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Routledge Handbook of Art, Science, and Technology Studies. (Record no. 29133)

MARC details
000 -LEADER
fixed length control field 05728nam a22004933i 4500
001 - CONTROL NUMBER
control field EBC6801931
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240724115306.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240724s2020 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780429792830
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781138347304
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC6801931
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL6801931
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1285172457
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N72.S3 R688 2021
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 701.05
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Rogers, Hannah.
245 10 - TITLE STATEMENT
Title Routledge Handbook of Art, Science, and Technology Studies.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Oxford :
Name of producer, publisher, distributor, manufacturer Taylor & Francis Group,
Date of production, publication, distribution, manufacture, or copyright notice 2020.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2021.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (723 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- List of tables -- Foreword by Caroline A. Jones -- Foreword by Trevor Pinch -- Notes on contributors -- Introduction : The past, present, and future of Art, Science, and Technology Studies -- SECTION 1 Constructing borders and borders at the intersections of art and science -- 1 What counts as data and for whom? The role of the modest witness in art-science collaboration -- 2 What can science and technology studies learn from art and design? Reflections on 'Synthetic Aesthetics' -- 3 The skin of a living thought: art, science, and STS in practice -- 4 Aesthetic strategies for engaging with environmental governance -- SECTION 2 Making multidisciplinary histories -- 5 The art-science complex -- 6 Infrastructural inversions in sound art and STS -- 7 Emotion, affect and participation: why science communication practitioners should embrace a feminist ethics of care in their work -- 8 Robert Hooke's Micrographia: a historical guide to navigating contemporary image s -- 9 The Xenopus pregnancy test: a performative experiment -- SECTION 3 Methods and modes -- 10 Doing research by means of art -- 11 More than human trading zones in design research and pedagogy -- 12 Discovering alternative technological futures through literature -- 13 Art's Work in the Age of Biotechnology: how art can make arguments in science and technology studies -- 14 Recipes for Technoutopia: on hospitality and infrastructure as experimental performance -- 15 Reflexivity practiced daily: theatricality in the performative doing of STS -- SECTION 4 Collaborations and collisions in art-science -- 16 Trading between science and art worlds: from biology laboratory to art exhibition -- 17 Art, artists, and the wrong kind of science education.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 18 Negotiations and love songs: integration, fairness, and balance in an art-science collaboration -- 19 Transdisciplinary co-inquiry as curatorial methodology: from the Canadian Arctic to the Calder Valley, Yorkshire -- SECTION 5 Institutions and infrastructures -- 20 ArtSciLab: experimental publishing and knowledge production in collaborative transdisciplinary practice s -- 21 Polymathic pedagogies: creating the conditions for interdisciplinary enquiry in art and science -- 22 The future of arts integrative work: creating new avenues for advancing and expanding the field -- 23 Feasting the Lab and other projects: art and science that skirts the limits of institutional frameworks -- SECTION 6 Democracy and activism -- 24 We're all living in an Estroworld -- 25 Rustbelt Theater and citizen science: children's environmental justice narratives -- 26 Artificial intelligence experience: participatory art workshops to explore AI imaginaries -- 27 Human germline gene editing is bioart: an open letter to Lulu and Nana -- SECTION 7 Art as partner and critic -- 28 The power of generative critique in art-energy projects -- 29 Hemlock Hospice: landscape ecology, art, and design as science communication -- 30 Horizons of engagement: infrastructures of art and scholarship -- 31 Big pigs, small wings: on genohype and artistic autonomy -- SECTION 8 Exposure to the elements -- 32 In the Middle of Something: in Search of Meso-Aesthetics -- 33 Curating in-between systems Politics, ecology, and art -- 34 The future now: three tales of ocean plastic -- 35 Becoming disaster literate: reflections on X AND BEYOND (2015-2017) -- 36 An Anthropocene journey: walking as embodied research -- 37 As we used to float: within Bikini Atoll -- SECTION 9 Atmospherics -- 38 Archiving Atmosphere -- 39 Becoming tornadic: a meteorology of media.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 40 Environ/mental ecologies in new media art -- 41 Changing imaginaries and new technoecologies of urban air -- 42 Variations on air -- SECTION 10 Gallery -- Index.
520 ## - SUMMARY, ETC.
Summary, etc. This handbook defines the modes, practices, crucial literature, and research interests of this emerging field of Art and Science Studies.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art and technology.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art and science.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Halpern, Megan.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Hannah, Dehlia.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name de Ridder-Vignone, Kathryn.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Rogers, Hannah
Title Routledge Handbook of Art, Science, and Technology Studies
Place, publisher, and date of publication Oxford : Taylor & Francis Group,c2020
International Standard Book Number 9781138347304
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6801931">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6801931</a>
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