Staging Sex : (Record no. 16508)
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000 -LEADER | |
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fixed length control field | 05588nam a22004453i 4500 |
001 - CONTROL NUMBER | |
control field | EBC6128221 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | MiAaPQ |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20240724114139.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
fixed length control field | m o d | |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
fixed length control field | cr cnu|||||||| |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 240724s2020 xx o ||||0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9780429946462 |
Qualifying information | (electronic bk.) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
Canceled/invalid ISBN | 9781138596481 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (MiAaPQ)EBC6128221 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (Au-PeEL)EBL6128221 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (OCoLC)1142101880 |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | MiAaPQ |
Language of cataloging | eng |
Description conventions | rda |
-- | pn |
Transcribing agency | MiAaPQ |
Modifying agency | MiAaPQ |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | PN2053 |
Item number | .P334 2020 |
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 792.028 |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Pace, Chelsea. |
245 10 - TITLE STATEMENT | |
Title | Staging Sex : |
Remainder of title | Best Practices, Tools, and Techniques for Theatrical Intimacy. |
250 ## - EDITION STATEMENT | |
Edition statement | 1st ed. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | Oxford : |
Name of producer, publisher, distributor, manufacturer | Taylor & Francis Group, |
Date of production, publication, distribution, manufacture, or copyright notice | 2020. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Date of production, publication, distribution, manufacture, or copyright notice | ©2020. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource (139 pages) |
336 ## - CONTENT TYPE | |
Content type term | text |
Content type code | txt |
Source | rdacontent |
337 ## - MEDIA TYPE | |
Media type term | computer |
Media type code | c |
Source | rdamedia |
338 ## - CARRIER TYPE | |
Carrier type term | online resource |
Carrier type code | cr |
Source | rdacarrier |
505 0# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Brief Contents -- Detailed Contents -- Foreword -- Acknowledgements -- Introduction -- The Old Approaches -- Old Approach: "Just Kiss Each Other!" -- Old Approach: The Actors Talk It Through -- Old Approach: The Actors Talk It Through (Over There) -- Old Approach: Show, Don't Tell -- Old Approach: Let the Choreographer Do It -- Old Approach: The Sharing Circle -- Old Approach: Chemistry Lessons -- Getting Better at Staging Sex -- What the Old Approaches Ignored -- The Power in the Room: the Director -- The Power of the Room: Human Psychology -- How This Book Can Help: Three Big Ideas -- Create a Culture of Consent -- Desexualize the Process -- Choreograph It -- Who I Am and What This Book Is -- CHAPTER 1. Tools and Techniques -- Environmental Factors -- The Boundary Tools -- Button -- Games for Practicing "No" and Button -- Simon Says (with Some Twists) -- The Circle Game (or "Yes" with a Twist) -- Fences -- Gates -- The Boundary Practice -- Boundary Practice Modification -- What to Say: The First Time through the Boundary Practice -- Group Boundary Practice -- Quick Check-Ins -- Navigating Resistance -- Placeholders -- De-Roling -- Stop Stepping In -- Boundary Breakers -- Joking Around -- Additional Boundaries -- Making Mistakes -- CHAPTER 2. The Ingredients -- Opening and Closing Distance -- Opening and Closing Hands -- Telling Stories -- Directing Distance -- Levels of Touch -- Level 1: Skin/Powder/Touching -- Level 2: Muscle/Paint/Moving -- Level 3: Bone/Clay/Pulling -- Tips for Using Levels of Touch -- Choreographing with Levels of Touch -- Tempo and Counts -- Trying Counts -- Putting It Together -- The Shapes -- Arcs (or Curves) -- Angles (or Lines) -- Figure Eights -- Putting It on Its Feet -- Destination -- Eye Contact -- Try It with a Partner -- Other Applications. |
505 8# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Visible Power Shifts -- Try Visible Power Shifts -- Using What Ifs and Visible Power Shifts -- Breath and Sound -- Short and Long -- Shallow and Deep -- High and Low -- Sharp -- Vowels and Consonants -- Putting Voice, Breath, and Movement Together -- Gravity and Weight -- Playing with Gravity -- Playing with Weight -- Combinations with Gravity and Weight -- Kissing -- Ground Rules -- Talk about that Kiss -- Opening and Closing Distance -- Counts -- Level of Touch -- Destination -- The Kiss Conversation -- Trying It with Your Hands -- Common Fixes for Bad Kisses -- Alternatives to Kisses -- Putting the Ingredients to Work -- Choreographing -- Tweaking -- Documenting -- Writing Recipes -- Notating and Coaching Choreography -- Actor Documentation -- Production Documentation -- Practicing with an Open Scene -- CHAPTER 3. Staging Intimacy -- Who is in the Room -- Vulnerability -- Practicing Vulnerability -- Partner Up -- Put It in Motion -- Introduce Touch -- Moving Together -- Staging Sexual Violence -- De-Roling in Sexual Violence -- Staging Nudity -- Have a Backup Plan -- Additional Thoughts -- CHAPTER 4. Recipes -- Embrace -- Variations -- Kiss -- Variations -- Oral Sex -- Masturbation and/or Digital Stimulation -- Penetrative Sex -- Feeling and Touching -- Teasing -- Removing Clothes -- Intimacy with Lots of Text -- Stylization -- CHAPTER 5. Production Logistics -- Company and Department Policies -- Chain of Communication -- Casting -- Audition Disclosure Form -- Placeholders in Auditions -- Recasting and Reimagining -- Rehearsal Schedules -- Intimacy Calls -- Intimacy Choreographers -- Staffing the Production -- Considerations for Designers and Technicians -- Front of House Staff and Ushers -- Content Warnings -- Boundaries with the Audience -- Talkbacks -- Post-Show Reviews -- CHAPTER 6. Staging Sex: A-Z -- Strategies for Actors. |
505 8# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Strategies for Teachers -- The Cheat Sheet -- APPENDIX Theatrical Intimacy Education -- Index. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Staging Sex lays out a comprehensive, practical solution for staging intimacy, nudity, and sexual violence, whether in rehearsal or in the classroom. |
588 ## - SOURCE OF DESCRIPTION NOTE | |
Source of description note | Description based on publisher supplied metadata and other sources. |
590 ## - LOCAL NOTE (RLIN) | |
Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Theater-Production and direction. |
655 #4 - INDEX TERM--GENRE/FORM | |
Genre/form data or focus term | Electronic books. |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
Relationship information | Print version: |
Main entry heading | Pace, Chelsea |
Title | Staging Sex |
Place, publisher, and date of publication | Oxford : Taylor & Francis Group,c2020 |
International Standard Book Number | 9781138596481 |
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6128221">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6128221</a> |
Public note | Click to View |
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