ORPP logo

The Routledge Companion to Dramaturgy. (Record no. 39164)

MARC details
000 -LEADER
fixed length control field 07739nam a22005053i 4500
001 - CONTROL NUMBER
control field EBC1761960
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240729122947.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240724s2014 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781135122898
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9780415658492
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC1761960
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL1761960
035 ## - SYSTEM CONTROL NUMBER
System control number (CaPaEBR)ebr10913309
035 ## - SYSTEM CONTROL NUMBER
System control number (CaONFJC)MIL634487
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)889521613
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN2053 .R78 2014
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 792.0233
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Romanska, Magda.
245 14 - TITLE STATEMENT
Title The Routledge Companion to Dramaturgy.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Oxford :
Name of producer, publisher, distributor, manufacturer Taylor & Francis Group,
Date of production, publication, distribution, manufacture, or copyright notice 2014.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2015.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (569 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Routledge Companions Series
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of illustrations -- Notes on contributors -- Introduction -- Part I World dramaturgy in the twenty-first century -- 1 Robert Blacker looks at the past and future of American dramaturgy -- 2 Contemporary new play dramaturgy in Canada -- 3 Collaborative dramaturgy in Latin American theatre -- 4 Documentary dramaturgy in Brazil -- 5 The place of a dramaturg in twenty-first-century England -- 6 On German dramaturgy -- 7 The making of La Dramaturgie in France -- 8 Dramaturgy and the role of the dramaturg in Poland -- 9 The new play dramaturgy in Russia -- 10 Dramaturgy in post-revolution Iran: problems and prospects -- 11 Performing dramaturgy in Syria: observations and interview with Mayson Ali -- 12 Official and unofficial dramaturgs: dramaturgy in China -- 13 Dramaturgy of separated elements in the experimental Japanese theatre -- 14 Dramaturgy in Indian theatre: a closer view -- 15 Dramaturgy in Australia and the case of Avast and Doku Rai -- 16 Dramaturgies in/of South Africa -- Part II Dramaturgy in the age of globalization -- 17 The dramaturg as globalist -- 18 Freelance dramaturgs in the twenty-first century: journalists, advocates, and curators -- 19 The National Theatre goes international: global branding and the regions -- 20 From alienation to identity: transnational communication of Russian-Israeli theatre -- 21 Intercultural dramaturgy: dramaturg as cultural liaison -- 22 The dramaturgical bridge: contextualizing foreignness in multilingual theatre -- 23 Reading and (re)directing "racial scripts" on and beyond the stage -- 24 Transcultural dramaturgy methods -- 25 The dramaturgical process and global understanding -- 26 European dramaturgy in the twenty-first century: a constant movement.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Part III Dramaturgy in motion: demolitions, definitions, and demarcations -- 27 Dramaturgy on shifting grounds -- 28 Dramaturgy as skill, function, and verb -- 29 Interactual dramaturgy: intention and affect in interdisciplinary performance -- 30 The expansion of the role of the dramaturg in contemporary collaborative performance -- 31 Who is the dramaturg in devised theatre? -- 32 Finding our hyphenates: a new era for dramaturgs -- 33 Dramaturgy as a way of looking into the spectator's aesthetic experience -- 34 Dramaturgy as training: a collaborative model at Shakespeare's Globe -- 35 The art of collaboration: on dramaturgy and directing -- 36 Dramaturgy in action … even if it's not as a dramaturg -- Part IV Dramaturgs as artistic leaders and visionaries: privileges and responsibilities of the office -- 37 Dramaturgs as artistic leaders -- 38 Dramaturgical leadership and the politics of appeal in commercial theatre -- 39 On dramaturgy and leadership -- 40 Leadership advice to a dramaturgy student -- 41 Season planning: challenges and opportunities -- 42 The dramaturg's role in diversity and audience development -- 43 Guthrie Theater's debt to women and diversity -- 44 Reimagining the literary office: designing a department that fulfills your purpose -- 45 The National New Play Network Collaborative Literary Office: new tools for old tricks -- Part V Dramaturg as mediator and context manager: transculturalism, translation, adaptation, and contextualization -- 46 A view from the bridge: the dramaturg's role when working on a play in translation -- 47 Lost in translation -- 48 The dissemination of theatrical translation -- 49 Literary adaptation for the stage: a primer for adaptation dramaturgs -- 50 Intermingling literary and theatrical conventions -- 51 Research strategies in dramaturgical practice.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 52 Dramaturg as context manager: a phenomenological and political practice -- 53 New play explorations in the twenty-first century -- 54 Thinking like an actor: a guide for the production dramaturg -- 55 The youth respondent method: new work development of Theatre for Young Audiences -- Part VI Dramaturgy among other arts: interdisciplinarity, transdisciplinarity, and transvergence -- 56 Complex in-betweenness of dramaturgy and performance studies -- 57 The dramaturg(ies) of puppetry and visual theatre -- 58 A method for musical theatre dramaturgy -- 59 Borderless dramaturgy in dance theatre -- 60 The role of the dramaturg in the creation of new opera works -- 61 Dramaturgy and film -- 62 Phronesis for robots: (re)covering dramaturgy as an interdiscipline -- 63 Dramaturgical design of the narrative in digital games -- 64 New media dramaturgy -- 65 The science of dramaturgy and the dramaturgy of science -- Part VII Dramaturg as systems analyst: dramaturgy of postdramatic structures -- 66 Postdramatic dramaturgy -- 67 Teaching deconstructively -- 68 EF's visit to a small planet: some questions to ask a play -- 69 Dramaturging non-realism: creating a new vocabulary -- 70 On dramaturgy in contemporary dance and choreography -- 71 Research, counter-text, performance: keywords for reconsidering the (textual) authority of the dramaturg -- 72 The bead diagram: a protean tool for script analysis -- 73 Method for a new dramaturgy of digital performance -- 74 Drametrics: what dramaturgs should learn from mathematicians -- 75 Parallel-text analysis and practical dramaturgies -- Part VIII Dramaturg as public relations manager: immersions, talkbacks, lobby displays, and social networks -- 76 Dramaturgy and the immersive theatre experience -- 77 Barrack-dramaturgy and the captive audience -- 78 Framing the theatrical experience: lobby displays.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 79 Dramaturg as public relations manager -- 80 Talkbacks: asking good discussion questions -- 81 Talkbacks for "sensitive subject matter" productions: the theory and practice -- 82 Dramaturgies for the digital age -- 83 Digital engagement: strategies for online dramaturgy -- 84 Digital dramaturgy and digital dramaturgs -- 85 Can technology save theatre? Tweet seats, YouTube auditions, and Facebook backstage? -- Index of names -- Index of terms.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Theater -- Production and direction.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Dramaturges.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Romanska, Magda
Title The Routledge Companion to Dramaturgy
Place, publisher, and date of publication Oxford : Taylor & Francis Group,c2014
International Standard Book Number 9780415658492
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Routledge Companions Series
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=1761960">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=1761960</a>
Public note Click to View

No items available.

© 2024 Resource Centre. All rights reserved.