ORPP logo
Image from Google Jackets

The Word on the Streets : The American Language of Vernacular Modernism.

By: Material type: TextTextPublisher: Charlottesville : University of Virginia Press, 2017Copyright date: ©2021Edition: 1st edDescription: 1 online resource (296 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813940427
Subject(s): Genre/Form: Additional physical formats: Print version:: The Word on the StreetsDDC classification:
  • 810.9112
LOC classification:
  • PS221 .H446 2017
Online resources:
Contents:
Cover -- Title page -- Contents -- Acknowledgments -- Introduction -- 1 / "The Steady Reaching Out for New and Vivid Forms" H. L. Mencken and the American Revolution of the Word -- 2 / "Never Mind the Comical Stuff . . . . They Ain't No Joke about This!" Ring Lardner, Anita Loos, and the Comic Origins of Vernacular Modernism -- 3 / "I Didn't Understand the Words, but My Voice Was Like Dynamite" Anzia Yezierska, Mike Gold, and the Jewish American Break with Realism -- 4 / "Say It with Lead" Carroll John Daly, Dashiell Hammett, and Modernism's Underworld Vernacular -- 5 / "The Necromancy of Language" Realist Uplift and the Urban Vernacular in Rudolph Fisher and Claude McKay -- Conclusion -- Notes -- Bibliography -- Index.
Summary: Brooks Hefner shows how writers across a variety of popular genres--from Gertrude Stein and William Faulkner to humorist Anita Loos and ethnic memoirist Anzia Yezierska--employed street slang to mount their own critique of genteel realism and its classist emphasis on dialect hierarchies, the result of which was a form of American experimental writing that resonated powerfully across the American cultural landscape of the 1910s and 1920s.
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
No physical items for this record

Cover -- Title page -- Contents -- Acknowledgments -- Introduction -- 1 / "The Steady Reaching Out for New and Vivid Forms" H. L. Mencken and the American Revolution of the Word -- 2 / "Never Mind the Comical Stuff . . . . They Ain't No Joke about This!" Ring Lardner, Anita Loos, and the Comic Origins of Vernacular Modernism -- 3 / "I Didn't Understand the Words, but My Voice Was Like Dynamite" Anzia Yezierska, Mike Gold, and the Jewish American Break with Realism -- 4 / "Say It with Lead" Carroll John Daly, Dashiell Hammett, and Modernism's Underworld Vernacular -- 5 / "The Necromancy of Language" Realist Uplift and the Urban Vernacular in Rudolph Fisher and Claude McKay -- Conclusion -- Notes -- Bibliography -- Index.

Brooks Hefner shows how writers across a variety of popular genres--from Gertrude Stein and William Faulkner to humorist Anita Loos and ethnic memoirist Anzia Yezierska--employed street slang to mount their own critique of genteel realism and its classist emphasis on dialect hierarchies, the result of which was a form of American experimental writing that resonated powerfully across the American cultural landscape of the 1910s and 1920s.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

There are no comments on this title.

to post a comment.

© 2024 Resource Centre. All rights reserved.