Gender and Contemporary Horror in Film. (Record no. 8977)
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| 000 -LEADER | |
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| fixed length control field | 06559nam a22005053i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC5722904 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240724113620.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2019 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781787698970 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781787698987 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC5722904 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL5722904 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1089195283 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | HQ1075-1075.5 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.436164 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Holland, Samantha. |
| 245 10 - TITLE STATEMENT | |
| Title | Gender and Contemporary Horror in Film. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Bingley : |
| Name of producer, publisher, distributor, manufacturer | Emerald Publishing Limited, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2019. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2019. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (272 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Emerald Studies in Popular Culture and Gender Series |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Front Cover -- Gender and Contemporary Horror in Film -- Copyright Page -- Contents -- List of Contributors -- Introduction -- PART I: BODIES -- Chapter 1 'It's So Easy to Create a Victim': Subverting Gender Stereotypes in the New French Extremity -- 1.1. Yuletide Terror: Inside (2007) -- 1.2. Manufacturing Victims: Martyrs (2008) -- 1.3. Conclusion -- References -- Chapter 2 Elegiac Masculinity in Bubba Ho-Tep and Late Phases -- 2.1. Hegemonic Masculinity in an Ageing World -- 2.2. Horror Elegies: Bubba Ho-Tep and Late Phases -- 2.3. Elegy for National Masculinity -- References -- Chapter 3 Game of Werewolves: XXI Century Spanish Werewolves and the Conflict of Masculinity -- 3.1. Spanish Recent Past and Masculinity -- 3.2. Lobos de Arga -- 3.3. Conclusion -- References -- Films Cited -- Chapter 4 Navigating the Mind/body Divide: The Female Cannibal in French Films Grave (Raw, 2016), Dans ma peau (In My Skin,... -- 4.1. Introduction -- 4.2. Loss of Bodily Control in Trouble Every Day -- 4.3. The Mind/Body Divide in Dans Ma Peau -- 4.4. Unruly Bodies in Grave -- 4.5. Conclusion -- References -- Chapter 5 Gendering the Cannibal in the Postfeminist Era -- 5.1. Gendering the Cannibal in the Postfeminist Era -- 5.2. Incest, Objectification and the Limits of Subjectivity -- 5.3. Monstrous Femininity in 301/302 -- 5.4. Consuming Subjectivities in The Woman -- 5.5. The Fight for Subjectivity in Raw -- 5.6. Conclusion -- References -- PART II: BOUNDARIES -- Chapter 6 #Selfveillance: Horror's Slut Shaming through Social Media, Sur- and Selfveillance -- 6.1. Introduction -- 6.2. When a Woman Is Looked At -- 6.3. When a Woman Looks at Her Self -- 6.4. Conclusion -- Acknowledgements -- References -- Chapter 7 Gay Porn (Horror) Parodies -- 7.1. Parody and Gay Porn (with Horror as Case Study) -- 7.2. Close Readings -- 7.2.1. Narrative (vs Sex). |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 7.2.2. Twink Porn with a Side of Parody -- 7.2.3. Uneasy Connections between Explicit (Homo)Sex and Violence -- 7.3. Conclusion -- References -- Chapter 8 'In Celebration of Her Wickedness?': Critical Intertextuality and the Female Vampire in Byzantium -- References -- Filmography -- Chapter 9 'There's a Ghost in My House': The Female Gothic and the Supernatural in What Lies Beneath (2000) -- References -- Filmography -- Chapter 10 The Monstrous-feminine and Masculinity as Abjection in Turkish Horror Cinema: An Analysis of Haunted (Musallat, ... -- 10.1. From 'Isolated Cases' to the Emergence of Horror as Genre in Turkey -- 10.2. The Emergence of Horror Cinema in the 2000s -- 10.2.1. Haunted -- 10.3. The Monstrous-feminine and Its Abject Womb in Haunted -- 10.4. The Male Saviours and the Rational Bystanders -- 10.5. Masculinity as Abjection -- 10.6. Conclusion -- References -- PART III: CAPTIVITY -- Chapter 11 Gender Ideologies, Social Realities and New Technologies in Recent Latin American 'Abduction' Horror -- 11.1. Introduction -- 11.2. Gender Roles in US Horror -- 11.3. Hybridity and Horror in Latin America -- 11.4. Reconfiguring Feminist Readings of Horror -- 11.5. Recent Latin American Abduction Horror and Gender Ideologies -- 11.5.1. Scherzo Diabolico -- 11.5.2. Luna de Miel -- 11.5.3. Sudor Frío -- 11.6. Conclusion -- References -- Chapter 12 Misogyny or Commentary? Gendered Violence Outside and Inside Captivity -- References -- Music -- Filmography -- Chapter 13 "My Name Is Alice. And I Remember Everything." Project Alice and Milla Jovovich in the Resident Evil Films -- 13.1. Resident Evil: The Films -- 13.2. Overview of the Films -- 13.3. Project Alice: Character Physical Presence and Character Arc -- References -- Chapter 14 The Final Girls (2015) as a Video Essay: A Metalinguistic Play with Genre and Gender Conventions. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 14.1. Slasher Horror and Film Theory -- 14.1.1. The Victims -- 14.1.2. The Killer -- 14.1.3. Weapons -- 14.1.4. Shock -- 14.1.5. Terrible Place -- 14.1.6. The Final Girl -- 14.1.7. The Body -- 14.2. The Final Girls: Intertextuality, Metalanguage and Film Theory -- 14.3. The End? -- References -- Chapter 15 Dissecting Depictions of Black Masculinity in Get Out -- 15.1. Introduction -- 15.1.1. Get Out -- 15.2. Theoretical Framework -- 15.2.1. Horror and the Gaze -- 15.2.2. The Horrors of Racism -- 15.2.3. The Racism of Horror -- 15.3. Where Is My Mind? Get Out and the Humanity of Black Men in Horror -- 15.4. Black Boyhood and Vulnerability -- 15.5. Breaking Barriers for Black Men in Horror (but not Black Women?) -- 15.6. The Terrifying Risks Involved in Respectability Politics -- 15.7. Conclusion -- References -- Index. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This edited collection focuses on gender and contemporary horror in film, examining how and if representations of gender in horror have changed. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Horror films-History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Sex role in motion pictures. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Shail, Robert. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Gerrard, Steven. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Holland, Samantha |
| Title | Gender and Contemporary Horror in Film |
| Place, publisher, and date of publication | Bingley : Emerald Publishing Limited,c2019 |
| International Standard Book Number | 9781787698987 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Emerald Studies in Popular Culture and Gender Series |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5722904">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5722904</a> |
| Public note | Click to View |
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