Frontiers of Creative Industries : (Record no. 131327)
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000 -LEADER | |
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fixed length control field | 07400nam a22004933i 4500 |
001 - CONTROL NUMBER | |
control field | EBC5097220 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | MiAaPQ |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20240729131520.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
fixed length control field | m o d | |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
fixed length control field | cr cnu|||||||| |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 240724s2018 xx o ||||0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781787437739 |
Qualifying information | (electronic bk.) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
Canceled/invalid ISBN | 9781787437746 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (MiAaPQ)EBC5097220 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (Au-PeEL)EBL5097220 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (CaPaEBR)ebr11534438 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (OCoLC)1029759662 |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | MiAaPQ |
Language of cataloging | eng |
Description conventions | rda |
-- | pn |
Transcribing agency | MiAaPQ |
Modifying agency | MiAaPQ |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | HD2340.8-2346.5 |
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 383.7 |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Jones, Candace. |
245 10 - TITLE STATEMENT | |
Title | Frontiers of Creative Industries : |
Remainder of title | Exploring Structural and Categorical Dynamics. |
250 ## - EDITION STATEMENT | |
Edition statement | 1st ed. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | Bingley : |
Name of producer, publisher, distributor, manufacturer | Emerald Publishing Limited, |
Date of production, publication, distribution, manufacture, or copyright notice | 2018. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Date of production, publication, distribution, manufacture, or copyright notice | ©2018. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource (303 pages) |
336 ## - CONTENT TYPE | |
Content type term | text |
Content type code | txt |
Source | rdacontent |
337 ## - MEDIA TYPE | |
Media type term | computer |
Media type code | c |
Source | rdamedia |
338 ## - CARRIER TYPE | |
Carrier type term | online resource |
Carrier type code | cr |
Source | rdacarrier |
490 1# - SERIES STATEMENT | |
Series statement | Research in the Sociology of Organizations Series ; |
Volume/sequential designation | v.55 |
505 0# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Intro -- Frontiers of Creative Industries: Exploring Structural and Categorical Dynamics -- Contents -- About the Authors -- Frontiers of Creative Industries: Exploring Structural and Categorical Dynamics -- Introduction -- Social Structures and Categories in Creative Industries -- A Relational View of Creative Industries: Exploring the Interactions of Structures and Categories -- Conclusion: The Present and Future of Creative Industries -- References -- Brokerage Styles and Interaction Rituals in Creative Projects: Toward an Interactionist Perspective on Brokerage -- Brokerage in Creative Projects: From Structure to Process to Micro-Interactions -- The Two Building Blocks of an Interactionist Perspective on Brokerage in Creative Projects: Brokerage Styles and Interaction Rituals -- A Process Model of Brokerage Styles and Interaction Rituals in Creative Projects -- Resource Gathering Phase -- Creative Development Phase -- Implementation Phase -- Discussion -- Acknowledgments -- Notes -- References -- Creative Leadership for Social Impact -- Creative Leadership and the Organizing Potential of Architecture -- Setting, Data, and Methods -- Findings: Creative Leadership Processes for Social Impact -- Facilitating: Problem Definition through Micro-interactions and Multimodality -- Integrating: Solution Synthesis through Design and Organizing -- Directing: Model Realization through Brokerage and Strategic Framing -- Scaling Up Impact: Replication and Evangelizing -- Discussion and Conclusion -- Acknowledgments -- References -- Strange Bedfellows: Art and Finance or the Monet-ization of Art -- The Art Market -- Art Investment in Historical Perspective -- Contemporary Art -- Hypotheses -- Data -- Results -- Conclusions -- Notes -- References -- Why is Style not in Fashion? Using the Concept Of "Style" to Understand the Creative Industries. |
