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Phantom Limbs : On Musical Bodies.

By: Contributor(s): Material type: TextTextPublisher: New York : Fordham University Press, 2015Copyright date: ©2015Edition: 1st edDescription: 1 online resource (115 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780823267088
Subject(s): Genre/Form: Additional physical formats: Print version:: Phantom LimbsDDC classification:
  • 781.1
LOC classification:
  • ML3800.S946 2016
Online resources:
Contents:
Cover -- Title Page -- Copyright -- Dedication -- Contents -- Training -- Chapter 1 Interpreting Bodies -- Chapter 2 Effictions -- Chapter 3 Organologics (1): The Erasure of Bodies -- Chapter 4 Touch-ups, or The Return of Bodies -- Chapter 5 Idiotisms, or The Dialect of Bodies -- Chapter 6 Monk, a Legend -- Chapter 7 Traces of Fingers -- Chapter 8 Digital Rhetoric -- Chapter 9 Ablations and Grafts (Too Many Fingers) -- Chapter 10 Romantic Fingers (System of Touch) -- Chapter 11 Feet -- Chapter 12 Joyful Tropiques (Evolution, Revolutions) -- Chapter 13 Two Dispatches (One Fictive and the Other Dreamed Up) -- Chapter 14 Organologics (2): Autophony -- Chapter 15 Genesis (1): Ocular Harpsichord, Organ of Flavors -- Chapter 16 Telepathy -- Chapter 17 Scruples (Clones and Stand-ins) -- Chapter 18 Conducting (Seen from the Back) -- Chapter 19 Genesis (2): Fantasia, or "Plasmaticity" -- Chapter 20 Touching from Afar -- Chapter 21 Organologics (3): Areality -- Chapter 22 Bodies Electric -- Chapter 23 Mass Formations -- P.S. -- Notes.
Summary: In an exploration of the many ways that musical bodies have been trained and imagined but also concrete analyses of the ways certain of them have played, Phantom Limbs touches on the technical apparatuses set into place by organology with an ear for the dissident mass formations haunting music's corpus.
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Cover -- Title Page -- Copyright -- Dedication -- Contents -- Training -- Chapter 1 Interpreting Bodies -- Chapter 2 Effictions -- Chapter 3 Organologics (1): The Erasure of Bodies -- Chapter 4 Touch-ups, or The Return of Bodies -- Chapter 5 Idiotisms, or The Dialect of Bodies -- Chapter 6 Monk, a Legend -- Chapter 7 Traces of Fingers -- Chapter 8 Digital Rhetoric -- Chapter 9 Ablations and Grafts (Too Many Fingers) -- Chapter 10 Romantic Fingers (System of Touch) -- Chapter 11 Feet -- Chapter 12 Joyful Tropiques (Evolution, Revolutions) -- Chapter 13 Two Dispatches (One Fictive and the Other Dreamed Up) -- Chapter 14 Organologics (2): Autophony -- Chapter 15 Genesis (1): Ocular Harpsichord, Organ of Flavors -- Chapter 16 Telepathy -- Chapter 17 Scruples (Clones and Stand-ins) -- Chapter 18 Conducting (Seen from the Back) -- Chapter 19 Genesis (2): Fantasia, or "Plasmaticity" -- Chapter 20 Touching from Afar -- Chapter 21 Organologics (3): Areality -- Chapter 22 Bodies Electric -- Chapter 23 Mass Formations -- P.S. -- Notes.

In an exploration of the many ways that musical bodies have been trained and imagined but also concrete analyses of the ways certain of them have played, Phantom Limbs touches on the technical apparatuses set into place by organology with an ear for the dissident mass formations haunting music's corpus.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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