Portugal's Global Cinema : (Record no. 135784)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 04768nam a22004573i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC5264531 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240729131742.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2017 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781786732750 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781784531980 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC5264531 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL5264531 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaPaEBR)ebr11509685 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1022792727 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN1993.5.P6 .P678 2018 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.4309469 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Liz, Mariana. |
| 245 10 - TITLE STATEMENT | |
| Title | Portugal's Global Cinema : |
| Remainder of title | Industry, History and Culture. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | London : |
| Name of producer, publisher, distributor, manufacturer | I. B. Tauris & Company, Limited, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2017. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2017. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (307 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | World Cinema Series |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Cover -- Author biography -- Series -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Acknowledgements -- List of Contributors -- Introduction: Framing the Global Appeal of Contemporary Portuguese Cinema -- Portuguese cinema on the international stage -- Cinema of small nations: between globalization and internationalization -- Key issues in contemporary Portuguese cinema -- 1 Filming Narratives Becoming Events: Documentary and the 'Emplotments' of the Carnation Revolution -- Narratives of the Carnation Revolution: an introduction -- Scenes from the class struggle in Portugal -- Revolution as narrative -- 2 Our Beloved Month of August: Between the Filming of the Real and the Reality of Filming -- The reality of filming -- Filming of the real -- Just so: love for reality, desire for cinema -- Conclusion: the section which isn't there -- 3 Political Oliveira -- Legacy of the empire -- 4 Portugal, Europe and the World: Geopolitics and the Human Condition in Manoel de Oliveira's Films -- Regional/National -- Supranational/Transnational/Global -- Universal/Local -- Conclusion -- 5 Amália (2008): Stories of a Singer and Tales of a National Cinema -- Amália and fado biographies -- Between Hollywood melodrama and national Portuguese cinema -- 6 La Cage Dorée/The Gilded Cage: A Franco-Portuguese Comedy of Integration -- French comedy of integration -- Negotiating Portuguese stereotypes -- Music, nostalgia, modernity -- Conclusion -- 7 Cinema and the City in European Portugal -- The complex relationship between Portugal and Europe -- Lisbon Story and European postcards -- Portugal, Europe and heritage in Porto of My Childhood -- Conclusion -- 8 Contextualizing Pedro Costa's Digital Filmmaking -- Digital cinema as a (low-budget) production paradigm -- Filmmaking at the interstices -- Authorship renegotiated -- Conclusion. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | 9 Broken Links: The Cinema of Teresa Villaverde -- The holy family -- Forms and transformations -- Figures and feelings -- 10 Mysteries of Raúl Ruiz's Portugal: Territory, Littoral, City and Memory Bridge -- Portugal as Ruizian territory -- Three Crowns of a Sailor (1982), City of Pirates (1983) and impossible cartographies -- Mysteries of Lisbon and mysteries of enchantment -- 11 White Faces/Black Masks: The White Woman's Burden in Pedro Costa's Down to Earth -- Remaking Hollywood? Volcanoes, zombies, crazy women -- Neo-colonial gaze, desire and sexuality -- Female embodiment of male masochism: between science and sexuality -- Conclusion: a dystopian Island of Love? -- 12 Light Drops: Portugal Critically Reviewing the Colonial Past? -- Light Drops as post-colonial film -- Rui Pedro's two families -- Post-colonialism and nostalgia? -- 13 Colonialism as Fantastic Realism in Tabu -- Historical detours -- The non-story and the index -- Fantasy as truth procedure -- 14 Luso-Brazilian Co-Productions: Rescue and Expansion -- Globalization and the national cinemas of Brazil and Portugal -- The role of co-productions in Brazilian and Portuguese cinema -- Conclusion -- Bibliography -- Index. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Motion picture industry. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Liz, Mariana |
| Title | Portugal's Global Cinema |
| Place, publisher, and date of publication | London : I. B. Tauris & Company, Limited,c2017 |
| International Standard Book Number | 9781784531980 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | World Cinema Series |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5264531">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5264531</a> |
| Public note | Click to View |
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