A Companion to Photography. (Record no. 16032)
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| 000 -LEADER | |
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| fixed length control field | 08689nam a22004453i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC6037157 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240724114117.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2020 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781118598795 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781405195843 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC6037157 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL6037157 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1139918112 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | TR185 |
| Item number | .C667 2020 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 770 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Bull, Stephen. |
| 245 12 - TITLE STATEMENT | |
| Title | A Companion to Photography. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Newark : |
| Name of producer, publisher, distributor, manufacturer | John Wiley & Sons, Incorporated, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2020. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2020. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (571 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Cover -- Title Page -- Copyright Page -- Contents -- List of Figures -- Notes on Contributors -- Acknowledgments -- Chapter 1 Introduction: Photography in the Twenty‐first Century -- Photography in the Twenty‐first Century -- Structure of the Book -- Conclusion -- Part I Themes -- Chapter 2 Histories -- References -- Chapter 3 Locating Photography -- From Calcutta to Constantinople -- Terra Infirma: Photography Beyond the Nation -- World System Photography -- Conclusion: Locating Martín Chambi -- Acknowledgement -- References -- Chapter 4 The Participation of Time in Photography -- References -- Chapter 5 Photographic Acts and Arts of Memory -- Memory Rising -- Objects of Memory -- Memories Lost and Found -- Memorable Moments -- Sights of Memory -- Commemoration and Repossession -- Acting the Art -- Family Resemblances -- References -- Chapter 6 The Indexical Imagination -- Semiotics -- Sign-making -- Perception -- Note -- References -- Chapter 7 The Thingness of Photographs -- Some Framings -- Albums and the Material Performance of Narrative -- Photographs and Their Sensory Entanglements -- The Material Archive and Photographic Meaning -- Conclusion -- References -- Chapter 8 Beyond Representation?: The Database-driven Image and the Non-human Spectator -- Introduction -- Photography and the "Algorithmic Turn" -- "Seeing" the Photograph? -- Photography as "Content" -- Extracting Meaning from "Content" -- Metadata and Tagging: Re‐writing the Image as Text -- The Meaning Machine? -- Pattern Recognition and Non‐verbal Orderings -- Conclusion -- Notes -- References -- Part II Interpretation -- Chapter 9 Semiotics -- Exposing the Construction of Photographs -- People, Roles, and Modality in Photographs -- Modality and the Modification of Photographs -- Peircean Semiotics, Emotion, and the Status of the Photograph -- References -- Further Reading. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Chapter 10 A Culture of Texts -- "Nature's" Marks -- Imitations -- The Multiple Medium -- The Photograph as "Text" -- Dismantling the System -- A Liminal View -- References -- Further Reading -- Chapter 11 Psychoanalysis and Photography: Mary Kelly and Cindy Sherman -- Mary Kelly -- Cindy Sherman -- References -- Chapter 12 Reviewing the Gaze -- The Gaze in Theory and History -- The Gaze: Optical, Linguistic, Haptic -- The Gaze and the Look -- Psychoanalysis, the Gaze, and the Photograph -- Three Historical Moments -- In the Realm of the Senses -- Three Theoretical and Historical Moments -- Ethics, Politics, and the Gaze -- The Gaze as Civil Contract -- References -- Part III Markets -- Chapter 13 Marketing Photography: Selling Popular Photography on the British High Street -- Marketing Mass Photography: The Debates -- Mass-Marketing Photography: Kodak as the Founding Model -- The Rise of the High Street Photographic Chemist in Britain -- Stratifying the Market: Advertising Photography to the Man‐in‐the‐Street -- From Labcoat to Laptop: Changing Identities for Photographic Providers -- Prescriptive and Policed Esthetics: The Role of Business in Shaping Photographic Practice -- Visual Economies: The Hidden Financial Dominance of Commercial Developing and Printing -- Duping and Knowing, Prescription and Resistance: Marketing's Effects -- Acknowledgments -- References -- Further Reading -- Chapter 14 Advertising and Photography: Rhetoric and Representation -- Advertising: Information and Persuasion -- Photography: Documentary and Persuasion -- Barthes on the Newspaper Photograph -- Barthes on the Advertising Photograph -- Derrida, Barthes, and Photography -- Advertising, Photography, Rhetoric, and Representation -- Conclusion -- References -- Further Reading -- Websites -- Chapter 15 Fashion's Image: The Complex World of the Fashion Photograph. