The Anthropology of Performance : (Record no. 32444)
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000 -LEADER | |
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fixed length control field | 06564nam a22004693i 4500 |
001 - CONTROL NUMBER | |
control field | EBC7103725 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | MiAaPQ |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20240724115628.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
fixed length control field | m o d | |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
fixed length control field | cr cnu|||||||| |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 240724s2013 xx o ||||0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781118493090 |
Qualifying information | (electronic bk.) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
Canceled/invalid ISBN | 9781118323984 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (MiAaPQ)EBC7103725 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (Au-PeEL)EBL7103725 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (OCoLC)1347025804 |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | MiAaPQ |
Language of cataloging | eng |
Description conventions | rda |
-- | pn |
Transcribing agency | MiAaPQ |
Modifying agency | MiAaPQ |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | GN27 .A683 2013 |
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 301 |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Korom, Frank J. |
245 14 - TITLE STATEMENT | |
Title | The Anthropology of Performance : |
Remainder of title | A Reader. |
250 ## - EDITION STATEMENT | |
Edition statement | 1st ed. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | Newark : |
Name of producer, publisher, distributor, manufacturer | John Wiley & Sons, Incorporated, |
Date of production, publication, distribution, manufacture, or copyright notice | 2013. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Date of production, publication, distribution, manufacture, or copyright notice | ©2013. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource (404 pages) |
336 ## - CONTENT TYPE | |
Content type term | text |
Content type code | txt |
Source | rdacontent |
337 ## - MEDIA TYPE | |
Media type term | computer |
Media type code | c |
Source | rdamedia |
338 ## - CARRIER TYPE | |
Carrier type term | online resource |
Carrier type code | cr |
Source | rdacarrier |
490 1# - SERIES STATEMENT | |
Series statement | New York Academy of Sciences Series ; |
Volume/sequential designation | v.30 |
505 0# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Intro -- Wiley-Blackwell Anthologies in Social and Cultural Anthropology -- Title Page -- Copyright -- Acknowledgments to Sources -- The Anthropology of Performance: An Introduction -- Part I: Performance in Prehistory and Antiquity -- Chapter 1: Singing the Rug: Patterned Textiles and the Origins of Indo-European Metrical Poetry -- References -- Chapter 2: Performance and Written Literature in Classical Greece: Envisaging Performance from Written Literature and Comparative Contexts -- Song Culture -- Conclusion -- Part II: Verbal Genres of Performance -- Chapter 3: Playing the Dozens -- Dozens' Replies -- Chapter 4: The La Have Island General Store: Sociability and Verbal Art in a Nova Scotia Community -- Appendix -- Text A -- Text B -- Chapter 5: Proverbs and the Ethnography of Speaking Folklore -- Introduction -- Studying Proverbs as Communication -- Some Yoruba Proverbs of Child Training -- Discussion -- Proverbs and Channel -- Conclusion -- Proverb Texts -- References -- Chapter 6: Gbaya Riddles in Changing Times -- References -- Chapter 7: Shadows of Song: Exploring Research and Performance Strategies in Yolngu Women's Crying-Songs -- Arnhem Land Performance Research -- Seeing Musically -- Strategies of Formation and Location -- Conclusion -- References -- Part III: Ritual, Drama, and Public Spectacle -- Chapter 8: Prayer as Person: The Performative Force in Navajo Prayer Acts -- An Outline of Navajo Ceremonialism -- Holyway Ceremonials -- Holyway Prayer -- The Prayer as a Pragmatic Act -- "Doctrine of the Infelicities" -- Conclusion -- Chapter 9: Performance and the Cultural Construction of Reality -- Introduction: Meaning-centered Analyses of Ritual -- The Kaluli Setting -- The Séance Performance -- Playing the Urgency of the Social Situation -- The Strategy of the Songs -- The Ostensible Work of the Séance. |
