The Musical Structure of Plato's Dialogues. (Record no. 41125)
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| fixed length control field | 04913nam a22004573i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC1791079 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240729123056.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2014 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781317547983 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781844652662 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC1791079 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL1791079 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaPaEBR)ebr10553852 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaONFJC)MIL646887 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)891447323 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | B395 .K466 2014 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 184 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Kennedy, J. B. |
| 245 14 - TITLE STATEMENT | |
| Title | The Musical Structure of Plato's Dialogues. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Oxford : |
| Name of producer, publisher, distributor, manufacturer | Taylor & Francis Group, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2014. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2011. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (337 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Preface -- Abbreviations -- 1. The nature and history of philosophical allegory -- 1.1 Rehabilitating ancient ways of reading -- 1.2 Allegory, Socrates and Plato -- 1.3 Symbols, reserve and Pythagoreanism -- 1.4 Persecution and the politics of allegory in classical Athens -- 1.5 Plato and Pythagoreanism: two puzzles -- 1.6 The allegorical Plato in history -- 1.7 Methodological precedent: early Christianity -- 1.8 Methodological precedent: Renaissance Platonism -- 2. Introducing the dialogues' musical structure -- 2.1 Structuring a dialogue -- 2.2 Ancient Greek music: three key ideas -- 2.3 Plato's symbolic scheme -- 2.4 Harmony and consonance, disharmony and dissonance -- 2.5 Sevenths and mixture -- 2.6 Guide to the strongest evidence -- 2.7 Methodology for line-counting -- 2.8 Canons of criticism -- 2.9 Responses to possible objections -- 3. Independent lines of evidence -- 3.1 Simple, objective measurements -- 3.2 Parallel passages at the same relative location -- 3.3 Ranges of positive and negative concepts -- 3.4 Preview of the musical structure in the Republic -- 3.5 A control: falsifiability and the pseudo-Platonica -- 4. An emphatic pattern in the Symposium's frame -- 4.1 A theory of music -- 4.2 Recurring clusters of features in the frame -- 4.3 A new kind of commentary -- 5. Making the Symposium's musical structure explicit -- 5.1 Phaedrus -- 5.2 Pausanias -- 5.3 Eryximachus -- 5.4 Aristophanes -- 5.5 Agathon -- 5.6 Socrates and Diotima -- 5.7 Alcibiades -- 6. Parallel structure in the Euthyphro -- 6.1 The same scale and the same symbolic scheme -- 6.2 Guide to the strongest evidence -- 6.3 The sevenths -- 6.4 The connection to music -- 6.5 Another kind of evidence: parallels between dialogues -- 6.6 The Euthyphro is not aporetic. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 6.7 Marking the notes -- 7. Extracting doctrine from structure -- 7.1 Aristotle on virtues and means -- 7.2 Stichometry and the divided line -- 7.3 Reading the dialogues in parallel -- 7.4 The logic of the argument and its consequences -- 8. Some implications -- 8.1 Summary of the case -- 8.2 Interpreting the dialogues -- 8.3 Problems with anonymity and intentionality -- 8.4 Interpreting Plato, Pythagoras and Socrates -- 8.5 History of music and mathematics -- 8.6 History of literature and literary theory -- 8.7 Ancient book production, papyrology, textual studies -- 8.8 The forward path -- Appendix 1: More musicological background -- Appendix 2: Neo-Pythagoreans, the twelve-note scale and the monochord -- Appendix 3: Markers between the major notes -- Appendix 4: The central notes -- Appendix 5: Systematic theory of the marking passages -- Appendix 6: Structure in Agathon and Socrates' speeches -- Appendix 7: Euripides and line-counting -- Appendix 8: Data from the Republic -- Appendix 9: OCT line numbers for the musical notes -- Notes -- Bibliography -- Index. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Argues that Plato's dialogues have an unsuspected musical structure and use symbols to encode Pythagorean doctrines. This title shows that Plato gave his dialogues a similar, hidden musical structure. It begins with an introduction to Plato's symbolic schemes and the role of allegory in ancient times. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Plato -- Criticism and interpretation. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Kennedy, J. B. |
| Title | The Musical Structure of Plato's Dialogues |
| Place, publisher, and date of publication | Oxford : Taylor & Francis Group,c2014 |
| International Standard Book Number | 9781844652662 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=1791079">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=1791079</a> |
| Public note | Click to View |
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