A Comparative History of Literatures in the Iberian Peninsula : Volume II.

Intro -- A COMPARATIVE HISTORY OF LITERATURES IN THE IBERIAN PENINSULA VOLUME II -- Editorial page -- Title page -- LCC data -- Table of contents -- Presidential Preface to Vol. 2 of A Comparative History of Literatures in the Iberian Peninsula -- Introduction -- Contents of Volume 2 -- Note on documentation and translation -- Acknowledgements -- Section I. Images -- Inter(-in)ventions: Images of national identity in the literatures of the Iberian Peninsula -- Galician literature and the imaginary: Functions and problems -- "Catalonia is not Spain": Images of self and other in Catalan literature -- On the origins of images of gypsies -- Clichés -- Juan de Quiñones' Discurso contra los gitanos -- Conclusion -- The others in Golden Age drama -- Images of the "condemned" Europeans in the satiric works of Francisco de Quevedo -- Vulnerability and the literary imagination in the Basque context -- New models of foreignness -- The odyssey of Spanish Jews: Un-homely Sefarad -- Around 1492: un-homely Sefarad -- Jews in selected works of modern Spanish literature and history of thought -- Returning to 1492 -- Self-images and hetero-images in Portuguese youth literature -- Reasons for Portuguese national pride -- Impact on the literary field: youth literature -- Portugal's self-image: time and history -- Portugal's self-image: setting -- Hetero-images -- Spain -- Europe -- Africa -- Concluding remarks -- Regional images and the struggle for life in Madrilenian literature -- The regional stereotypes of the Iberian Peninsula -- Madrilenian literature, a unique vantage point for the study of regional images -- Madrid's peculiar history and the presence of regional characters -- The struggle for life, a constant theme in Madrilenian literature -- Madrid, the hostel or pension of Spain.

The struggle for life in nineteenth- and twentieth-century Madrilenian novels -- Regional origins and social determinism in the modern city -- Newcomers and host nations: Literary images associated with immigrants in Spanish narrative -- Section II. Genres -- Introduction: Laws and (inter-)texts -- Sefer ha-meshalim and the status of poetry in medieval Iberia -- Pastoral. The pastoral romance -- The conventions of the pastoral -- The shepherd -- The narrative plot -- Troubles without end -- Fiction and realism -- Autobiography and literary coherence -- Space -- Poetry and art -- The criticism of the pastoral novel -- The honest book -- The disintegration of the pastoral universe -- Conclusion -- Books of chivalry: Outline of a genre -- Preliminary topics -- Roots and flowering of the genre -- Praise and condemnation -- Theorization -- Pieces in a game -- The art of narration -- A model of a hero -- War -- Epilogue -- The sonnet in the Iberian Peninsula in the sixteenth century -- The picaresque in Iberia and America (nineteenth to twentieth century) -- The genre: history and criticism -- The picaresque model in the nineteenth and twentieth centuries, on both sides of the Atlantic -- El Periquillo Sarniento (Mexico, 1816) -- Memórias de um Sargento de Milícias (Rio de Janeiro, 1852-53) -- The pícaros in Portugal: From Camilo Castelo Branco until the present day -- Vida de Manolo contada per ell mateix (Barcelona, 1928) -- La ciudad de los prodigios (Barcelona, 1986) -- Vida e obras de Dom Gibão: opus milimetricum I (Venice, Rome, Barcelona, Lisbon, 1987) -- Pícaros from Galicia and Portugal, at the end of twentieth century -- Final remarks -- Religious and literary canons: Interferences and dissociations (sixteenth to eighteenth century) -- Prayer books -- Artes moriendi -- The historical novel.