505 8# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Séance Performance and the Construction of Cosmological Context -- Conclusion -- References -- Chapter 10: "He Should Have Worn a Sari":A "Failed" Performance of a Central Indian Oral Epic -- The Candaini Epic and Its Performance -- The Failed Performance -- Audience Expectation and Performance Language -- Toward New Performance Languages -- References -- Chapter 11: Representing History: Performing the Columbian Exposition -- Chapter 12: The Palio of Siena: Performance and Process -- Siena -- The Contrada -- Contrada Structure -- Contrada Members -- The Individual and Contrada Life -- Role Reversals -- Space and Time -- After the Palio -- Discussion -- Conclusion -- References -- Part IV: Performance and Politics in the Making of Communities -- Chapter 13: Poetry and Politics in a Transylvanian Village -- References -- Chapter 14: The Matter of Talk: Political Performances in Bhatgaon -- Bhatgaon: A Fiji Indian Community -- Contexts -- Textures -- Texts -- Unconventional Performances -- References -- Chapter 15: Celebrating Cricket: The Symbolic Construction of Caribbean Politics -- Blacks in Whites -- Conclusion -- References -- Chapter 16: Performing the Nation: China's Children as Little Red Pioneers -- Accounting for Nationalism -- Performing the Nation -- The Little Red Pioneers -- Pioneers and the Nation -- Fear of Water: Performance, Reiteration, and "Getting It Wrong" -- References -- Part V: Tourist Performances and the Global Ecumene -- Chapter 17: The Promise of Sonic Translation: Performing the Festive Sacred in Morocco -- The Festive Sacred and the Promise of Sonic Translation -- Learning to Listen -- The Festive Sacred: Beyond the Nation -- Defining the Sacred -- The Fes Festival of Sacred Music In Situ -- "The Spirit of Fes" and and the Reification of Place -- Attending to Audition -- Sufi Nights, Sacred Tourism. |
505 8# - FORMATTED CONTENTS NOTE | |
Formatted contents note | "Giving Soul to Globalization" -- Conclusion: Sacred Aesthetics and the Festive Sacred -- References -- Chapter 18: Ethnic Tourism in Hokkaidô and the Shaping of Ainu Identity -- Introduction -- Ethnic Tourism and the Commoditisation of Cultures -- Ainu Ethnic Tourism in Hokkaidô -- Tourism and the Ainu -- Tourism, Ainu Cultural Expressions, and Ainu Ethnic Identities -- Towards the Future -- Chapter 19: What They Came With: Carnival and the Persistence of African Performance Aesthetics in the Diaspora -- Phenomenology and the Theory of Translocation -- Semiological Similarities between African Festivals and Diasporic Carnivals -- Myth in African and African Diasporic Festival/Carnival Performance -- Conclusion: Carnival as an Encyclopedia of Other Literacies -- References -- Chapter 20: Global Breakdancing and the Intercultural Body -- Hip Hop's Global Proliferation -- Urban Movement in Hawai'i -- Performing Race: Performativity as Complex Embodiment -- Hip Hop's Two-Pronged Bodily Text -- Hip Hop Postmodernity: Dimensions of Late Capitalism and Cultural Studies -- Conclusions -- References -- Further Readings -- Index. |
588 ## - SOURCE OF DESCRIPTION NOTE | |
Source of description note | Description based on publisher supplied metadata and other sources. |
590 ## - LOCAL NOTE (RLIN) | |
Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Anthropology. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Performance. |
655 #4 - INDEX TERM--GENRE/FORM | |
Genre/form data or focus term | Electronic books. |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
Relationship information | Print version: |
Main entry heading | Korom, Frank J. |
Title | The Anthropology of Performance |
Place, publisher, and date of publication | Newark : John Wiley & Sons, Incorporated,c2013 |
International Standard Book Number | 9781118323984 |
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
Uniform title | New York Academy of Sciences Series |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=7103725">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=7103725</a> |
Public note | Click to View |
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