Art and Representation : (Record no. 55440)
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| fixed length control field | 05291nam a22004573i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC3000131 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240729123851.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2000 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780313000621 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9780275968472 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC3000131 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL3000131 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaPaEBR)ebr5004418 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)929143879 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | BH301.R47.A78 2001 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 111/.85 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Sukla, Ananta C. |
| 245 10 - TITLE STATEMENT | |
| Title | Art and Representation : |
| Remainder of title | Contributions to Contemporary Aesthetics. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | New York : |
| Name of producer, publisher, distributor, manufacturer | Bloomsbury Publishing USA, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2000. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2001. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (293 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Cover -- ART AND REPRESENTATION -- Contents -- Acknowledgments -- Introduction -- I -- II -- III -- IV -- V -- VI -- NOTES -- PART ONE Concepts and Faculties -- 1 Representation in Language -- PICTORIAL, PRESENTATIONAL, AND REPRESENTATIONAL FORM -- OLD AND NEW WAYS OF IDEAS -- ANOTHER IDEA OF IDEA -- FORMS OF LIFE -- WORLD PICTURES -- LANGUAGE AND THE VERY IDEA OF A CONCEPTUAL SCHEME -- SENDING ON REPRESENTATION -- NOTES -- 2 Representation and Epistemology -- THE PERFORMING ARTS -- NOTES -- 3 Political and Historical Representation -- INTRODUCTION -- REPRESENTATION -- IMPLICATIONS OF THE FOREGOING -- FOUR CONSEQUENCES -- FROM REPRESENTATIVE TO PLEBISCITARY DEMOCRACY -- WHERE TO FIND THE REMEDY FOR OUR PRESENT POLITICAL ILLS? -- CONCLUSION -- NOTES -- 4 Representation in Sacrificial Rites -- RELIGION, RITUAL, AND SACRIFICE -- THE STRUCTURALISTS -- THE PERSISTENCE OF RELIGION -- RECAPTURING THE RELIGIOUS CONTEXT OF DURKHEIMIAN THOUGHT -- SACRIFICIAL RHETORIC -- WHAT KIND OF THEORY? -- PERSISTENCE OF SACRIFICIAL RHETORIC -- NOTES -- 5 Possible World and Representation -- POSSIBLE WORLDS AND MODALITY -- POSSIBLE AND IMPOSSIBLE WORLDS -- MODAL REALISM AND CONCRETE WORLDS -- NOTES -- REFERENCES -- 6 Postmodernism and Representation -- POST-METAPHYSICAL REPRESENTATION: THE LOST GROUND OF CRITIQUE? -- DERRIDA DECONSTRUCTING THE CENTER -- From Logocentric to Postmodern Linguistics -- An Epochal Genealogy of Writing -- Semiotic Production -- The Conditions of Hermeneutic Suspicion -- RORTY'S ANTI-FOUNDATIONAL SKEPTICISM -- Beyond Truth and the Good -- Rorty's Epistemic Agenda -- Representation without Essences -- FOUCAULT'S POWERS OF DISCOURSE -- The Pragmatic Conditions of History -- The Constitution of Objects -- The Problem of Postfoundational Critique -- THE NECESSARY CONDITIONS OF CRITIQUE -- ADORNO'S CRITICAL REPRESENTATIONS. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Foundations without a Method -- Formal Necessity as Foundational Contradiction -- RECONSTRUCTING THE FOUNDATIONS OF REPRESENTATION AND CRITIQUE -- NOTE -- REFERENCES -- PART TWO Aesthetics and Arts -- 7 Some Current Philosophical Theories of Pictorial Representation -- NOTES -- 8 A Causal Theory of Pictorial Representation -- I -- II -- III -- IV -- V -- ACKNOWLEDGMENT -- NOTES -- 9 Painting, Photography, and Representation -- MATCHING -- SIMULATION -- THE INTENTIONALITY OF PICTURES -- REPRESENTATION, PAINTING, AND PHOTOGRAPHY -- CONCLUSION -- NOTES -- 10 Representation in Literatur -- I -- II -- III -- IV -- NOTES -- 11 Musical Representation -- THE MUSICAL REPRESENTATION OF SOUNDS -- MUSIC AND DYNAMIC PROCESSES -- DRAMATIC MUSIC AND SONGS -- THE REPRESENTATION OF EMOTIONS IN MUSIC -- ABSTRACT INSTRUMENTAL MUSIC -- MUSIC WITH DESCRIPTIVE TITLES AND PROGRAMS -- REPRESENTATIONS OF MUSIC WITHIN MUSIC -- CONCLUSION -- NOTE -- 12 Representation in Dance: Reference and Resemblance -- REFERENCE -- REPRESENTATION -- REPRESENTATION AND EXPRESSION -- NOTES -- 13 Film and Representation -- TRANSPARENT REALISM -- REPRESENTATIONALISM -- THE LOGIC OF SEEING -- CONCLUSION -- NOTES -- 14 Representation in Painting and Drama: Arguments from Indian Aesthetics -- PREFACE -- INTRODUCTION -- REPRESENTATION AS ILLUSION -- REPRESENTATION AS ARTIFICIAL REPRODUCTION/REPLICA/RE-PRESENTATION -- REPRESENTATION AS PERFORMANCE/DETERMINATE PRESENTATION OF THE INDETERMINATE/ILLUSTRATIVE TOKEN OF TYPE -- CONCLUSION -- NOTES -- 15 Representation, Representativeness, and Non-Representational Art -- I -- II -- III -- IV -- V -- VI -- VII -- NOTES -- Selected Bibliography -- Author/Name Index -- Term/Concept Index -- About the Editor and Contributors. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Aesthetics, Modern. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Art -- Philosophy. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Representation (Philosophy). |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Sukla, Ananta C. |
| Title | Art and Representation |
| Place, publisher, and date of publication | New York : Bloomsbury Publishing USA,c2000 |
| International Standard Book Number | 9780275968472 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3000131">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=3000131</a> |
| Public note | Click to View |
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