Authorship and Greek Song : Studies in Archaic and Classical Greek Song, Vol. 3.

Intro -- ‎Contents -- ‎Preface -- ‎List of Contributors -- ‎Introduction (Bakker) -- ‎Chapter 1. The Construction of Authority in Pindar's Isthmian 2 in Performance (Stehle) -- ‎Chapter 2. Voice and Worship (Carey) -- ‎Chapter 3. Crooked Competition: The Performance and Poetics of Skolia (Martin) -- ‎Chapter 4. Placing the Poet: The Topography of Authorship (Boterf) -- ‎Chapter 5. Trust and Fame: The Seal of Theognis (Bakker) -- ‎Chapter 6. Authenticity and Autochthonous Traditions in Archaic and Hellenistic Lyric Poetry (Klooster) -- ‎Chapter 7. Embedded Song and Poetic Authority in Pindar and Bacchylides (Harden) -- ‎Chapter 8. Narratorial Authority and Its Subversion in Archilochus (Swift) -- ‎Chapter 9. The Invention of Stesichorus: Hesiod, Helen, and the Muse (Carruesco) -- ‎Chapter 10. On the Antagonism between Divine and Human Performer in Archaic Greek Poetics (Liapis) -- ‎Chapter 11. "Newly Written Buds:" Archaic and Classical Pseudepigrapha in Meleager's Garland (Peirano Garrison) -- ‎Chapter 12. Sappho or Alcaeus: Authors and Genres of Archaic Hymns (Boychenko) -- ‎Chapter 13. Which Sappho? The Case Study of the Cologne Papyrus (RaschieriRaschieri) -- ‎Index Locorum -- ‎Index Rerum.

Authorship and Greek Song offers critical discussions of the concept of authorship in archaic Greek poetry. Its chapters explore the issue of authority (of poet-author and/or performer) and the transition from song (performed) to poem (read).

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.