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Perspectives on Narrativity and Narrative Perspectivization.

By: Contributor(s): Material type: TextTextSeries: Linguistic Approaches to LiteraturePublisher: Amsterdam/Philadelphia : John Benjamins Publishing Company, 2016Copyright date: ©2016Edition: 1st edDescription: 1 online resource (195 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789027267443
Subject(s): Genre/Form: Additional physical formats: Print version:: Perspectives on Narrativity and Narrative PerspectivizationDDC classification:
  • 808/.036
LOC classification:
  • P302.7P43 2010
Online resources:
Contents:
Intro -- Perspectives on Narrativity and Narrative Perspectivization -- Editorial page -- Title page -- LCC data -- Table of contents -- Preface and Acknowledgements -- Introduction -- 1. The perspectival character of narrativity -- 2. Perspectives on narrativity -- 2.1 Narrativity as a perspectival constellation -- 2.2 Narrativity as a recursive property -- 2.3 Narrativity as a dynamic configuration -- 3. Narrative perspectivization -- 4. The perspectives of the volume -- References -- Part I: Cognitive-linguistic perspectives -- Perspectivization as a link between narrative micro- and macro-structure -- 1. Why are narratives special? -- 2. The core principle of perspectivization -- 3. Perspectivization on the linguistic micro-structure -- 3.1 Temporal perspectivization and the "Jekyll-and-Hyde effect" -- 3.2 Perspectivization vs. deixis -- 3.3 Effects on the textual level: The double-layered structure of discourse -- 4. The double-layered structure of narrative discourse -- 5. Recursive embedding and the emerging story: The case of Nabokov's Lolita -- 5.1 Viewpoint multiplication: Who speaks and who perceives? -- 5.2 The epistemic path, or: What do we really know about Lolita? -- 6. Conclusion: The characteristics of narrative structure -- References -- Presenting narration -- 1. Introduction -- 2. The data: Paving the way -- 2.1 Renarrative -- 2.2 Tripartite article -- 3. Semantics: Referential anchoring -- 3.1 Renarrative -- 3.2 Tripartite article -- 4. Discourse-pragmatics: Perspectival effects -- 4.1 Deixis - point of view - perspectivity -- 4.2 Renarrative -- 4.3 Tripartite article -- 5. Narrativity: Presenting narration -- 5.1 Renarrative -- 5.2 Tripartite article -- 6. Summary -- References -- Neurolinguistic view into narrative processing -- 1. A neurolinguistic path to narrativity.
2. Processing of macro-structures in neurologic patients -- 2.1 Influence of executive function on language processing -- 2.2 Narrative processing in acquired language disorders -- 3. Psycholinguistic models of narrative processing -- 4. Exploring the cognitive-linguistic interface of narratives -- 4.1 Procedure -- 4.2 Participants -- 4.3 Impact of cognitive functions on narrative processing -- 4.3.1 Narrative text comprehension -- 4.3.2 Narrative text production -- 5. Conclusion -- References -- Appendix -- Part II: Literary and transmedial perspectives -- The double-layered structure of narrative discourse and complex strategies of perspectivization -- 1. Starting point: Distance, perspective, and "meta" -- 2. A three-staged model of narrative communication -- 3. Exemplary analysis of complex forms of perspectivization in narrative -- 3.1 Meta-discursive strategies in E.T.A. Hoffmann's The Golden Pot -- 3.2 Bridging the gap between narrator and narratee - Wolf Haas' metanarrative detective novels -- 4. Conclusion -- Primary Sources -- References -- Narrator and narrative space in Middle High German epic poetry (Parzival, Ehescheidungsgespräch, Prosalancelot) -- 1. The fundamental difference between modern and medieval storytelling -- 2. The emergence of vernacular script-based storytelling at the end of the 12th century -- 3. The differentiation of the fundamental form of courtly storytelling in the 13th century -- 3.1 Wolfram's Parzival -- 3.2 The Stricker: Ehescheidungsgespräch -- 3.3 Prosalancelot -- 4. Outlook -- Seeing or meaning? -- 1. Perspective as a visual and analytical term -- 2. Pfister's concept of perspective in drama -- 3. Play within the play revealing dramatic perspectivization -- 4. Linking macro- and micro-structure -- 4.1 Catharina von Georgien -- 4.2 Prince Friedrich von Homburg -- 4.3 The God of Carnage -- 5. Conclusion.
Primary sources -- References -- Pictorial narrativity -- 1. Introduction -- 2. The critical arguments and their presuppositions -- 2.1 The presupposed concepts of narrativity -- 2.2 The presupposed characterizations of the pictorial medium -- 3. Conditions for pictorial narrativity -- 3.1 The "suitable relation" and its reasons -- 3.2 The fruitful moment -- 4. Narrative stimuli in different types of pictures -- 4.1 Narrative stimuli in single pictures -- 4.2 Narrative stimuli in multiphase pictures and picture series -- 5. Conclusion -- References -- Index.
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Intro -- Perspectives on Narrativity and Narrative Perspectivization -- Editorial page -- Title page -- LCC data -- Table of contents -- Preface and Acknowledgements -- Introduction -- 1. The perspectival character of narrativity -- 2. Perspectives on narrativity -- 2.1 Narrativity as a perspectival constellation -- 2.2 Narrativity as a recursive property -- 2.3 Narrativity as a dynamic configuration -- 3. Narrative perspectivization -- 4. The perspectives of the volume -- References -- Part I: Cognitive-linguistic perspectives -- Perspectivization as a link between narrative micro- and macro-structure -- 1. Why are narratives special? -- 2. The core principle of perspectivization -- 3. Perspectivization on the linguistic micro-structure -- 3.1 Temporal perspectivization and the "Jekyll-and-Hyde effect" -- 3.2 Perspectivization vs. deixis -- 3.3 Effects on the textual level: The double-layered structure of discourse -- 4. The double-layered structure of narrative discourse -- 5. Recursive embedding and the emerging story: The case of Nabokov's Lolita -- 5.1 Viewpoint multiplication: Who speaks and who perceives? -- 5.2 The epistemic path, or: What do we really know about Lolita? -- 6. Conclusion: The characteristics of narrative structure -- References -- Presenting narration -- 1. Introduction -- 2. The data: Paving the way -- 2.1 Renarrative -- 2.2 Tripartite article -- 3. Semantics: Referential anchoring -- 3.1 Renarrative -- 3.2 Tripartite article -- 4. Discourse-pragmatics: Perspectival effects -- 4.1 Deixis - point of view - perspectivity -- 4.2 Renarrative -- 4.3 Tripartite article -- 5. Narrativity: Presenting narration -- 5.1 Renarrative -- 5.2 Tripartite article -- 6. Summary -- References -- Neurolinguistic view into narrative processing -- 1. A neurolinguistic path to narrativity.

