Madame Jazz : (Record no. 66046)
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| fixed length control field | 05202nam a22004573i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC3051932 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240729124418.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s1996 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780195355550 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9780195106473 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC3051932 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL3051932 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaPaEBR)ebr10087248 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaONFJC)MIL45283 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)922952645 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | ML82 -- .G69 1995eb |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 781.65/082 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Gourse, Leslie. |
| 245 10 - TITLE STATEMENT | |
| Title | Madame Jazz : |
| Remainder of title | Contemporary Women Instrumentalists. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Oxford : |
| Name of producer, publisher, distributor, manufacturer | Oxford University Press, Incorporated, |
| Date of production, publication, distribution, manufacture, or copyright notice | 1996. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©1996. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (304 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Intro -- Contents -- Introduction -- Chapter One: A Status Report on the Contemporary Scene: Part One -- Chapter Two: A Status Report: Part Two -- Chapter Three: Remembrance of Things Passé: Jill McManus Recalls the Frustrations of the Jazz Sisters in the 1970s -- Chapter Four: Several Successful Contemporary Young Women Musicians Talk About Their Inspiration and Commitment -- Chapter Five: Pianists Renee Rosnes and Rachel Z, Rising to the Top in the 1990s, Ruminate About Their Worlds -- Chapter Six: A View from the Business Women -- Chapter Seven: The Instrument Is the Image -- INTRODUCTION TO THE PROFILES -- Chapter Eight: Kit McClure, Big-Band Leader: "You Did the Right thing -- INTRODUCTION TO THE STRING PLAYERS -- Chapter Nine: Tracy Wormworth, Bassist: "Doors Just Opened -- Chapter Ten: Emily Remler and the Guitarists -- INTRODUCTION TO THE HORN PLAYERS -- Chapter Eleven: Focusing on Trumpeter Rebecca Coupe Franks, Alto Saxophonists Virginia Mayhew, Carol Chaikin, and Sue Terry, French Horn Player Stephanie Fauber, Oboist Kathy Halvorson, and Saxophonists Laura Dreyer and Paula Atherton -- Chapter Twelve: Trumpeters Laurie Frink and Stacy Rowles -- Chapter Thirteen: Flautists Elise Wood and Ali Ryerson -- Chapter Fourteen: Carol Sudhalter, A Role Model -- Chapter Fifteen: Jane Jra Bloom, Soprano Saxophonist and Experimentalist -- INTRODUCTION TO THE DRUMMERS -- Chapter Sixteen: Terri Lyne Carrington -- Chapter Seventeen: Cindy Blackman and Sylvia Cuenca -- Chapter Eighteen: Percussionist Carol Steele -- Chapter Nineteen: Individualists -- VIEWS FROM WOMEN AT THE TOP -- Chapter Twenty: Shirley Horn: "I Got Older and Bolder -- Chapter Twenty-One: Joanne Brackeen Lives and Plays Without Any Dos and Don'ts -- Chapter Twenty-Two: The Wily Miss Dorothy Donegan, Mistress of Fiery Medleys. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Chapter Twenty-Three: Marian McPartlond: " . . . Something You Really Néed in Life, Someone to Encourage You -- Chapter Twenty-Four: A Few Words About Love, Marriage, and Motherhood -- A View from the West Coast, by Frankie Nemko -- Appendix: Women Instrumentalists Active in the 1980s and Early 1990s -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Madame Jazz is a fascinating invitation to the inside world of women in jazz. Ranging primarily from the late 1970s to today's vanguard of performance jazz in New York City and on the West Coast, it chronicles a crucial time of transition as women make the leap from novelty acts regarded as second class citizens to sought-out professionals admired and hired for their consummate musicianship. Author Leslie Gourse surveys the scene in the jazz clubs, the concert halls, the festivals, and the recording studios from the musicians' point of view. She finds both exciting progress and lingering discrimination. The growing success of women instrumentalists has been a long time in coming, she writes. Long after women became accepted as writers and, to a lesser extent, as visual artists, women in music--classical, pop, or jazz--faced the nearly insuperable barrier of chauvinism and the still insidious force of tradition and habit that keeps most men performing with the musicians they have always worked with, other men.With dozens of captivating no-holds-barred interviews with both rising stars and seasoned veterans, Madame Jazz is about the history that women jazz instrumentalists are making now, as well as an inspiring preview of the even brighter days ahead. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Women jazz musicians. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Gourse, Leslie |
| Title | Madame Jazz |
| Place, publisher, and date of publication | Oxford : Oxford University Press, Incorporated,c1996 |
| International Standard Book Number | 9780195106473 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3051932">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3051932</a> |
| Public note | Click to View |
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