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | The Changing World of the Fashion Photograph -- Fashion as Image -- What Is a Fashion Photograph? -- How Fashion Works in the Street Style Blog -- Is Fashion Photography Art? -- Conclusion -- Acknowledgments -- Notes -- References -- Further Reading -- Chapter 16 Value Systems in Photography -- Notes -- References -- Further Reading -- Part IV Popular Photography -- Chapter 17 Snapshot Photography: History, Theory, Practice, and Esthetics -- History -- Theory -- Practice -- Esthetics -- Conclusion -- Note -- References -- Further Reading -- Chapter 18 Mobile Photography -- The Problem with "Mobile Photography" -- The Research Area -- A Mobile History -- Mobility-As-Transience -- Networked Photography -- Conclusion [Mobile Meaning] -- Notes -- References -- Further Reading -- Chapter 19 Famous for a Fifteenth of a Second: Andy Warhol, Celebrity, and Fan Photography -- Andy Warhol as Fan -- Andy Warhol as Artist -- Andy Warhol as Celebrity -- Conclusion -- References -- Further Reading -- Chapter 20 Boring Pictures: Photography as Art of the Everyday -- Art of the Everyday -- The Photograph -- Noticing Things -- Tactical Resistance -- Everyday Aesthetics -- The Sensible -- Conclusion -- References -- Further Reading -- Part V Documents -- Chapter 21 "Things As They Are": The Problematic Possibilities of Documentary -- References -- Further Reading -- Chapter 22 Citizens' Photojournalism -- Champions and Opponents -- Precedents and Legacies -- Art,Photography and the Internet -- Conclusion -- References -- Further Reading -- Chapter 23 Seeing Is Not Believing: On the Irrelevance of Looking in the Age of Operational Images -- The Unseen Image -- The Irrelevance of Looking -- The Operational Image -- Where, Then, to Look? -- Conclusion -- References -- Further Reading. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Chapter 24 Travel Books, Photography, and National Identity in the 1950s and 1960s, : seen through the prism of the LIFE World Library -- References -- Further Reading -- Part VI Art -- Chapter 25 Photography's Conflicting Modernisms and Modernities -- Photography's Conflicting Modernisms and Expanded Modernities -- Photographic Modernism and the Avant-Gardes -- American Modernism -- Modernism Expanded/Modernism from Below -- Modernism without Borders and Late Modernism -- Notes -- References -- Chapter 26 Spectacle and Anti‐spectacle: American Art Photography and Consumer Culture -- Consumer Photography: The Bad Art Photography of Ed Ruscha and John Baldessari -- The Cultic Power of Images: Richard Prince and Louise Lawler -- From the Ideal to the Real: Philip‐Lorca diCorcia's and Larry Sultan's Post‐Documentary -- Conclusion -- Notes -- References -- Further Reading -- Chapter 27 What Can Photography Do?: Considerations on Photography's Potential as Contemporary Art -- What Has Photography Done? -- What Can Photography Do? -- Conclusion -- References -- Further Reading -- Chapter 28 Practicing Desires: Authorship in Contemporary Photographic Art -- A Very Brief Survey of the Artist Photographer as Author -- Roundtable Discussion, London, November 2011 (Chair: Fergus Heron) -- Joachim Schmid in Conversation with Stephen Bull, London, November 2011 -- Conclusion -- References -- Further Reading -- Index -- EULA. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Photographic criticism. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Bull, Stephen |
| Title | A Companion to Photography |
| Place, publisher, and date of publication | Newark : John Wiley & Sons, Incorporated,c2020 |
| International Standard Book Number | 9781405195843 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6037157">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=6037157</a> |
| Public note | Click to View |
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