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The Artist As Curator. (Record no. 55369)

MARC details
000 -LEADER
fixed length control field 03501nam a22004573i 4500
001 - CONTROL NUMBER
control field EBC2197321
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240729123849.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240724s2016 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781783203383
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781783203376
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC2197321
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL2197321
035 ## - SYSTEM CONTROL NUMBER
System control number (CaONFJC)MIL884541
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)920111181
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N4395 .A785 2015
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 700
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Jeffery, Celina.
245 14 - TITLE STATEMENT
Title The Artist As Curator.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Bristol :
Name of producer, publisher, distributor, manufacturer Intellect, Limited,
Date of production, publication, distribution, manufacture, or copyright notice 2016.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2015.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (214 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgements -- Foreword -- Introduction -- Chapter 1: Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things -- Opening: The Limits of Objectivity -- Commission: Metaphors and Objections -- Technologies and Time: Exhibition/Catalogue -- Obsessions: Heads and Images -- Irony, Authenticity and the Stereotype -- Memento Mori: Surrealism and Death -- An Anthropological Imagination -- A Social Critique of Waste -- Images of Conflict and Combat -- A Cosmic Philosophy: Blueprints for a New Museum -- Acknowledgement -- References -- Note -- Chapter 2: Re-Mastering MoMA: Kirk Varnedoe's 'Artist's Choice' Series -- References -- Note -- Chapter 3: 'Both Object and Subject': MoMA's Burton on Brancusi -- References -- Notes -- Chapter 4: Curating Between Worlds: How Digital Collaborations Become Curative Projects -- References -- Chapter 5: Erasure: Curator as Artist -- References -- Notes -- Chapter 6: Say My Name -- Notes -- Chapter 7: Performing the Curator, Curating the Performer: Abramović's Seven Easy Pieces -- The Curator -- The Archive -- Performance -- Seven Easy Pieces -- References -- Notes -- Chapter 8: Curating the City: Collectioneering and the Affects of Display -- Tempting Provenance -- Material Constellations -- Rhetorics of Display -- A Post-Medium Wunderkammer -- Typologies of Heterogeneity -- References -- Notes -- Chapter 9: Artists Curating the Expedition -- References -- Notes -- Contributors -- Index -- BackCover.
520 ## - SUMMARY, ETC.
Summary, etc. Recently, the museum and gallery have become self-reflexive spaces, in which the relationship between art, its display, its creators and its audience is subverted and democratised. Celina Jeffery brings together scholars and artists to explore the ways that artists have introduced new curatorial ways of thinking and talking about artistic culture.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art-Exhibition techniques.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Artists as art museum curators.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Curatorship.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Jeffery, Celina
Title The Artist As Curator
Place, publisher, and date of publication Bristol : Intellect, Limited,c2016
International Standard Book Number 9781783203376
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=2197321">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=2197321</a>
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