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Philosophy of Modern Music. (Record no. 22024)

MARC details
000 -LEADER
fixed length control field 03555nam a22004453i 4500
001 - CONTROL NUMBER
control field EBC6379010
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240724114626.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240724s2016 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781350225206
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781474288866
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC6379010
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL6379010
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1202224916
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number ML197 .A313 2016
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 780.9/04
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Adorno, Theodor W.
245 10 - TITLE STATEMENT
Title Philosophy of Modern Music.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture London :
Name of producer, publisher, distributor, manufacturer Bloomsbury Publishing Plc,
Date of production, publication, distribution, manufacture, or copyright notice 2016.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2016.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (201 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Bloomsbury Revelations Series
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Intro -- Title Page -- Copyright Page -- Contents -- Translators' Introduction -- Preface -- Introduction -- Choice of subject matter -- New conformism -- False musical consciousness -- 'Intellectualism' -- Modern music unprotected -- The antinomy of modern music -- Growing indifferentism -- On method -- Schoenberg and Progress -- Disturbance of the work -- Inherent tendency of musical material -- Schoenberg's criticism of illusion and play -- Dialectics of loneliness -- Loneliness as style -- Expressionism as objectivity -- Total organization of the elements of music -- Total development -- The concept of twelve-tone technique -- Musical domination of nature -- Loss of freedom -- Twelve-tone melos and rhythm -- Differentiation and coarsening -- Harmony -- Instrumental timbre -- Twelve-tone counterpoint -- Function of counterpoint -- Form -- The composers -- Avant-garde and theory -- The renunciation of material -- Cognitive character -- Attitude towards society -- Stravinsky and Restoration -- Authenticity -- Sacrifice and the absence of intention -- The hand organ as a primeval phenomenon -- Sacre and African sculpture -- Technical elements in Sacre -- 'Rhythm' -- Identification with the collective -- Archaism, modernism, infantilism -- Permanent regression and musical form -- The psychotic aspect -- Ritual -- Alienation as objectivity -- Fetishism of the means -- Depersonalization -- Hebephrenia -- Catatonia -- Music about music -- Denaturation and simplification -- Dissociation of time -- Music - a pseudomorphism of painting -- Theory of ballet music -- Modes of listening -- The deception of objectivism -- The final trick -- Neoclassicism -- Experiments in expansion -- Schoenberg and Stravinsky -- Note to the third edition -- Notes -- Translators' Introduction -- Preface -- Introduction -- Schoenberg and Progress -- Stravinsky and Restoration.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Index.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Stravinsky, Igor,-1882-1971-Criticism and interpretation.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Adorno, Theodor W.
Title Philosophy of Modern Music
Place, publisher, and date of publication London : Bloomsbury Publishing Plc,c2016
International Standard Book Number 9781474288866
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Bloomsbury Revelations Series
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6379010">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6379010</a>
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