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The Gouda Windows (1552-1572) : Art and Catholic Renewal on the Eve of the Dutch Revolt.

By: Material type: TextTextSeries: Brill's Studies in Intellectual History SeriesPublisher: Boston : BRILL, 2020Copyright date: ©2020Edition: 1st edDescription: 1 online resource (209 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789004423282
Subject(s): Genre/Form: Additional physical formats: Print version:: The Gouda Windows (1552-1572)DDC classification:
  • 748.50949238
LOC classification:
  • NK5354.G65 .E25 2020
Online resources:
Contents:
Intro -- Contents -- Foreword -- Illustrations -- Note to the Reader -- Introduction -- Chapter 1 Patronage -- 1.1 A Clean Slate -- 1.2 Clerical Patrons -- 1.3 Royal and Noble Donors -- 1.4 Employing the Artists -- Chapter 2 The Choir: He Must Increase, and I Must Decrease -- 2.1 John the Baptist as a Foil to Christ -- 2.2 An Elusive Written Program -- 2.3 Testimony about Christ -- 2.4 Imprisonment and Death -- 2.5 The Bible and St. Augustine -- 2.6 Beyond St. Augustine: Erasmus and Herman Lethmaet -- 2.7 The Apostle Series in the Clerestory -- Chapter 3 The Transept: There Shall No Sign Be Given -- 3.1 A Separate Program? -- 3.2 The King's Window -- 3.3 Margaret of Parma's Gift -- 3.4 Jonah and Balaam -- 3.5 Turmoil in the Temple -- Chapter 4 The Nave: But Ye Shall Receive Power -- 4.1 Elburga van den Boetzelaer and the Queen of Sheba -- 4.2 Margaretha van der Marck as a Second Judith -- 4.3 Philip de Ligne, a Crippled Warlord Praying to Be Healed -- 4.4 Choir, Transept and Nave: One Narrative? -- Chapter 5 Protestant Appropriation -- 5.1 Catholic spolia, 1580-1581 -- 5.2 Protestant Patrons Claim the High Moral Ground, 1593-1604 -- 5.3 The Removal of 'Ungodly' Images -- 5.4 Recontextualization -- Conclusion -- Bibliography -- Index of Names.
Summary: Xander van Eck analyses the iconography of the stained-glass window cycle at the Sint Janskerk in Gouda, the largest ensemble of Renaissance art in the Northern Netherlands.
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Intro -- Contents -- Foreword -- Illustrations -- Note to the Reader -- Introduction -- Chapter 1 Patronage -- 1.1 A Clean Slate -- 1.2 Clerical Patrons -- 1.3 Royal and Noble Donors -- 1.4 Employing the Artists -- Chapter 2 The Choir: He Must Increase, and I Must Decrease -- 2.1 John the Baptist as a Foil to Christ -- 2.2 An Elusive Written Program -- 2.3 Testimony about Christ -- 2.4 Imprisonment and Death -- 2.5 The Bible and St. Augustine -- 2.6 Beyond St. Augustine: Erasmus and Herman Lethmaet -- 2.7 The Apostle Series in the Clerestory -- Chapter 3 The Transept: There Shall No Sign Be Given -- 3.1 A Separate Program? -- 3.2 The King's Window -- 3.3 Margaret of Parma's Gift -- 3.4 Jonah and Balaam -- 3.5 Turmoil in the Temple -- Chapter 4 The Nave: But Ye Shall Receive Power -- 4.1 Elburga van den Boetzelaer and the Queen of Sheba -- 4.2 Margaretha van der Marck as a Second Judith -- 4.3 Philip de Ligne, a Crippled Warlord Praying to Be Healed -- 4.4 Choir, Transept and Nave: One Narrative? -- Chapter 5 Protestant Appropriation -- 5.1 Catholic spolia, 1580-1581 -- 5.2 Protestant Patrons Claim the High Moral Ground, 1593-1604 -- 5.3 The Removal of 'Ungodly' Images -- 5.4 Recontextualization -- Conclusion -- Bibliography -- Index of Names.

Xander van Eck analyses the iconography of the stained-glass window cycle at the Sint Janskerk in Gouda, the largest ensemble of Renaissance art in the Northern Netherlands.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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