The paths of a national idea of theatre in the Iberian Peninsula -- The battle of languages -- Theatre, a national issue -- Resistances to a nationalist program -- Success and failure of a nationalist policy -- The novel of adultery in Peninsular realist narrative -- The novel of adultery in Spain -- The novel of adultery in Portugal -- Writing of the self: Iberian diary writing -- Iberian autobiography -- Diary writing -- Iberian diary writing -- Texts and images in contemporary Spanish children's literature -- The growing emancipation of images in children's books -- All the better to see with, my child -- Everything, now -- Images: Flow, flux, and movement -- Media convergence, networks and communication bubbles -- Profile of the new reader: Spectator-reader, actor-reader? -- The impact of child reading on our media practices -- The essay -- Iberian problems -- The past: National myths, reinvention of the past -- Progress, modernity, industry, capitalism -- Iberism, federalism -- Europe, internationalism, cosmopolitanism -- Section III. Forms of Mediation -- Forms of mediation in the history of the literatures in the Iberian Peninsula -- Imitatio, rewriting and tradition: Shields in Iberian epics -- Translation and cultural mediation in the fifteenth-century Hispanic kingdoms: The case of Catalonia -- Paratexts and mediation: The case of Ausiàs March in the sixteenth century -- Ausiàs March and philosophy in verse -- Ausiàs March and the poetry of Petrarch -- The immortal Ausiàs March: invention of a classic -- Quis libri legendi. The canon and the forms of its assimilation in Renaissance rationes studiorum -- Translation in diaspora: Sephardic Spanish-Hebrew translations in the sixteenth century -- Introduction -- Diaspora -- The Sephardic case: Double diaspora and translation -- Spanish as a Jewish language -- Tsarfati's Celestina.

Algaba's Amadís de Gaula -- Hakohen's Historia de las Indias -- The Atlantic-Iberian Enlightenment: On the imperial-colonial and Morisco-Basque mediations -- The imperialist-subaltern Morisco/Roma/Converso Enlightenment. On majismo and performance -- A colonial Atlantic Enlightenement. The Basque aristocracy and the RSBAP -- The colonial Basque Enlightenment. On the aristocratic essay -- To conclude -- The anthology as instrument of mediation -- The functioning of anthologies in emergent cultural formations -- Literary mediation in compilations before the anthological form -- The articulation of a critical field: Literary canon and anthological mediation -- Cataloguing, collection, and selection -- Transformation and mediation in anthologies -- Cultural nationalism and school -- The recent systemic repositioning of literature in the French Basque Country -- The historical dominance of the Basque literature of Iparralde -- The fall of literature in Iparralde -- The structure of the current Basque literary system -- Daniel Landart: the centrality of a rightful heir -- Itxaro Borda or an endless journey from the periphery to the center -- Northernness vs. Iparraldeness. Aurelia Akortxa's Septentrio -- The new generation: evolution or involution? -- The future of Iparralde's literary subsystem -- Censorship and narrative at the crossroads in Spain and Portugal: An overview of the literatur -- Franco's Spain and Salazar's Portugal: Two countries, one aim -- Literary polysystem in Spain and Portugal under the dictatorship: Translations at stake -- South American translations in Spain / Ultramar influence in Portugal -- Culture and patronage forces: Book censorship -- Censorship and narrative translation: An example -- The exorcist facing Spanish censorship -- The exorcist facing Portuguese censorship -- By way of conclusion.

Section IV. Cultural Studies and Literary Repertoires -- Forever young: Disciplinary anxiety, or the eternal (re)birth of Spanish cultural studies -- Elements for a critique of the paraliterary novel in the Iberian Peninsula, 1860-1890 -- "Popular" spectacles in Spain during the Restoration -- Casticism and hybridization -- Ambiguous function of music and jokes -- The phenomenon of the bestseller in the Iberian Peninsula -- Postdigital fiction: Exit and memory -- Ouroboros -- Autotelic literary communities -- Exit and memory -- The relationship between popular contemporary music and literature -- Introduction -- Nueva canción and literature: Consciousness raising or an excess of symbolic value -- The production of meaning in contemporary popular music -- What is the purpose of lyrics in popular music -- The meaning of contemporary popular music -- Conclusion -- "Light changes the placement of things": Immigration, gender, and resistance in hip-hop music -- Hip-hop as a structure of feeling -- Urban lyricism: The last poets -- Poetics and politics of rap: Some objection to the extension of the political -- Hip-hop nation, nations of hip-hop: popular music and migratory movements in the Iberian Peninsula -- Women in Peninsular hip-hop. Immigration and gender -- Notes on the cinematographic canon and its relation to the theory of genres -- The case of Spain -- Portuguese cinema -- Television in Spain and Portugal: From the public monopoly to the new transmedia environment -- Introduction. Television in the Iberian Peninsula -- The origins of television under the dictatorship -- Winds of change: democratic television and the arrival of the private channels -- A new world. Transmedia television experiences in Spain and Portugal -- From the radio script to the sound script: An evolving/endangered species in Spain and Portugal.

Transformations of the graphic novel in Spain: The cases of Max and Miguelanxo Prado.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.