Interdisciplinary/Multidisciplinary Woolf.

Cover -- Contents -- Introduction -- Acknowledgments -- Abbreviations -- History, Materiality, Multiplicity -- Multidisciplinary Woolf/Multiple Woolf? -- Woolf, History, Us -- "Full of Experiments and Reforms": Virginia Woolf, John Maynard Keynes, and the Impossibility of Economic Modeling -- Desiring Statues and Ambiguous Sexualities in Jacob's Room -- Challenging the Family Script: Woolf, the Stephen Family, and Victorian Evangelical Theology -- History as Scaffolding: Woolf 's Use of The Times in The Years -- Vincent van Gogh, Virginia Woolf, and Old Shoes: A Cross-Cultural Iconography of Historical Truama from the Great War to the Iraq War -- Stopped at the Border: Virginia Woolf and the Criminalization of Dissent in Democratic Societies -- "Q. And babies? A. And babies": On Pacifiism, Visual Truama, and the Body Heap -- Photography, History, and Memoir of the Spanish Civil War: Interdisciplinary Views -- Patterns, Practices, Principles -- "Waving to Virginia" -- Woolf, Defoe, Derrida: Interdisciplinary dogs-or the canine aesthetics and (gender) politics of creativity -- "The law is on the side of the normal": Virginia Woolf as Crip Theorist -- A Healing Centre of One's Own: Woolf's Legacy and Public Responses to Child Abuse -- Sunflower Suture: Disseminating the Garden in The Years -- "One Must Be Scientific": Natural History and Ecology in Mrs. Dalloway -- Clarissa's Glacial Skepticism: John Tyndall and "Deep Time" in Mrs. Dalloway -- Apollonian Illusion and Dionysian Truth in Mrs. Dalloway -- Art, Influence, Embodiment -- Time has whizzed back an inch or two on its reel": Relating Virginia Woolf and Emily Carr through Vintage Postcards, Lily Broscoe, Mrs. McNab, and the Cinematic Time of To the Lighthouse -- Speaking Citizen to Citizen in a Time of War: Miss La Trobe's Use of Parabasis in her Historical Pageant.

Work as Salvation: Eureka's Angel in the House, A Dircetor's Experience -- Drawing as Thinking: A Visual Response to To the Lighthouse -- Performing Feminism, Transmitting Affect: Isadora Duncan, Virginia Woolf, and the Politics of Movement -- Virginia Woolf and Clarice Lispector: Thinking Back Through Brazilian Mothers -- Mystical Gibberish or Renegade Discourse?: Poetic Language According to Orlando -- Selves and Others as Narrative Participants in Woolf's Novels -- Publishing, Politics, Publics -- "The most unaccountable of machinery" : The Orlando Project produces a textbase of one's own -- The Hotel at the End of the Universe -- Globalization, Inter Connectivity, and Anti-Imperialism: Leonard Woolf, the Hogarth Press, and Kenya -- Chinese Eyes and Muddled Armenians: The Hogarth Press and British Racial Discourse -- "No One Wants Biography": The Hogarth Press Classifies Orlando -- There Goes the Bride: Virginia Woolf, Julia Strachey, and the Hogarth Press -- Redefining Woolf for the 1990s: Producing and Promoting The "Definitive Collected Edition" -- The Believers: Writers Publishing for Readers, Or Preliminary Musings on The Hogarth Press and McSweeney's -- The Woolfs in Print and Online: A University Press in Transition -- Notes on Contributors -- Conference Program.

Edited collection from acclaimed contemporary Woolf scholars, linking inter- and multidisciplinary scholarship to the intellectual and creative projects of Virginia Woolf and her modernist peers.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.