ORPP logo

Modern Drama and the Rhetoric of Theater. (Record no. 47730)

MARC details
000 -LEADER
fixed length control field 03708nam a22004453i 4500
001 - CONTROL NUMBER
control field EBC1977558
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240729123444.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240724s1991 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780520963047
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9780520286870
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC1977558
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL1977558
035 ## - SYSTEM CONTROL NUMBER
System control number (CaPaEBR)ebr11025730
035 ## - SYSTEM CONTROL NUMBER
System control number (CaONFJC)MIL734259
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)904425955
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PR736 -- .W678 1992eb
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 822.9109
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Worthen, W. B.
245 10 - TITLE STATEMENT
Title Modern Drama and the Rhetoric of Theater.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Berkeley :
Name of producer, publisher, distributor, manufacturer University of California Press,
Date of production, publication, distribution, manufacture, or copyright notice 1991.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©1991.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (261 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Cover -- Title -- Copyright -- Contents -- Acknowledgments -- Introduction -- 1. Theater and the Scene of Vision -- Chekhov's Camera: The Rhetoric of Stage Realism -- Invisible Women: Problem Drama, 1890-1920 -- 2. Actors and Objects -- Invisible Actors: O'Neill, the Method, and the Masks of "Character -- Visible Scenes: American Realism and the Absent Audience -- Empty Spaces and the Power of Privacy: Pinter, Shepard, and Bond -- 3. Scripted Bodies: Poetic Theater -- Poetic Theater and the Work of Acting -- The Discipline of Speech: Yeats's Dance Drama -- The Discipline of Performance: The Dance of Death and Murder in the Cathedral -- The Discipline of the Text: Beckett's Theater -- 4. Political Theater: Staging the Spectator -- Transforming the Field of Theater -- Breaking the Frame of History: Hitler Dances and The Churchill Play -- History and the Frame of Genre: Laughter! and Poppy -- Framing Gender: Cloud Nine and Fefu and Her Friends -- Postscript. Sidi's Image: Theater and the Frame of Culture -- Notes -- Works Cited -- Index.
520 ## - SUMMARY, ETC.
Summary, etc. The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience. How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O'Neill play from a Yeats, or these two from a Brecht. Where realistic theater relies on the "natural" qualities of the stage scene, poetic theater uses the poet's word, the text, to control performance. Modern political theater, by contrast, openly places the audience at the center of its rhetorical designs, and the drama of the postwar period is shown to develop a range of post-Brechtian practices that make the audience the subject of the play. Worthen's book deserves the attention of any literary critic or serious theatergoer interested in the relationship between modern drama and the spectator.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Theater - English-speaking countries - History - 20th century.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Worthen, W. B.
Title Modern Drama and the Rhetoric of Theater
Place, publisher, and date of publication Berkeley : University of California Press,c1991
International Standard Book Number 9780520286870
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=1977558">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=1977558</a>
Public note Click to View

No items available.

© 2024 Resource Centre. All rights reserved.