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Handbook on Interactive Storytelling. (Record no. 27678)

MARC details
000 -LEADER
fixed length control field 05805nam a22004693i 4500
001 - CONTROL NUMBER
control field EBC6663967
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240724115157.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240724s2021 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781119688174
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781119688136
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC6663967
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL6663967
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1259592294
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number GV1469.34.A97 S643 2021
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 794.8151
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Smed, Jouni.
245 10 - TITLE STATEMENT
Title Handbook on Interactive Storytelling.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Newark :
Name of producer, publisher, distributor, manufacturer John Wiley & Sons, Incorporated,
Date of production, publication, distribution, manufacture, or copyright notice 2021.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2021.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (227 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Cover -- Title Page -- Copyright -- Contents -- List of Figures -- List of Tables -- Preface -- Acknowledgements -- Chapter 1 Introduction -- 1.1 Interactive Storytelling -- 1.1.1 Partakers -- 1.1.2 Narrative, Plot, and Story -- 1.1.3 Interaction -- 1.2 History of Interactive Storytelling -- 1.2.1 Theatre -- 1.2.2 Multicursal Literature -- 1.3 Role‐playing Games -- 1.3.1 Hypertext Fiction -- 1.3.2 Webisodics -- 1.3.3 Interactive Cinema -- 1.3.4 Television -- 1.3.5 Games -- 1.3.5.1 Interactive Fiction -- 1.3.5.2 Digital Games -- 1.4 Summary -- Exercises -- Chapter 2 Background -- 2.1 Analysis of Storytelling -- 2.1.1 Aristotle's Poetics -- 2.1.1.1 Elements of Tragedy -- 2.1.1.2 Narrative Forms -- 2.1.1.3 Dramatic Arc -- 2.1.2 Visual Storytelling -- 2.1.2.1 Semiotics -- 2.1.2.2 Work of Art -- 2.1.2.3 Video Games as Visual Art -- 2.1.3 Structuralism -- 2.1.3.1 Propp's Morphology of Russian Folktales -- 2.1.3.2 Colby's Grammar of Alaska Natives' Folktales -- 2.1.3.3 Story Grammars -- 2.1.4 Joseph Campbell and the Hero's Journey -- 2.1.5 Kernels and Satellites -- 2.2 Research on Interactive Storytelling -- 2.2.1 Brenda Laurel and Interactive Drama -- 2.2.2 Janet Murray and the Cyberbard -- 2.2.3 Models for Interactive Storytelling -- 2.2.4 Narrative Paradox and Other Research Challenges -- 2.2.4.1 Platform -- 2.2.4.2 Designer -- 2.2.4.3 Interactors -- 2.2.4.4 Storyworld -- 2.2.4.5 Terminology -- 2.3 Summary -- Exercises -- Chapter 3 Platform -- 3.1 Software Development -- 3.1.1 Model-View-Controller -- 3.1.2 Interactor's Interface -- 3.1.3 Designer's Interface -- 3.1.4 Modding -- 3.2 Solving the Narrative Paradox -- 3.2.1 Author‐centric Approach -- 3.2.2 Character‐centric Approach -- 3.2.3 Hybrid Approach -- 3.3 Implementations -- 3.3.1 Pioneering Storytelling Systems -- 3.3.2 Crawford's IDS Systems -- 3.3.3 Stern's and Mateas's Façade.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 3.3.4 Experimental Systems -- 3.3.5 Other Systems -- 3.4 Summary -- Exercises -- Chapter 4 Designer -- 4.1 Storyworld Types -- 4.1.1 Linear Storyworlds -- 4.1.2 Branching Storyworlds -- 4.1.3 Open Storyworlds -- 4.2 Design Process and Tools -- 4.2.1 Concepting the Storyworld -- 4.2.1.1 Character Design -- 4.2.1.2 Plot Composition -- 4.2.1.3 Adapting Material from Other Media -- 4.2.1.4 Transmedia Design -- 4.2.1.5 Adams' Template for Requirements Specifications -- 4.2.2 Iterative Design Process -- 4.2.3 Evaluating Interactive Stories -- 4.3 Relationship with the Interactor -- 4.3.1 Focalization -- 4.3.2 Story as Message -- 4.4 Summary -- Exercises -- Chapter 5 Interactor -- 5.1 Experiencing an Interactive Story -- 5.1.1 Onboarding - From Amnesia to Awareness -- 5.1.2 Supporting the Journey -- 5.1.3 Is There an End? -- 5.1.4 Re‐experiencing an Interactive Story -- 5.2 Agency -- 5.2.1 Theoretical and Perceived Agency -- 5.2.2 Local and Global Agency -- 5.2.3 Invisible Agency -- 5.2.4 Limited Agency and No Agency -- 5.2.5 Illusion of Agency -- 5.3 Immersion -- 5.3.1 Immersion Types -- 5.3.2 Models for Immersion -- 5.3.3 Flow -- 5.4 Transformation -- 5.5 Interactor Types -- 5.5.1 Top‐down Analysis -- 5.5.2 Bottom‐up Analysis -- 5.5.3 Discussion -- 5.6 Summary -- Exercises -- Chapter 6 Storyworld -- 6.1 Characters -- 6.1.1 Perception -- 6.1.2 Memory -- 6.1.3 Personality -- 6.1.4 Decision‐making -- 6.2 Elemental Building Blocks -- 6.2.1 Props -- 6.2.1.1 Schrödinger's Gun -- 6.2.1.2 Internal Economy -- 6.2.2 Scenes -- 6.2.3 Events -- 6.3 Representation -- 6.3.1 Visual -- 6.3.2 Audio -- 6.3.2.1 Diegetic -- 6.3.2.2 Non‐diegetic -- 6.4 Summary -- Exercises -- Chapter 7 Perspectives -- 7.1 Multiple Interactors -- 7.1.1 Multiple Focus -- 7.1.2 Persistence -- 7.2 Extended Reality -- 7.2.1 Visual Considerations -- 7.2.2 Developing a Language of Expression.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 7.3 Streaming Media -- 7.3.1 Problems -- 7.3.2 Solution Proposals -- 7.4 Other Technological Prospects -- 7.4.1 Voice Recognition -- 7.4.2 Locating -- 7.4.3 Artificial Intelligence -- 7.5 Ethical Considerations -- 7.5.1 Platform -- 7.5.2 Designer -- 7.5.3 Interactor -- 7.5.4 Storyworld -- 7.6 Summary -- Exercises -- Bibliography -- Ludography -- Index -- EULA.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Video games-Authorship.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Suovuo, Tomi 'bgt'.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Skult, Natasha.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Skult, Petter.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Smed, Jouni
Title Handbook on Interactive Storytelling
Place, publisher, and date of publication Newark : John Wiley & Sons, Incorporated,c2021
International Standard Book Number 9781119688136
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6663967">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6663967</a>
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