objectivism -- The final trick -- Neoclassicism -- Experiments in expansion -- Schoenberg and Stravinsky -- Note to the third edition -- Notes -- Translators' Introduction -- Preface -- Introduction -- Schoenberg and Progress -- Stravinsky and Restoration.
Index.
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Intro -- Title Page -- Copyright Page -- Contents -- Translators' Introduction -- Preface -- Introduction -- Choice of subject matter -- New conformism -- False musical consciousness -- 'Intellectualism' -- Modern music unprotected -- The antinomy of modern music -- Growing indifferentism -- On method -- Schoenberg and Progress -- Disturbance of the work -- Inherent tendency of musical material -- Schoenberg's criticism of illusion and play -- Dialectics of loneliness -- Loneliness as style -- Expressionism as objectivity -- Total organization of the elements of music -- Total development -- The concept of twelve-tone technique -- Musical domination of nature -- Loss of freedom -- Twelve-tone melos and rhythm -- Differentiation and coarsening -- Harmony -- Instrumental timbre -- Twelve-tone counterpoint -- Function of counterpoint -- Form -- The composers -- Avant-garde and theory -- The renunciation of material -- Cognitive character -- Attitude towards society -- Stravinsky and Restoration -- Authenticity -- Sacrifice and the absence of intention -- The hand organ as a primeval phenomenon -- Sacre and African sculpture -- Technical elements in Sacre -- 'Rhythm' -- Identification with the collective -- Archaism, modernism, infantilism -- Permanent regression and musical form -- The psychotic aspect -- Ritual -- Alienation as objectivity -- Fetishism of the means -- Depersonalization -- Hebephrenia -- Catatonia -- Music about music -- Denaturation and simplification -- Dissociation of time -- Music - a pseudomorphism of painting -- Theory of ballet music -- Modes of listening -- The deception of objectivism -- The final trick -- Neoclassicism -- Experiments in expansion -- Schoenberg and Stravinsky -- Note to the third edition -- Notes -- Translators' Introduction -- Preface -- Introduction -- Schoenberg and Progress -- Stravinsky and Restoration.

Index.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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