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Frontiers of Creative Industries : (Record no. 131327)

MARC details
000 -LEADER
fixed length control field 07400nam a22004933i 4500
001 - CONTROL NUMBER
control field EBC5097220
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240729131520.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240724s2018 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781787437739
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781787437746
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC5097220
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL5097220
035 ## - SYSTEM CONTROL NUMBER
System control number (CaPaEBR)ebr11534438
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1029759662
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number HD2340.8-2346.5
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 383.7
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Jones, Candace.
245 10 - TITLE STATEMENT
Title Frontiers of Creative Industries :
Remainder of title Exploring Structural and Categorical Dynamics.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Bingley :
Name of producer, publisher, distributor, manufacturer Emerald Publishing Limited,
Date of production, publication, distribution, manufacture, or copyright notice 2018.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2018.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (303 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Research in the Sociology of Organizations Series ;
Volume/sequential designation v.55
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Intro -- Frontiers of Creative Industries: Exploring Structural and Categorical Dynamics -- Contents -- About the Authors -- Frontiers of Creative Industries: Exploring Structural and Categorical Dynamics -- Introduction -- Social Structures and Categories in Creative Industries -- A Relational View of Creative Industries: Exploring the Interactions of Structures and Categories -- Conclusion: The Present and Future of Creative Industries -- References -- Brokerage Styles and Interaction Rituals in Creative Projects: Toward an Interactionist Perspective on Brokerage -- Brokerage in Creative Projects: From Structure to Process to Micro-Interactions -- The Two Building Blocks of an Interactionist Perspective on Brokerage in Creative Projects: Brokerage Styles and Interaction Rituals -- A Process Model of Brokerage Styles and Interaction Rituals in Creative Projects -- Resource Gathering Phase -- Creative Development Phase -- Implementation Phase -- Discussion -- Acknowledgments -- Notes -- References -- Creative Leadership for Social Impact -- Creative Leadership and the Organizing Potential of Architecture -- Setting, Data, and Methods -- Findings: Creative Leadership Processes for Social Impact -- Facilitating: Problem Definition through Micro-interactions and Multimodality -- Integrating: Solution Synthesis through Design and Organizing -- Directing: Model Realization through Brokerage and Strategic Framing -- Scaling Up Impact: Replication and Evangelizing -- Discussion and Conclusion -- Acknowledgments -- References -- Strange Bedfellows: Art and Finance or the Monet-ization of Art -- The Art Market -- Art Investment in Historical Perspective -- Contemporary Art -- Hypotheses -- Data -- Results -- Conclusions -- Notes -- References -- Why is Style not in Fashion? Using the Concept Of "Style" to Understand the Creative Industries.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note Introduction -- Setting the Stage: Putting Style at the Center -- Perspectives from Across the Social Sciences: Style, its Related Concepts, and the Study of the Creative Industries -- Style in Sociology: Style is not Status -- Style in Anthropology: Understanding Artifacts -- Style in Cultural Studies: Pathways to Institutionalization -- Style in Management: Stylistic Categories -- A Definition of Style -- Why Style Matters: Elements of the Evaluation of Styles -- Conclusions and Discussion -- Acknowledgments -- Biography -- Notes -- References -- The Social Structure of Consecration in Cultural Fields: The Influence of Status and Social Distance in Audience-Candidate Evaluative Processes -- Introduction -- The Allocation of Symbolic Capital in Tournament Rituals -- Status and Rewards -- Social Distance and Rewards -- Empirical Setting -- Data -- Dependent variable -- Independent variables -- Control variables -- Method -- Results -- Discussion and Conclusions -- Notes -- Acknowledgments -- References -- Institutionalizing Authenticity in the Digitized World of Music -- Introduction -- Commodifying Music, Institutionalizing Authenticity -- Commodification in the Digital Era: A Brief Analysis of the Current State of Music -- Production -- Consumption -- Selection -- Appropriation -- Classification System -- The Continued Search for Authenticity in Music -- Production -- Consumption -- Selection -- Conclusion and Future Concerns -- Acknowledgments -- Notes -- References -- Ambiguity and the Longevity of Creative Industries: The Case of Swing Through the Lens of Interdisciplinary Collaboration -- Introduction -- Overview of the Case Study -- The Roadmap for the Paper -- Conceptual Map: An Interdisciplinary Examination of Categorical Ambiguity -- Data and Method -- Analysis / Case Study.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note An Analysis of Key Protagonists: Benny Goodman, John Hammond, and Glenn Miller -- Benny Goodman and the 1938 Carnegie Hall Concert -- John Hammond and the Spirituals to Swing Concert -- Glenn Miller, Swing as Popular Music, and Goodman's Decline -- Defining Swing: Analyses of the Themes and Binaries Associated with Definitions -- Analysis I: Definitions of Swing -- Analysis II: Relational Analysis of Major Themes of Swing Definitions -- Analysis III: Swing Phrases -- Ambiguity Affects Longevity: The Contemporary Category of Swing -- Relating the Case Study of Swing to Other Creative Industries and Categories -- Relating to Other Forms of Music -- Relating to Architecture -- Broader Considerations for "Creative Industries" -- Conceptual Implications -- Acknowledgments -- Notes -- References -- Not the Usual Suspects: Default Expectations and the Strategic Use of Categories -- Introduction -- Theory -- Strategic Use of Categories -- Typicality and Default Expectations -- Hypothesis Development -- Empirical Setting -- Methods -- Data -- Dependent Variable -- Independent Variables -- Family CEO -- Density -- Newcomer -- Corporate and Listed Group -- Control Variables -- Modeling Method -- Results -- Main Analyses -- Alternative Explanations and Further Analysis -- Discussion -- Notes -- References -- Afterword: The Creative Industries - Arts and Materiality Redux -- Phases of Change -- Origins (1965-1980) -- Cultural Turn (1980-2005) -- Uniting Material and Semiotic Approaches (2005 to Present) -- Looking Forward -- Note -- References -- Index.
520 ## - SUMMARY, ETC.
Summary, etc. Creative industries are a growing and globally important area for both economic vitality and cultural expression of industrialized nations. This volume examines their institutional, categorical and structural dynamics to provide an overview of new trends and emerging issues in scholarship on this topic.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Cultural industries.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Maoret, Massimo.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Jones, Candace
Title Frontiers of Creative Industries
Place, publisher, and date of publication Bingley : Emerald Publishing Limited,c2018
International Standard Book Number 9781787437746
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Research in the Sociology of Organizations Series
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5097220">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5097220</a>
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