ORPP logo
Image from Google Jackets

Situated Knowing : Epistemic Perspectives on Performance.

By: Contributor(s): Material type: TextTextSeries: Routledge Advances in Theatre and Performance StudiesPublisher: Oxford : Taylor & Francis Group, 2020Copyright date: ©2021Edition: 1st edDescription: 1 online resource (213 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781000082081
Subject(s): Genre/Form: Additional physical formats: Print version:: Situated KnowingDDC classification:
  • 790.2
LOC classification:
  • NX456.5.P38 .S588 2021
Online resources:
Contents:
Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of contributors -- Acknowledgements -- Previously published material -- Introduction: Situated knowing: From performance art to the laboratory of knowledge-making -- References -- Part 1 Knowing and alternative genealogies -- Chapter 1 Slough media -- The scandal of the obsolete -- Bone in hand -- Intrainanimacy -- Hand in rock in hand -- Acknowledgements -- Notes -- References -- Chapter 2 The performing arts as 'cognitive hybrids': The power of the performatic Spiel-Raum -- Walter Benjamin: mimesis and play -- Eric A. Havelock: An analysis of Plato's rejection of mimesis -- Merlin Donald: 'Mimetic culture' -- Conclusions: Performing arts as 'cognitive hybrids' -- Notes -- References -- Part 2 Knowing with performative arts -- Chapter 3 Dead capital -- I -- II -- Notes -- References -- Chapter 4 Beyond presence: Performing the limits of knowing -- Notes -- References -- Chapter 5 Performative approaches to the cultural policy field -- Notes -- References -- Part 3 Knowing in contact zones -- Chapter 6 Decolonising documentary: Wojtek Doroszuk's Sape and Prince -- The documentary turn -- The documentary in the age of decolonisation -- Performative documentary -- The documentary as a site of translation -- Note -- References -- Chapter 7 Beyond ethnicity? New architectures of access to local cultures in Dorota Nieznalska's Memory and Violence (2019) -- Notes -- References -- Part 4 Knowing beyond the human -- Chapter 8 The shadow of a pine tree: Authorship, agency and performing beyond the human -- What is an author? -- Shared authorship -- What about performing? -- Appendix -- Notes -- References -- Chapter 9 What performativity scholars can learn from mushrooms: Situated knowing in polyphonic assemblages.
Performativity beyond the human -- The matsutake as a polyphonic assemblage -- Mushrooms and collaborative survival -- Mushrooms and identities beyond the individual -- Mushrooms and (non-)progressive development -- Conclusion -- References -- Index.
Summary: Situated Knowing aims to critically examine performance studies ideological and socio-political underpinnings while also challenging the Anglo-centrism of the discipline.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
No physical items for this record

Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of contributors -- Acknowledgements -- Previously published material -- Introduction: Situated knowing: From performance art to the laboratory of knowledge-making -- References -- Part 1 Knowing and alternative genealogies -- Chapter 1 Slough media -- The scandal of the obsolete -- Bone in hand -- Intrainanimacy -- Hand in rock in hand -- Acknowledgements -- Notes -- References -- Chapter 2 The performing arts as 'cognitive hybrids': The power of the performatic Spiel-Raum -- Walter Benjamin: mimesis and play -- Eric A. Havelock: An analysis of Plato's rejection of mimesis -- Merlin Donald: 'Mimetic culture' -- Conclusions: Performing arts as 'cognitive hybrids' -- Notes -- References -- Part 2 Knowing with performative arts -- Chapter 3 Dead capital -- I -- II -- Notes -- References -- Chapter 4 Beyond presence: Performing the limits of knowing -- Notes -- References -- Chapter 5 Performative approaches to the cultural policy field -- Notes -- References -- Part 3 Knowing in contact zones -- Chapter 6 Decolonising documentary: Wojtek Doroszuk's Sape and Prince -- The documentary turn -- The documentary in the age of decolonisation -- Performative documentary -- The documentary as a site of translation -- Note -- References -- Chapter 7 Beyond ethnicity? New architectures of access to local cultures in Dorota Nieznalska's Memory and Violence (2019) -- Notes -- References -- Part 4 Knowing beyond the human -- Chapter 8 The shadow of a pine tree: Authorship, agency and performing beyond the human -- What is an author? -- Shared authorship -- What about performing? -- Appendix -- Notes -- References -- Chapter 9 What performativity scholars can learn from mushrooms: Situated knowing in polyphonic assemblages.

Performativity beyond the human -- The matsutake as a polyphonic assemblage -- Mushrooms and collaborative survival -- Mushrooms and identities beyond the individual -- Mushrooms and (non-)progressive development -- Conclusion -- References -- Index.

Situated Knowing aims to critically examine performance studies ideological and socio-political underpinnings while also challenging the Anglo-centrism of the discipline.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

There are no comments on this title.

to post a comment.

© 2024 Resource Centre. All rights reserved.