505 8# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Introduction -- Setting the Stage: Putting Style at the Center -- Perspectives from Across the Social Sciences: Style, its Related Concepts, and the Study of the Creative Industries -- Style in Sociology: Style is not Status -- Style in Anthropology: Understanding Artifacts -- Style in Cultural Studies: Pathways to Institutionalization -- Style in Management: Stylistic Categories -- A Definition of Style -- Why Style Matters: Elements of the Evaluation of Styles -- Conclusions and Discussion -- Acknowledgments -- Biography -- Notes -- References -- The Social Structure of Consecration in Cultural Fields: The Influence of Status and Social Distance in Audience-Candidate Evaluative Processes -- Introduction -- The Allocation of Symbolic Capital in Tournament Rituals -- Status and Rewards -- Social Distance and Rewards -- Empirical Setting -- Data -- Dependent variable -- Independent variables -- Control variables -- Method -- Results -- Discussion and Conclusions -- Notes -- Acknowledgments -- References -- Institutionalizing Authenticity in the Digitized World of Music -- Introduction -- Commodifying Music, Institutionalizing Authenticity -- Commodification in the Digital Era: A Brief Analysis of the Current State of Music -- Production -- Consumption -- Selection -- Appropriation -- Classification System -- The Continued Search for Authenticity in Music -- Production -- Consumption -- Selection -- Conclusion and Future Concerns -- Acknowledgments -- Notes -- References -- Ambiguity and the Longevity of Creative Industries: The Case of Swing Through the Lens of Interdisciplinary Collaboration -- Introduction -- Overview of the Case Study -- The Roadmap for the Paper -- Conceptual Map: An Interdisciplinary Examination of Categorical Ambiguity -- Data and Method -- Analysis / Case Study. |
505 8# - FORMATTED CONTENTS NOTE | |
Formatted contents note | An Analysis of Key Protagonists: Benny Goodman, John Hammond, and Glenn Miller -- Benny Goodman and the 1938 Carnegie Hall Concert -- John Hammond and the Spirituals to Swing Concert -- Glenn Miller, Swing as Popular Music, and Goodman's Decline -- Defining Swing: Analyses of the Themes and Binaries Associated with Definitions -- Analysis I: Definitions of Swing -- Analysis II: Relational Analysis of Major Themes of Swing Definitions -- Analysis III: Swing Phrases -- Ambiguity Affects Longevity: The Contemporary Category of Swing -- Relating the Case Study of Swing to Other Creative Industries and Categories -- Relating to Other Forms of Music -- Relating to Architecture -- Broader Considerations for "Creative Industries" -- Conceptual Implications -- Acknowledgments -- Notes -- References -- Not the Usual Suspects: Default Expectations and the Strategic Use of Categories -- Introduction -- Theory -- Strategic Use of Categories -- Typicality and Default Expectations -- Hypothesis Development -- Empirical Setting -- Methods -- Data -- Dependent Variable -- Independent Variables -- Family CEO -- Density -- Newcomer -- Corporate and Listed Group -- Control Variables -- Modeling Method -- Results -- Main Analyses -- Alternative Explanations and Further Analysis -- Discussion -- Notes -- References -- Afterword: The Creative Industries - Arts and Materiality Redux -- Phases of Change -- Origins (1965-1980) -- Cultural Turn (1980-2005) -- Uniting Material and Semiotic Approaches (2005 to Present) -- Looking Forward -- Note -- References -- Index. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Creative industries are a growing and globally important area for both economic vitality and cultural expression of industrialized nations. This volume examines their institutional, categorical and structural dynamics to provide an overview of new trends and emerging issues in scholarship on this topic. |
588 ## - SOURCE OF DESCRIPTION NOTE | |
Source of description note | Description based on publisher supplied metadata and other sources. |
590 ## - LOCAL NOTE (RLIN) | |
Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Cultural industries. |
655 #4 - INDEX TERM--GENRE/FORM | |
Genre/form data or focus term | Electronic books. |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Maoret, Massimo. |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
Relationship information | Print version: |
Main entry heading | Jones, Candace |
Title | Frontiers of Creative Industries |
Place, publisher, and date of publication | Bingley : Emerald Publishing Limited,c2018 |
International Standard Book Number | 9781787437746 |
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
Uniform title | Research in the Sociology of Organizations Series |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5097220">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5097220</a> |
Public note | Click to View |
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