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Post-Theory : (Record no. 98677)

MARC details
000 -LEADER
fixed length control field 03848nam a22004693i 4500
001 - CONTROL NUMBER
control field EBC3445333
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240729125924.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240724s1996 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780299149437
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9780299149444
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC3445333
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL3445333
035 ## - SYSTEM CONTROL NUMBER
System control number (CaPaEBR)ebr10700289
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)927484451
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1994
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791.43
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Bordwell, David.
245 10 - TITLE STATEMENT
Title Post-Theory :
Remainder of title Reconstructing Film Studies.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Madison :
Name of producer, publisher, distributor, manufacturer University of Wisconsin Press,
Date of production, publication, distribution, manufacture, or copyright notice 1996.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©1996.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (584 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Wisconsin Studies in Film Series
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Intro -- Contents -- Contributors -- Introduction -- Part One. State of the Art -- 1. Contemporary Film Studies and the Vicissitudes of Grand Theory (David Bordwell) -- 2. Prospects for Film Theory: A Personal Assessment (Noël Carroll) -- Part Two. Film Theory and Aesthetics -- 3. Psychoanalytic Film Theory and the Problem of the Missing Spectator (Stephen Prince) -- 4. Convention, Construction, and Cinematic Vision (David Bordwell) -- 5. Is a Cognitive Approach to the Avant-garde Cinema Perverse? (James Peterson) -- 6. The Logic and Legacy of Brechtianism (Murray Smith) -- 7. Characterization and Fictional Truth in the Cinema (Paisley Livingston) -- 8. Empathy and (Film) Fiction (Alex Neill) -- 9. Feminist Frameworks for Horror Films (Cynthia A. Freeland) -- 10. Apt Feelings, or Why "Women's Films" Aren't Trivial (Flo Leibowitz) -- 11. Unheard Melodies? A Critique of Psychoanalytic Theories of Film Music (Jeff Smith) -- 12. Film Music and Narrative Agency (Jerrold Levinson) -- 13. Nonfiction Film and Postmodernist Skepticism (Noël Carroll) -- 14. Moving Pictures and the Rhetoric of Nonfiction Film: Two Approaches (Carl Plantinga) -- 15. Film, Reality, and Illusion (Gregory Currie) -- Part Three. Psychology of Film -- 16. The Case for an Ecological Metatheory (Joseph Anderson and Barbara Anderson) -- 17. Movies in the Mind's Eye (Julian Hochberg and Virginia Brooks) -- 18. Notes on Audience Response (Richard J. Gerrig and Deborah A. Prentice) -- Part Four. History and Analysis -- 19. Toward a New Media Economics (Douglas Gomery) -- 20. Columbia Pictures: The Making of a Motion Picture Major, 1930−1943 (Tino Balio) -- 21. "A Brief Romantic Interlude": Dick and Jane Go to 3 1/2 Seconds of the Classical Hollywood Cinema (Richard Malthy) -- 22. The Jazz Singer's Reception in the Media and at the Box Office (Donald Crafton).
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 23. Jameson and "Global Aesthetics" (Michael Walsh) -- 24. Reconstructing Japanese Film (Donald Kirihara) -- 25. Danish Cinema and the Politics of Recognition (Mette Hjort) -- 26. Whose Apparatus? Problems of Film Exhibition and History (Vance Kepley, Jr.) -- Selected Bibliography -- Index.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Motion pictures.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Carroll, Noel.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Bordwell, David
Title Post-Theory
Place, publisher, and date of publication Madison : University of Wisconsin Press,c1996
International Standard Book Number 9780299149444
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Wisconsin Studies in Film Series
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3445333">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3445333</a>
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