The Shock of Recognition : (Record no. 21877)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 05397nam a22004573i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC6372563 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240724114610.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2020 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789004325739 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9789004325722 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC6372563 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL6372563 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1202465784 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N72.S3 .P946 2021 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 701.05 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Pyenson, Lewis. |
| 245 14 - TITLE STATEMENT | |
| Title | The Shock of Recognition : |
| Remainder of title | Motifs of Modern Art and Science. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Boston : |
| Name of producer, publisher, distributor, manufacturer | BRILL, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2020. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2021. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (666 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Nuncius Series ; |
| Volume/sequential designation | v.5 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Half Title -- Series Information -- Title Page -- Copyright Page -- Dedication -- Contents -- Abbreviations -- Figures and Tables -- Introduction -- 1 The Origin of the Book -- 2 The Plan of the Book -- 3 Terms of Analysis -- 4 Modernity and Abstraction -- 5 Neo-Idealism and Worldview -- 6 The Years around 1900 -- 7 Motifs and the Shock of Recognition -- 8 Hope and Gratitude -- Part 1 Historical Complementarity -- Chapter 1 Complementary History -- 1 The Intrinsic Past of Art and Science -- 2 Historical Complementarity Introduced -- 3 Penetrating Deeper into Culture -- 4 The Method of Historical Complementarity -- 5 Up from the Bottom -- 6 The Common Ground of Intellectual Life -- Chapter 2 How Moderns Understood Art and Science -- 1 The Ideal and Abstract Consensus -- 2 Art and Science as Vexatious Twins -- 3 Neo-idealists and Symbols -- 4 Leonardo as a Modern Icon -- Part 2 Ut pictura mathesis: Vision and Perspective in Picasso's and Einstein's Education -- Chapter 3 A New Look at Picasso and Einstein -- Chapter 4 Picasso -- 1 Figuring It Out -- 2 A Coruña: Art and Science in an Atlantic Palace -- 3 High Art and Design in Barcelona -- 3.1 The School of Drawing -- 3.2 Mathematics -- 3.3 Technology and Science -- 4 What Picasso Saw -- Chapter 5 Einstein -- 1 Young Einstein's Visualization -- 2 Images of Western Civilization -- 3 The Eye and the Hand -- 4 Surfaces and Their Projection -- 5 Intimations of Relativity -- Chapter 6 Picasso and Einstein in Common -- Part 3 Inside/Outside: Abstraction in Domestic Décor and Public Experience -- Chapter 7 An Intellectual Climate -- 1 Complementarity and Analogy -- 2 Off Center: Politics and Philosophy -- 3 Neo-idealism in Painting and Physics -- Chapter 8 Non-figurative Design in Rooms and on Streets -- 1 Decorating for the Interior Turn -- 2 Carpets -- 3 Wallpaper -- 4 Electrical Lighting. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 5 Light and Shadows in the Bourgeois and Scientific Experience -- Chapter 9 Teaching and Displaying Abstract Style -- 1 Art and Science in Great Britain -- 2 Design in the Department of Science and Art -- 3 Gottfried Semper in London -- 4 Christopher Dresser as a Designer -- 5 Semper's and Dresser's Legacy -- 6 The Appeal of Abstraction -- Chapter 10 Mathematics, Art, and Apparitions in School and Gallery -- 1 Felix Klein's Models -- 2 Nineteenth-Century Plaster Casts -- 3 Klein's Intuition -- 4 L.E.J. Brouwer's Affinity with Felix Klein -- 5 Responses to and Varieties of Abstraction -- 6 Interface of Artists and Mathematicians -- 7 Klein and Picasso -- Chapter 11 Abstraction as Neo-idealist Virtue -- Part 4 Nation: Horizons of Artistic and Scientific Culture in Argentina -- Chapter 12 Complementarity and National Style -- Chapter 13 Landscape and the Hope of a Modern Nation -- 1 Córdoba la docta -- 2 Venerable and Venerated Learning -- 3 The Rise of the Research University -- 4 Printing, Publishing, and Illustrating -- 5 Painting Argentina -- 6 Non-figurative Abstraction Delayed -- Chapter 14 The Gallery in a Laboratory and a New Sense of Land and Sky -- 1 A Unique Collection of Art -- 2 Tandar and the Horizon Index -- 3 Language, Science, and Art -- 4 Scientists Address Art -- 5 Art into the New Millennium -- 5.1 The Great Instauration -- 5.2 Small Actors in a Large Drama: Luis Felipe Noé -- 5.3 Earth and Sky: Ernesto Pesce -- 6 Art and Science to Tame Our Time -- 7 The Auger Project: From the Laboratory to the Stars -- Chapter 15 The Wonder of the World -- Conclusion: Complementary Endeavors and Leading Motifs -- Books Cited -- Index of Names. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In The Shock of Recognition, Lewis Pyenson examines art and science together to shed new light on common motifs in Picasso's and Einstein's education, in European material culture, and in the intellectual life of one nation-state, Argentina. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Art and science. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Pyenson, Lewis |
| Title | The Shock of Recognition |
| Place, publisher, and date of publication | Boston : BRILL,c2020 |
| International Standard Book Number | 9789004325722 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Nuncius Series |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6372563">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6372563</a> |
| Public note | Click to View |
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