Viewing African Cinema in the Twenty-First Century : (Record no. 39226)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02880nam a22004333i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC1762854 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240729122950.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2010 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9780821443507 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9780821419311 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC1762854 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL1762854 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaPaEBR)ebr10907653 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)794925014 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN1992.934.N6.V54 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.4309669/090511 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Şaul, Mahir. |
| 245 10 - TITLE STATEMENT | |
| Title | Viewing African Cinema in the Twenty-First Century : |
| Remainder of title | Art Films and the Nollywood Video Revolution. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Athens, OH : |
| Name of producer, publisher, distributor, manufacturer | Ohio University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2010. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2010. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (257 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Intro -- Preface and Acknowledgments -- Introduction -- Part I: The "Problem" of Nollywood -- 1: What Is to Be Done? -- 2: Nollywood and Its Critics -- 3: Ghanaian Popular Video Movies between State Film Policies and Nollywood -- 4: Islam, Hausa Culture, and Censorship in Northern Nigerian Video Film -- 5: Nollywood Goes East -- Part II: Imported Films and Their African Audiences -- 6: Commentary and Orality in African Film Reception -- 7: Songs, Stories, Action! -- Part III: FESPACO/Art Film in the Light of Nollywood -- 8: Art, Politics, and Commerce in Francophone African Cinema -- 9: Outside the Machine? -- 10: Emitaï: Basic Stylistic Elements -- 11: Curses, Nightmares, and Realities -- 12: The Return of the Mercedes -- 13: U.S. Distribution of African Film -- Selected Bibliography of African Cinema -- Contributors -- Index of Film Titles -- Index. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. But since the early 1990s, a new phenomenon has come to dominate the African cinema world: mass-marketed films shot on less expensive video cameras. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Austen, Ralph A. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Şaul, Mahir |
| Title | Viewing African Cinema in the Twenty-First Century |
| Place, publisher, and date of publication | Athens, OH : Ohio University Press,c2010 |
| International Standard Book Number | 9780821419311 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=1762854">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=1762854</a> |
| Public note | Click to View |
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