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Andre Bazin's New Media. (Record no. 36957)

MARC details
000 -LEADER
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001 - CONTROL NUMBER
control field EBC1711017
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240729122830.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
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007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
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008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240724s2014 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780520959392
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9780520283565
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC1711017
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL1711017
035 ## - SYSTEM CONTROL NUMBER
System control number (CaPaEBR)ebr10927997
035 ## - SYSTEM CONTROL NUMBER
System control number (CaONFJC)MIL641798
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)890071042
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1992.55 -- .B37 2014eb
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791.4
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Bazin, André.
245 10 - TITLE STATEMENT
Title Andre Bazin's New Media.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Berkeley :
Name of producer, publisher, distributor, manufacturer University of California Press,
Date of production, publication, distribution, manufacture, or copyright notice 2014.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2014.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (294 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Intro -- Subvention -- Title -- Copyright -- Contents -- Editor's Note: About This Collection -- Introduction: André Bazin Meets the New Media of the 1950s -- Part One. The Ontology and Language of Television -- 1. The Aesthetic Future of Television -- 2. In Quest of Télégenie -- 3. Television Is Unbeatable for Live Coverage -- 4. Was It Live? Preserve Our Illusions! -- 5. The Talking Head: Must the Commissaire Stand on His Head for TV? -- 6. Television Is Neither Theater nor Cinema -- 7. At the Venice Film Festival, TV Shares the Screen -- 8. Voice-Overs on TV: Let the Animals Talk -- 9. Looking at Television -- Part Two. Television among the Arts -- 10. Long Live Radio! Down with the 8th Art! -- 11. A Seat at the Theater -- 12. False Improvisation and "Memory Lapses" on TV -- 13. To Serve Theater, Let Television Adopt Some Modesty -- 14. Respect the Spirit of Theater First and Foremost! -- 15. TV and the Disenchantment of Theater -- 16. Art on Television: A Program That Loses on All Counts -- 17. Reporting on Eternity: TV Visits the Musée Rodin -- Part Three. Television and Society -- 18. A Contribution to an Erotologie of Television -- 19. Censors, Learn to Censor -- 20. You Can Now "Descend into Yourself" -- 21. Television, Sincerity, Liberty -- 22. Information or Necrophagy -- 23. Television as Cultural Medium and The Sociology of Television -- 24. Do We Really Need Those Serials? -- 25. A Superb Clown Made Incoherent by TV -- 26. TV Can Popularize without Boredom or Betrayal -- Part Four. Television and Cinema -- 27. Television and the Revival of Cinema -- 28. Television and Cinema -- 29. Is Television a Degradation for Filmmakers? -- 30. Some Films Are Better on the Small Screen Than the Large -- 31. Should Television Be Allowed to Chop Films to Pieces? -- 32. From Small Screen to Widescreen.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 33. Sacha Guitry Is Confident about TV, Just as He Was about Cinema in 1914 -- 34. Jean Gabin Gets TV's "Sour Lemon" Prize -- 35. "The Glass Eye" Will Reveal a New Hitchcock -- 36. Hitchcock on TV -- 37. Renoir and Rossellini: Two Top Recruits for Television -- 38. Renoir and Rossellini Debut on TV -- 39. Cinema and Television: An Interview with Jean Renoir and Roberto Rossellini -- 40. About Television: A Discussion with Marcel Moussy and André Bazin -- Part Five. Cinerama and 3D -- 41. New Screen Technologies -- 42. Cinerama: A Bit Late -- 43. Cinerama, a Disappointment -- 44. Cinema in 3D and Color: Amazing! -- 45. A New Stage in the Process: Math Equations for 3D -- 46. Will a War in Three Dimensions Take Place? -- 47. The Return of Metroscopix -- 48. The House of Wax: Scare Me . . . in Depth! -- 49. The Real Crime on La Rue Morgue: They Assassinated a Dimension! -- 50. The 3D Revolution Did Not Take Place -- Part Six. CinemaScope -- 51. Will CinemaScope Save the Cinema? -- 52. CinemaScope and Neorealism -- 53. CinemaScope: The End of Montage -- 54. The Trial of CinemaScope: It Didn't Kill the Close-Up -- 55. Massacre in CinemaScope -- 56. Will CinemaScope Bring about a Television Style in Cinema? -- Part Seven. Finale -- 57. Is Cinema Mortal? -- Appendix: A Selective Reference Guide to 1950s French Television -- Index.
520 ## - SUMMARY, ETC.
Summary, etc. André Bazin's writings on cinema are among the most influential reflections on the medium ever written. Even so, his critical interests ranged widely and encompassed the "new media" of the 1950s, including television, 3D film, Cinerama, and CinemaScope. Fifty-seven of his reviews and essays addressing these new technologies--their artistic potential, social influence, and relationship to existing art forms--have been translated here for the first time in English with notes and an introduction by leading Bazin authority Dudley Andrew. These essays show Bazin's astute approach to a range of visual media and the relevance of his critical thought to our own era of new media. An exciting companion to the essential What Is Cinema? volumes, André Bazin's New Media is excellent for classroom use and vital for anyone interested in the history of media.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Television-Philosophy.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Motion pictures and television.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Motion pictures-Philosophy.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Andrew, Dudley.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Bazin, André
Title Andre Bazin's New Media
Place, publisher, and date of publication Berkeley : University of California Press,c2014
International Standard Book Number 9780520283565
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=1711017">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=1711017</a>
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