An Introduction to the Phenomenology of Performance Art : (Record no. 30897)
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000 -LEADER | |
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fixed length control field | 03264nam a22004333i 4500 |
001 - CONTROL NUMBER | |
control field | EBC7002706 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | MiAaPQ |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20240724115451.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
fixed length control field | m o d | |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
fixed length control field | cr cnu|||||||| |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 240724s2022 xx o ||||0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781789385311 |
Qualifying information | (electronic bk.) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
Canceled/invalid ISBN | 9781789385304 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (MiAaPQ)EBC7002706 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (Au-PeEL)EBL7002706 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (OCoLC)1323253032 |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | MiAaPQ |
Language of cataloging | eng |
Description conventions | rda |
-- | pn |
Transcribing agency | MiAaPQ |
Modifying agency | MiAaPQ |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | NX456.5.P38 B336 2022 |
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 700 |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Bacon, T. J. |
245 13 - TITLE STATEMENT | |
Title | An Introduction to the Phenomenology of Performance Art : |
Remainder of title | SELF/s. |
250 ## - EDITION STATEMENT | |
Edition statement | 1st ed. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | Bristol : |
Name of producer, publisher, distributor, manufacturer | Intellect, Limited, |
Date of production, publication, distribution, manufacture, or copyright notice | 2022. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Date of production, publication, distribution, manufacture, or copyright notice | ©2022. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource (280 pages) |
336 ## - CONTENT TYPE | |
Content type term | text |
Content type code | txt |
Source | rdacontent |
337 ## - MEDIA TYPE | |
Media type term | computer |
Media type code | c |
Source | rdamedia |
338 ## - CARRIER TYPE | |
Carrier type term | online resource |
Carrier type code | cr |
Source | rdacarrier |
505 0# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Front Cover -- Half Title -- Frontispiece -- Title Page -- Copyright Page -- Dedication -- Epigraph -- Table of contents -- Acknowledgements -- Foreword Enduring Reorientations: Self, Time, and Space in Performance -- Author's Note -- Introduction -- 1 Embodied Experience -- Identity, Sexuality, and Gender -- Lori Baldwin -- Anne Bean -- Rosana Cade and Will Dickie -- Esther Marveta Neff -- Niko Wearden -- Cultural Contexts -- Jamal Harewood -- Regina José Galindo -- Health and Dis/Ability -- Katherine Araniello -- Kamil Guenatri -- 2 The Rapture and Rupture of the Lived Body -- Rapture -- Rocio Boliver -- Louis Fleischauer -- Weeks and Whitford -- Rupture -- Hellen Burrough -- Arianna Ferrari -- Ernst Fischer -- 3 The Intersubjectivity and Intercorporeality of Noise and Sonic Arts -- Sound through the Body -- Sarah Glass -- Joke Lanz -- Mother Disorder -- Sound through Collaboration -- FK Alexander -- Clive Henry and Yol -- 4 The Perception of Self/s -- Vulnerability -- Helena Goldwater -- Natalie Ramus -- Helen Spackman -- Failure -- Chelsea Coon -- Selina Bonelli -- Heather Sincavage -- Extremis -- tjb -- Hancock and Kelly -- Niko Raes -- Postface The Argument for Queering 'The Origin of the Work of Art' -- Manifesto for Performance Artist as Artwork -- Notes -- Bibliography -- Back Cover. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | An introduction to the study and application of performance art through phenomenology for radical artists, educators and practitioner-researchers. Features exercises to activate your practice, clear introductory definitions to key phenomenological terms, and a multimodal design that lets the reader choose how to read the book. 36 illus. |
588 ## - SOURCE OF DESCRIPTION NOTE | |
Source of description note | Description based on publisher supplied metadata and other sources. |
590 ## - LOCAL NOTE (RLIN) | |
Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Performance art. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Phenomenology. |
655 #4 - INDEX TERM--GENRE/FORM | |
Genre/form data or focus term | Electronic books. |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
Relationship information | Print version: |
Main entry heading | Bacon, T. J. |
Title | An Introduction to the Phenomenology of Performance Art |
Place, publisher, and date of publication | Bristol : Intellect, Limited,c2022 |
International Standard Book Number | 9781789385304 |
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=7002706">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=7002706</a> |
Public note | Click to View |
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