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Creativity, Cognition, and Knowledge : (Record no. 55807)

MARC details
000 -LEADER
fixed length control field 07656nam a22004933i 4500
001 - CONTROL NUMBER
control field EBC3000849
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240729123903.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240724s2002 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780313012471
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9780275976804
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC3000849
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL3000849
035 ## - SYSTEM CONTROL NUMBER
System control number (CaPaEBR)ebr10023324
035 ## - SYSTEM CONTROL NUMBER
System control number (CaONFJC)MIL42293
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)55505341
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number BF408.C694 2002
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 153.3/5
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Dartnall, Terry.
245 10 - TITLE STATEMENT
Title Creativity, Cognition, and Knowledge :
Remainder of title An Interaction.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture New York :
Name of producer, publisher, distributor, manufacturer Bloomsbury Publishing USA,
Date of production, publication, distribution, manufacture, or copyright notice 2002.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2002.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (350 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Perspectives on Cognitive Science Series
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Cover -- CREATIVITY, COGNITION, AND KNOWLEDGE -- Contents -- Foreword -- Preface -- ACKNOWLEDGMENTS -- Introduction -- KNOWLEDGE AND REPRESENTATION -- The Origins of an Epistemology -- The Standard Account of Cognition in Cognitive Science -- Retelling the Standard Story -- Constructing Representations in the Imagination -- Wittgenstein -- CREATIVITY AND COGNITIVE SCIENCE -- The Acid Test for Cognitive Science -- Creativity and Combinationism -- Combinationism and Representationism -- Getting Something Out of Nothing -- Atomism -- EMMY-COMBINATIONISM AT WORK? -- RETELLING THE EMPIRICIST STORY -- REPRESENTATIONAL REDESCRIPTION AND ACCESS -- REPRESENTATIONAL RANKS -- ANALOGY, STORAGE AND ACCESS -- INPUT AND OUTPUT CREATIVITY -- CREATIVITY AND RUNAWAY LEARNING -- OF LOOPS AND LOOPINESS -- SO WHAT HAVE WE LEARNED? -- EMERGENCE -- NOTES -- REFERENCES -- 1 Staring Emmy Straight in the Eye-and Doing My Best Not to Flinch -- HOW YOUNG I WAS, AND HOW NAÏVE -- CHESS TUMBLES TO COMPUTATIONAL POWER . . . -- . . . AND SO, IS MUSICAL BEAUTY NEXT IN LINE? -- THE PROOF OF THE PUDDING IS IN THE EATING -- LECTURING ON EMMY IN MANY DIFFERENT VENUES -- A PERSONAL VIEW OF HOW EMMY WORKS -- Syntactic Meshing in Emmy: Voice-Hooking and Texture-Matching -- Semantic Meshing in Emmy: Tension-Resolution Logic and SPEAC Labels -- Signatures -- Templagiarism -- The Acid Test: Hearing and Voting -- To Sound Like Bach and to Speak Like Bach -- The Nested Circles of Style -- When Does a Beatles Song Sound Like a Bach Chorale? -- A Portrait that "Looks Like" Its Intended Subject -- Lewis Rowell's "Bach Grammar" -- Emmy Tries Her Hand at Doing Chopin -- COMPOSING IN YOUR SLEEP . . . OR IN YOUR GRAVE -- IS LANGUAGE INTRINSICALLY DEEPER THAN MUSIC? -- Three Flavors of Pessimism -- APPENDIX: A FEW STANDARD QUESTIONS AND ANSWERS -- ACKNOWLEDGMENT -- DISCUSSION -- NOTE.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note BIBLIOGRAPHY -- Books and Articles -- Compact Disks -- 2 Acquisition and Productivity in Perceptual Symbol Systems: An Account of Mundane Creativity -- MUNDANE AND EXCEPTIONAL CREATIVITY -- SYMBOL SYSTEMS -- Amodal Symbol Systems -- Perceptual Symbol Systems -- MUNDANE CREATIVITY: CONCEPT ACQUISITION -- Concept Acquisition as a Form of Creativity -- Concept Acquisition in Amodal Symbol Systems -- Concept Acquisition in Perceptual Symbol Systems -- MUNDANE CREATIVITY: PRODUCTIVITY -- Productivity as a Form of Creativity -- Productivity in Amodal Symbol Systems -- Productivity in Perceptual Symbol Systems -- CONSTRUCTING PERCEPTUAL SYMBOL SYSTEMS -- Classical Models -- Connectionist Models -- Embodied Systems -- ACKNOWLEDGMENT -- DISCUSSION -- NOTES -- REFERENCES -- 3 Creativity and the Varieties of Explicitation -- INTERNAL RE-REPRESENTATION -- NOTATIONAL RE-REPRESENTATION -- WEAK NOTATIONAL RE-REPRESENTATION -- STRONG NOTATIONAL RE-REPRESENTATION -- EXPLICITATION AND CREATIVITY -- ACKNOWLEDGMENT -- DISCUSSION -- REFERENCES -- 4 Creativity, Relational Knowledge, and Capacity: Why Are Humans So Creative? -- TYPES OF REPRESENTATIONS -- Rank 0: Performance Without Representations -- Rank 1: Computed, Nonstructural Representations -- Ranks 2-6: Relational Representations -- Rank 2: Representations with Two Components -- Rank 3: Representations with Three Components -- Rank 4: Representations with Four Components -- Rank 5: Representations with Five Components -- Rank 6: Representations with Six Components -- THOUGHT AND RANK OF REPRESENTATION -- Representational Rank of Animals and Children -- Relational Complexity and Creativity -- REPRESENTATIONS IN COMPUTERS -- Models of Creative Processing -- ACQUISITION OF RELATIONAL KNOWLEDGE -- CONCLUSION -- DISCUSSION -- REFERENCES.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 5 Analogy and Creativity: Schema Induction in a Structure-Sensitive Connectionist Model -- ANALOGICAL ACCESS AND MAPPING IN LISA -- Basic Architecture -- Basic Operation -- Dynamics of Mapping -- Capacity Limits on Mapping in LISA -- INFERENCE AND SCHEMA INDUCTION IN LISA -- Self-Supervised Encoding of Structure -- What to Encode: Discovering the Schema in the Instances -- Extensions of Schema Induction -- Analogical Inferences from Source to Target -- CONCLUSION -- ACKNOWLEDGMENT -- DISCUSSION -- REFERENCES -- 6 Creativity: A Computational Modeling Approach -- THE CORTICAL AROUSAL THEORY -- CREATIVITY AS NORMAL PROBLEM SOLVING -- A THEORY OF EMERGENT MEMORY: A COMPUTATIONAL MODEL -- AGENT SELECTION STRATEGY: THE POINT OF COMPARISON -- COMPUTATIONAL BEHAVIOR -- THE "AHA!" PHENOMENON: CAUSE OR EFFECT? -- CHUNKING AND MAGIC NUMBERS -- CONTROLLED RANDOMNESS -- BREAKING OUT AND GOING WRONG -- CONCLUSION -- ACKNOWLEDGMENT -- DISCUSSION -- REFERENCES -- 7 Creativity and Runaway Learning -- LEARNING ANALYZED AS A TASK -- THE NEED FOR RECURSIVE RELATIONAL LEARNING -- AN EXAMPLE OF RUNAWAY RELATIONAL LEARNING -- CONCLUSION -- DISCUSSION -- REFERENCES -- 8 Letter Spirit: Perception and Creation of Diverse Alphabetic Styles -- FLUID CONCEPTS AND CREATIVITY -- THE MOTIVATION OF LETTER SPIRIT -- The Grid -- Letters as Concepts -- CREATING A GRIDFONT -- FOUR GLOBAL MEMORY STRUCTURES -- FOUR INTERACTING EMERGENT AGENTS -- THE CENTRAL FEEDBACK LOOP OF THE CREATIVE PROCESS -- CONCLUSION -- DISCUSSION -- NOTE -- REFERENCES -- 9 Results in the Letter Spirit Project -- THE EXAMINER -- THE ADJUDICATOR -- THE THEMATIC FOCUS -- THE DRAFTER -- THE LETTER SPIRIT LOOP -- RESULTS AND FUTURE DIRECTIONS -- DISCUSSION -- NOTE -- REFERENCE -- 10 Emergence and Creativity: Five Degrees of Freedom -- REDUCTIONISM AND ANTI-REDUCTIONISM -- VARIETIES OF EMERGENCE.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note FIVE DEGREES OF FREEDOM AND CREATIVITY -- Epiphenomenal Creativity -- Indeterministic Creativity -- Configurational Creativity -- Subpersonal Agential Creativity -- Personal-Level Creativity -- CRITICISMS OF EMERGENT MATERIALISM -- ACKNOWLEDGMENT -- DISCUSSION -- NOTES -- REFERENCES -- Index -- About the Editor and the Contributors.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Creative ability.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Dartnall, Terry
Title Creativity, Cognition, and Knowledge
Place, publisher, and date of publication New York : Bloomsbury Publishing USA,c2002
International Standard Book Number 9780275976804
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Perspectives on Cognitive Science Series
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3000849">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3000849</a>
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