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Women Filmmakers : (Record no. 90943)

MARC details
000 -LEADER
fixed length control field 05531nam a22004933i 4500
001 - CONTROL NUMBER
control field EBC3411983
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240729125556.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240724s2016 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780774850407
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9780774809023
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC3411983
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL3411983
035 ## - SYSTEM CONTROL NUMBER
System control number (CaPaEBR)ebr10055988
035 ## - SYSTEM CONTROL NUMBER
System control number (CaONFJC)MIL312984
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)923440317
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1995.9.W6 -- W66 2003eb
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791.430233082
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Levitin, Jacqueline.
245 10 - TITLE STATEMENT
Title Women Filmmakers :
Remainder of title Refocusing.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Vancouver :
Name of producer, publisher, distributor, manufacturer University of British Columbia Press,
Date of production, publication, distribution, manufacture, or copyright notice 2016.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2002.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (509 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Intro -- Contents -- Illustrations -- Acknowledgments -- Women Filmmakers -- Introduction Refocusing: Talking about (and with) Women Filmmakers -- Part 1 Women Filmmakers: Refocusing History and Theory -- 1 Women, Film, Resistance: Changing Paradigms -- 2 Refocusing Authorship in Women's Filmmaking -- 3 Women Filmmakers and the Avant-Garde: From Dulac to Duras -- 4 Cinefeminism in Its Middle Ages, or "Please, Please, Please Give Me Back My Pleasure": The 1990s Work of Sally Potter, Chantal Akerman, and Yvonne Rainer -- Part 2 Close-up on the Life and Works of Auteures from Europe -- 5 Helma Sanders Brahms: An Introduction -- 6 Interview and Excerpts from a Master Class with Helma Sanders Brahms -- 7 The Personal and the Political: Interview with Margarethe von Trotta -- 8 Changing Identity: Margarethe von Trotta's The Second Awakening of Christa Klages -- 9 Agnieszka Holland: Continuity, the Self, and Artistic Vision -- 10 The Dancing Body: Sally Potter as a Feminist Auteure -- Part 3 Women in the Mainstream: Using Popular Genres in Europe -- 11 The Vanishing Healer in Doris Dörrie's Nobody Loves Me -- 12 Women Directors and Genre Films in France -- 13 Mainstreaming the Margins in France: Three Films au Féminin -- 14 Lina Wertmüller: The Grotesque in Seven Beauties -- Part 4 Focus on Conditions of Production: Training, Funding, Distribution -- 15 Agnieszka Holland, Barbara Sass, and Dorota Ke dzierzawska in the World of Male Polish Filmmaking -- 16 The Films of Helke Misselwitz: Reconstructing Gender and Identity in the Former GDR -- 17 "Cinéma des Copines" and an Interview with Patricia Plattner -- 18 Making Feature Films: Panel Discussion with Helma Sanders Brahms (Germany), Caroline Eades (France), Patricia Plattner (Switzerland), and Anne Wheeler (Canada).
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 19 Making Documentary Films: Panel Discussion with Nicole Giguère, Brenda Longfellow, Loretta Todd, and Aerlyn Weissman -- Part 5 Women's Films through a Postcolonial Lens -- 20 Beyond Tradition and Modernity: Representations of Identity in Two Kenyan Films -- 21 Shuhaimi Baba and the Malaysian New Wave: Negotiating the Recuperation of Malay Custom (Adat) -- 22 Representation of Women in the Films of María Luisa Bemberg -- 23 Temporality and Identity in Sara Gómez's Documentaries -- 24 Sprung from Sisterhood: Interview with Yue- Qing Yang on Making Nu Shu: A Hidden Language of Women in China -- Part 6 National and Cultural Montages: Crossing Boundaries -- 25 An Introduction to Deepa Mehta: Making Films in Canada and India -- 26 Excerpts from a Master Class with Deepa Mehta -- 27 The Post of Colonial in the Works of Pratibha Parmar: Kiss My Chuddies -- 28 Interview and Excerpts from a Master Class with Pratibha Parmar -- 29 Documentaries Made in India: Raman Mann and Patricia Plattner -- Part 7 Representations of and by Minority Women -- 30 Women of Maghrebi Origin in Recent Films from France -- 31 Katinka Heyns: Questioning Afrikaans Culture -- 32 Making Novia que te vea: Interview with Guita Schyfter -- 33 Beyond the Homeland: Latinø- Canadian Film and the Work of Marilú Mallet and Claudia Morgado -- Part 8 Revisioning Gender and Diversity in Canada -- 34 Women Filmmakers in Quebec -- 35 Querying/Queering Stereotypes: Interview with Carole Ducharme on Making Straight from the Suburbs -- 36 Shadow and Light: First Nations Women Filmmakers -- 37 Unsettling the West: First Nations Films in British Columbia -- 38 Leaving Gender Aside: The Legacy of Studio D? -- 39 The Gender of the Gaze in Cinematography: A Woman with a Movie Camera -- Selected Film Sources -- Select Bibliography -- Notes on Contributors -- About the Editors -- Index.
520 ## - SUMMARY, ETC.
Summary, etc. What difference does it make when a woman wields the camera?.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Feminism and motion pictures.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Women motion picture producers and directors.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Raoul, Valerie.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Plessis, Judith.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Levitin, Jacqueline
Title Women Filmmakers
Place, publisher, and date of publication Vancouver : University of British Columbia Press,c2016
International Standard Book Number 9780774809023
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3411983">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3411983</a>
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