Post-Specimen Encounters Between Art, Science and Curating : (Record no. 21684)
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| 000 -LEADER | |
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| fixed length control field | 06246nam a22004573i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC6369051 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240724114602.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2020 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781789383133 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781789383119 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC6369051 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL6369051 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1200754701 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N72.S3 .P678 2020 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 701.05 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Juler, Edward. |
| 245 10 - TITLE STATEMENT | |
| Title | Post-Specimen Encounters Between Art, Science and Curating : |
| Remainder of title | Rethinking Art Practice and Objecthood Through Scientific Collections. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Bristol : |
| Name of producer, publisher, distributor, manufacturer | Intellect, Limited, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2020. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2020. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (356 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Front Cover -- Half Title -- Frontspice -- Copyright Page -- Table of contents -- Acknowledgements -- Introduction -- Notes -- References -- 1 Narratives of the 'Fetish' -- Acknowledgements -- References -- 2 Curating Interobjectively in Museums -- 'A Scientific Encounter': Envisaging the Myth of the Museum -- The Museum's Omniscience -- Presenting Objects in the Academy: The Poetics of Academic Space -- Towards an Interobjective Curatorial Practice: Exercises in Diplomacy -- The Collection as Collectivity-'How to Redefine the Collectives?' -- Three Scenes from an Exhibition -- Object Encounter #1: Kelly Richardson and Annibale Carracci -- Object Encounter #2: Murray Ballard and Anon. -- Object Encounter #3: Daniel Brown and Jan Breughel -- Notes -- 3 'A Readiness to Find What Surrounds Us Strange and Odd': Objects in the Alternative Curiosity Museum -- Museums: Laboratories of the Marvellous? -- Cabinets of Curiosities: 'Boudoirs Earmarked for Experts'? -- Museum of Jurassic Technology: A Detective Challenge -- Museum der Unerhörten Dinge: 'A Literary Wunderkammer' -- Wonder in the Face of Abundance or Wonder in the Face of Rarity? -- The Alternative Curiosity Museum as 'Wild Museum' -- Musée de la Chasse et de la Nature: Wonder and Critical Awareness -- Curiosity as a Way of Seeing, Thinking and Caring -- Notes -- References -- 4 Art, Science and the Mutant Object -- The Live Specimen -- Mutant Objects -- Neither Animal, Nor Vegetable Nor Mineral -- Notes -- References -- 5 Blind Summit/Models of Subjectivity: Surrealism, Physics and Psychoanalysis -- Notes -- References -- 6 Glimpsed Phantoms of Sensation -- Or, a Psychogeographical Investigation of Various Anatomical Specimens with Reference to Chr -- Notes -- References -- 7 … as far back as I will remember -- Jardin des Plantes, Montpellier, South of France -- Call Me by My Name. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | From Alexandria to Carthage -- Life's Rich Pageant -- Better Living through Chemistry -- Pansexuality -- I, post-specimen -- I, superspecies -- Living in the Homogecene -- Acknowledgements -- Notes -- References -- 8 Poetry and the Pathology Museum: A Model of Difference -- Notes -- References -- 9 The Scientist and the Magician -- Introduction -- A Compendium of Vignettes, or, Imagining-and Imaging-'Energy' -- Deus ex machina: From the Magic Lantern to the Layden Jar -- #1: A First Experiment-Imagining Electricity -- Reflecting upon the Presence of Magic in Artwork, and Artistry of Magic and Science: Some Inconclusive Conclusions -- Notes -- References -- 10 Choosing, Unpicking and Connecting: On Drawing Museum Objects -- Choosing -- Unpicking -- Connecting -- Notes -- References -- 11 Post-Specimens and Present Ancestors: Passing Fables & -- Comparative Readings at The Wildgoose Memorial Library-An Artist's Re -- Some Background Information about My Practice as an Artist -- Some Context for the TAC's Claim for Repatriation of Human Remains from the NHM's Collection -- At the Natural History Museum, London, 21 November 2006 -- An Artist's Response (i) -- The TAC's 'Submission to the Trustees of the Natural History Museum for the Repatriation of Tasmanian Aboriginal Human Remains' -- Some Other Perspectives on the History of Tasmania in the Nineteenth Century -- An Artist's Response (ii) -- Some Correspondence Concerning Human Remains in the NHM Collection -- An Artist's Response (iii) -- An Artist's Response (iv): Passing Fables & -- Comparative Readings at The Wildgoose Memorial Library -- Conclusion -- Acknowledgements -- Notes -- References -- 12 Moving beyond the Specimen: From Drawing Objects to Drawing Processes -- Changing Environment: Changing Practice -- Morphological Interest Leads to the Natural History Museum and Its Collections. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | On Drawing -- Drawing from the Museum Specimens -- Annotating Morphology -- Isomorphology -- Isomorphogenesis -- Conclusion -- Notes -- References -- 13 Desiccation, Suspension, Extraction: The Inhuman Art of Christine Borland -- Introduction -- The Desiccated -- The Suspended -- The Extracted -- Conclusion -- Acknowledgements -- Notes -- References -- Afterword Specimen-What's at Stake? -- Biographies -- Index -- Back Cover. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Examines how scientific objects in museums and other collections act as inspiration to contemporary art practice, its histories, curating and aesthetics. Cross-disciplinary essays from leading arts professionals explore how scientific encounters in museums provoke new modes of creative thinking about art, science and curating. 84 col. illus. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Art and science. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Robinson, Alistair. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Juler, Edward |
| Title | Post-Specimen Encounters Between Art, Science and Curating |
| Place, publisher, and date of publication | Bristol : Intellect, Limited,c2020 |
| International Standard Book Number | 9781789383119 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6369051">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6369051</a> |
| Public note | Click to View |
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