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The Art of Writing Drama. (Record no. 48917)

MARC details
000 -LEADER
fixed length control field 05646nam a22004813i 4500
001 - CONTROL NUMBER
control field EBC2003342
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240729123520.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240724s2008 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781408141328
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9780413775863
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC2003342
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL2003342
035 ## - SYSTEM CONTROL NUMBER
System control number (CaPaEBR)ebr11001296
035 ## - SYSTEM CONTROL NUMBER
System control number (CaONFJC)MIL752369
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)652348967
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1661 -- .W363 2008eb
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 808.2
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Wandor, Michelene.
245 14 - TITLE STATEMENT
Title The Art of Writing Drama.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture London :
Name of producer, publisher, distributor, manufacturer Bloomsbury Publishing Plc,
Date of production, publication, distribution, manufacture, or copyright notice 2008.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2008.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (196 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Professional Media Practice Series
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Cover -- Contents -- Introduction -- Learning to write drama -- Creative writing and drama -- Backgrounds -- After censorship -- Positioning dramatic writing -- From imagination to page and stage -- Writing drama per se - the complete text -- The Death of the Author and the birth of the dramatist -- Drama - the 'complete' text -- Received clichés -- Chapter One: Drama - the apparently incomplete text -- Drama as collaborative art -- Writing drama as an imaginative mode of thought -- Drama as a visual medium -- Drama as the novel manqué -- Conclusions -- The compleat dramatist -- Chapter Two: The emergence of the dramatist and drama in education -- Drama and education -- Teaching drama after World War Two -- After censorship, new dramatists and new drama -- Chapter Three: The performance text -- Theory -- Anthropology -- Performance and meaning -- Audience as political and social entity -- Theatre and semiotics -- Competence and performance -- The performance triumvirate -- Performance theory and the Death of the Author -- The Death of the Author and the fourth wall -- Audience as active -- Conclusions -- Chapter Four: The text from the other side: director and performer -- The director -- The performer, acting and the text -- The fourth wall -- After Stanislavsky - new objectivism -- Conclusions: performance and immediacy -- Chapter Five: The novel and the drama -- Size matters -- Narrative voice, point of view, character and subjectivity -- Poly-vocality and the dialogic -- Narrative, structure and causality -- Chapter Six: Methods of teaching - the workshop -- Early workshop history -- The tutorial precedent -- Workshop pedagogy -- Authority -- Workshop practice and power-relations -- Criticism and value judgement -- Training professional writers versus self-expression -- The workshop as a House of Correction -- The workshop as therapy group.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Theatre workshops -- Conclusions -- Chapter Seven: The concepts in how-to books on dramatic writing -- Action or character? -- Action, conflict and crisis (actions speak louder than words) -- Character -- Premise, idea, vision, theme -- Scenario -- Dialogue -- Narrative and causality -- Drama and creative writing -- Conclusions - dialogue - the absent centre -- Chapter Eight: Stage directions -- Main or subsidiary -- From directions to performance -- Extradialogic stage directions -- Extra- and intra-dialogic stage directions -- Conclusions -- Chapter Nine: The compleat dramatist - preparing to write -- Copyright -- The story so far -- From prose to dialogue -- Narrative through dialogue -- Monologue and character -- Monologue and prose -- Chapter Ten: The text - dialogue and relationships -- Dialogue, action and speech acts -- Dialogue and voicing -- Dialogue - turn-taking, exchange -- Reaction and interaction: dialogue and relationships -- Response as the condition of dialogue -- Relationships and character -- Chapter Eleven: Teaching and learning the art of writing drama -- Aims and boundaries -- Chapter Twelve: The pedagogic process -- Overheard conversations -- Languages and individual resources -- Words on the page, in the air and on the floor -- Scenes on the air and behind the fourth wall -- Analysis and possibility -- Plan, event, conflict and subtext -- Time and place -- Structural imperatives - beginning, middle and end -- Immediacy, pivot and exposition -- Example: narrative and causality -- Structure -- Pivot -- Chapter Thirteen: Subject matter, character and follow-up -- Subject matter, theme and message -- Character -- Rewriting and further writing -- After class -- Chapter Fourteen: Culture and representation -- Gender as a case study -- Women dramatists -- Chapter Fifteen: Conclusions -- Bibliography.
520 ## - SUMMARY, ETC.
Summary, etc. The Art of Writing Drama by acclaimed dramatist Michelene Wandor is both a scholarly and immensely practical guide to writing for the stage that couples theory with practical guidance and exercises.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Playwriting.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Wandor, Michelene
Title The Art of Writing Drama
Place, publisher, and date of publication London : Bloomsbury Publishing Plc,c2008
International Standard Book Number 9780413775863
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Professional Media Practice Series
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=2003342">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=2003342</a>
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