Conflicting Masculinities : (Record no. 9297)
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| 000 -LEADER | |
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| fixed length control field | 06620nam a22005053i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC5739286 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240724113628.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2018 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781838608170 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781788313353 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC5739286 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL5739286 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1090540833 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN1992.8.M38 .C664 2018 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.45/70811 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Byrne, Katherine. |
| 245 10 - TITLE STATEMENT | |
| Title | Conflicting Masculinities : |
| Remainder of title | Men in Television Period Drama. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | London : |
| Name of producer, publisher, distributor, manufacturer | I. B. Tauris & Company, Limited, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2018. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2018. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (324 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Library of Gender and Popular Culture Series |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Cover -- Half-title -- Title -- Copyright -- Contents -- List of Figures -- List of Contributors -- Acknowledgements -- Series Editors' Foreword -- Introduction -- Conflicted Men -- Men at Work -- Warfare -- The Female Gaze -- Part I. The Seventeenth and Eighteenth Centuries -- 1. The Masculine Economies of Banished -- Introduction -- Masculine Economies -- Violence and Sacrifice -- Banished, Masculinity and Australian History -- Conclusion -- 2. 'I will not fight for my country . . . for my ship . . . my King . . . or Captain': Redefining Imperial Masculinities in To the Ends of the Earth -- Introduction -- Empire, Masculinity and the Sea -- This Ship of Fools is England -- The Sea as a Philosophical and Nightmarish Space -- Masculinity, Sexuality and the Sea -- 'I kill people without knowing it' -- Conclusion -- 3. Television Costume Drama and the Eroticised, Regionalised Body: Poldark and Outlander -- Introduction -- Masculinities and Male Bodies -- Regional Identity and the Body -- Colonised Territory: Looking at the Naked Male Body -- Outlander: Body as Contested Territory -- Conclusion -- 4. Power and Passion: Seventeenth-Century Masculinities Dramatised on the BBC in the Twenty-First Century -- Seventeenth-Century Drama on the BBC -- Coming of Age -- Passion -- Interior and Exterior Masculinities -- Conclusion -- Part II. Visions of the Nineteenth Century -- 5. A Post-Feminist Hero: Sandy Welch's North and South -- 'The Darcy Model': Andrew Davies's Pride and Prejudice -- The Evolution of Post-Feminist Masculinities in the Televised Classic Novel -- Moving Beyond Darcymania: A Hero in His Own Right -- North and South (2004): Thornton's Re-inscription as a Post-Feminist Victorian Hero -- Men as Men: Male Community -- Wounded Masculinity: Male Emotion -- Homosocial Bonding: John Thornton and Nicholas Higgins. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Post-Feminism and the Father Figure -- Conclusion -- 6. 'Because my daddy would protect them': Ripper Street's Edmund Reid and the Competing Demands of Home and Public Lives -- Losing His Home: Series One and Two -- Regaining His Home: Series Three -- Reid and Neo-Victorian Representations of Masculinity -- Daddy/Detective -- Conclusion -- 7. 'Pleasure and pain, again and again' - Between Monstrosity and Inner Turmoil: The Representation of Masculinity in Penny Dreadful -- Introduction: 'Not a girl's heart. A man's heart' -- 'When you transform a life, you're making it anew': Penny Dreadful and Victorian Gothic -- 'For the monster is not in my face, but in my soul': The Portrayal of Conflicted Gothic Masculinity in Penny Dreadful -- 'You're a very young man. I've long since learnt that the truth is mutable': Troubled Father and Son Relationships -- Conclusion -- 8. Pathological Masculinities: Syphilis and the Medical Profession in The Frankenstein Chronicles -- Monstrous Doctors and the Legacy of Mary Shelley's Frankenstein -- An Unlikely 'Hero': Marlott and Syphilis -- Power and Education -- Changing Masculinities: Sharpe for the New Millennium? -- Conclusion -- Part III. Masculinities from World War I to the Cold War -- 9. 'The war is done. Shut the door on it!': The Great War, Masculinity and Trauma in British Period Television -- Uniforms and Masculine Authority -- Hysterical Men -- The Manly Death, Shirkers and Disabled Bodies -- The Veteran's Anger -- Conclusion: Memorialising Male Sacrifice -- 10. Pride versus Prejudice: Wounded Men, Masculinity and Disability in Downton Abbey -- The Dilemma of Disabled Masculinity -- 'Think of me as dead': Matthew Crawley's Disabled Masculinity -- Disabled Masculinity: The Case of Mr Bates -- Conclusion -- 11. A Minority of Men: The Conscientious Objector in Period Drama. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 'His name is Coward. His name is Shirker': Realism and Melodrama in The Village -- 'Mixed with sour milk': Downton Abbey's Idealistic CO -- 'You're not the man I thought you were': Echoes of World War I in Home Fires and Upstairs, Downstairs -- Conclusion -- 12. Cads, Cowards and Cowmen: Masculinity in Crisis in World War II Television Drama -- Masculinity in British Cinema and Television Drama -- Wounded Masculinity in Period Drama -- The WI Saves the Day -- Conclusion -- 13. 'Have you seen Walliams' Bottom?': Detecting the 'Ordinary' Man in Partners in Crime -- Gender and Genre -- Camp David, Camp Criticism and Otherness -- The Two Tommys: The Secret Adversary and Models of Male Identity -- Of Bees and Men: Gender Dualism and the Detective Figure -- Conclusion -- 14. 'No Need to Matronise Me!': The Crown, the Male Consort and Conflicted Masculinity -- The Feminised Monarchy and Melodrama -- The Male Consort: Malcontent and Moderniser -- The Crown and the Philip Problem -- The Crown and the Twenty-First Century -- Bibliography -- Index. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Masculinity on television. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | History on television. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Men on television. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Taddeo, Julie Anne. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Leggott, James. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Byrne, Katherine |
| Title | Conflicting Masculinities |
| Place, publisher, and date of publication | London : I. B. Tauris & Company, Limited,c2018 |
| International Standard Book Number | 9781788313353 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Library of Gender and Popular Culture Series |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5739286">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5739286</a> |
| Public note | Click to View |
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