2. Processing of macro-structures in neurologic patients -- 2.1 Influence of executive function on language processing -- 2.2 Narrative processing in acquired language disorders -- 3. Psycholinguistic models of narrative processing -- 4. Exploring the cognitive-linguistic interface of narratives -- 4.1 Procedure -- 4.2 Participants -- 4.3 Impact of cognitive functions on narrative processing -- 4.3.1 Narrative text comprehension -- 4.3.2 Narrative text production -- 5. Conclusion -- References -- Appendix -- Part II: Literary and transmedial perspectives -- The double-layered structure of narrative discourse and complex strategies of perspectivization -- 1. Starting point: Distance, perspective, and "meta" -- 2. A three-staged model of narrative communication -- 3. Exemplary analysis of complex forms of perspectivization in narrative -- 3.1 Meta-discursive strategies in E.T.A. Hoffmann's The Golden Pot -- 3.2 Bridging the gap between narrator and narratee - Wolf Haas' metanarrative detective novels -- 4. Conclusion -- Primary Sources -- References -- Narrator and narrative space in Middle High German epic poetry (Parzival, Ehescheidungsgespräch, Prosalancelot) -- 1. The fundamental difference between modern and medieval storytelling -- 2. The emergence of vernacular script-based storytelling at the end of the 12th century -- 3. The differentiation of the fundamental form of courtly storytelling in the 13th century -- 3.1 Wolfram's Parzival -- 3.2 The Stricker: Ehescheidungsgespräch -- 3.3 Prosalancelot -- 4. Outlook -- Seeing or meaning? -- 1. Perspective as a visual and analytical term -- 2. Pfister's concept of perspective in drama -- 3. Play within the play revealing dramatic perspectivization -- 4. Linking macro- and micro-structure -- 4.1 Catharina von Georgien -- 4.2 Prince Friedrich von Homburg -- 4.3 The God of Carnage -- 5. Conclusion.

Primary sources -- References -- Pictorial narrativity -- 1. Introduction -- 2. The critical arguments and their presuppositions -- 2.1 The presupposed concepts of narrativity -- 2.2 The presupposed characterizations of the pictorial medium -- 3. Conditions for pictorial narrativity -- 3.1 The "suitable relation" and its reasons -- 3.2 The fruitful moment -- 4. Narrative stimuli in different types of pictures -- 4.1 Narrative stimuli in single pictures -- 4.2 Narrative stimuli in multiphase pictures and picture series -- 5. Conclusion -- References -- Index.

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Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

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