A Practical Guide to Choral Conducting. (Record no. 131659)
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| fixed length control field | 05153nam a22004453i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC5108122 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240729131530.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2017 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781351673679 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781138058446 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC5108122 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL5108122 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaPaEBR)ebr11457077 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1005684217 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | MT85.R708 2018 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 782.5/145 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Rosenbaum, Harold. |
| 245 12 - TITLE STATEMENT | |
| Title | A Practical Guide to Choral Conducting. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Oxford : |
| Name of producer, publisher, distributor, manufacturer | Taylor & Francis Group, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2017. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2018. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (247 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Cover -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Part 1 Leadership, Logistics, and Musical Insights -- 1 Responsibilities and Opportunities -- Responsibilities -- Opportunities -- 2 Recruiting, Auditioning, and Assessing -- Recruiting -- Auditioning -- Assessing -- 3 Choosing and Learning Repertoire -- How to Find and Acquire Music -- Choosing Stylistically Appropriate Music for Your Choir -- Creating a Successful Concert Program -- Learning the Score -- 4 Common Conductor Problems and How to Avoid or Fix Them -- Failing to Hear Mistakes -- Expectations -- Giving Pitches Incorrectly -- Teaching Notes Ineffectively -- Not Cuing Enough -- Not Having Adequate Piano Skills -- 5 Acquiring a Solid Conducting Technique With No Wasted Motion -- Specific Wasted Motions -- Mirror Conducting -- Kinesthetics -- 6 Logistics: Arranging Your Singers and Placing Your Choir -- Achieving Balance -- Arranging the Singers -- Mixed Formation -- Special Arrangements -- 7 Running Rehearsals -- Time of Day -- Rehearsal Length -- Running Rehearsals From the Piano -- The Dress Rehearsal -- 8 Achieving a Better Choral Sound -- Tone Quality and Dynamics -- Tone Quality and Vowels -- Blending -- Singing From Memory -- Diction -- Helping Choirs to Interpret More Fully -- 9 Special Choral Concepts and Techniques -- Phrasing -- Clever Breathing -- Staccatos -- Interweaving Lines -- Choral Crescendos and Decrescendos -- Breaking Habits That Minimize Expressivity -- "Amen" -- 10 Collaborating With Other Performers -- Piano Accompanists -- Mixing Professional and Amateur Singers -- Soloists -- Orchestras -- 11 Collaborating With and Supporting Composers -- Calling for Scores -- Commissioning -- Advising Composers -- 12 Concerts and Venues -- Performance Locations -- Placing the Choir and Instrumentalists -- Preparing the Venue -- The Day of the Concert. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Practical Considerations on the Day of the Concert -- 13 The Concert Experience: Directing and Savoring -- 14 Choral Tours -- Working With Tour Companies -- What to Include in the Itinerary -- What to Include Regarding Performances -- Travel Tips for Ideal Rehearsals and Performances -- Deviations -- What Can Go Wrong -- 15 Making Recordings -- Finding a Recording Space -- Recording Engineers -- Scheduling Sessions -- In Session -- The Session Begins -- 16 Breaking Rules: When and Why It Is Acceptable -- When Not to Conduct -- When Not to Follow the Printed Score -- 17 The World of Professional Choristers: An Inside Look at The New York Virtuoso Singers -- Rehearsals -- What I Have Learned About Professional Singers -- What I Have Learned From Professional Singers -- Further Observations and Thoughts About Professional Singers -- 18 Performing Modern Music -- Complex Contemporary Choral Music -- 19 Final Thoughts -- Part 2 Anthology -- Appendix 1: Interpreting Johann Sebastian Bach's Matthäus-Passion (St. Matthew Passion) (Bärenreiter edition) -- Appendix 2: Interpreting Wolfgang Amadeus Mozart's Requiem -- Appendix 3: Executing Fermatas in Haydn's Die Schöpfung (The Creation) (Oxford University Press edition) -- Appendix 4: Interpreting Giuseppe Verdi's Messa da Requiem (Edition Peters Nr. 4250 or Dover Publications) -- Index. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Dealing with often-overlooked yet vital considerations such as how to work with composers, recording, concert halls, and choral tours, A Practical Guide to Choral Conducting offers a valuable resource for both emerging choral conductors and students of choral conducting at the undergraduate and graduate levels. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Choral conducting. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Rosenbaum, Harold |
| Title | A Practical Guide to Choral Conducting |
| Place, publisher, and date of publication | Oxford : Taylor & Francis Group,c2017 |
| International Standard Book Number | 9781138058446 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5108122">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5108122</a> |
| Public note | Click to View |
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