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The Routledge Handbook of Shakespeare and Global Appropriation. (Record no. 13046)

MARC details
000 -LEADER
fixed length control field 05666nam a22005053i 4500
001 - CONTROL NUMBER
control field EBC5884074
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240724113930.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240724s2019 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781351687539
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9781138050198
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC5884074
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL5884074
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1114965860
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PR2880.A1 .R688 2020
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 822.33
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Desmet, Christy.
245 14 - TITLE STATEMENT
Title The Routledge Handbook of Shakespeare and Global Appropriation.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Oxford :
Name of producer, publisher, distributor, manufacturer Taylor & Francis Group,
Date of production, publication, distribution, manufacture, or copyright notice 2019.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2020.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (499 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
490 1# - SERIES STATEMENT
Series statement Routledge Literature Handbooks Series
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Cover -- Half Title -- Series -- Title -- Copyright -- Dedication -- Contents -- List of figures -- List of contributors -- Acknowledgments -- Introduction: Shakespearean appropriation in inter/national contexts -- Part I Transcultural and intercultural Shakespeares -- 1 ". . . the great globe itself . . . shall dissolve": art after the apocalypse in Station Eleven -- 2 Others within: ethics in the age of Global Shakespeare -- 3 "You say you want a revolution?": Shakespeare in Mexican [dis]guise -- 4 "Don't it make my brown eyes blue": uneasy assimilation and the Shakespeare-Latinx divide -- 5 "To appropriate these white centuries": James Baldwin's race conscious Shakespeare -- 6 Bishōnen Hamlet: stealth-queering Shakespeare in Manga Shakespeare: Hamlet -- 7 Edmund hosts William: appropriation, polytemporality, and postcoloniality in Frank McGuinness's Mutabilitie -- 8 Shakespeare appropriation and queer Latinx empowerment in Josh Inocéncio's Ofélio -- 9 Calibán Rex? Cultural syncretism in Teatro Buendía's Otra Tempestad -- 10 Fooling around with Shakespeare: the curious case of "Indian" Twelfth Nights -- Part II Decolonizing Shakespeares -- 11 "Flipping the turtle on its back": Shakespeare, decolonization, and First Peoples in Canada -- 12 Nomadic Shylock: nationhood and its subversion in The Merchant of Venice -- 13 "What country, friend, is this?" Carlos Díaz's Cuban Illyria -- 14 Inheriting the past, surviving the future -- 15 The politics of African Shakespeare -- 16 Da Kine Shakespeare: James Grant Benton's Twelf Nite O Wateva! -- Part III World pedagogical Shakespeares -- 17 "Make new nations": Shakespearean communities in the twenty-first century -- 18 Appropriating Shakespeare for marginalized students -- 19 Beyond appropriation: teaching Shakespeare with accidental echoes in film.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 20 Teaching Global Shakespeare: visual culture projects in action -- Part IV Regional, local, and "glocal" Shakespeares -- 21 Othello in Poland, a prevailingly homogeneous ethnic country -- 22 Shakespeare in Ireland: 1916 to 2016 -- 23 Shakespeare's presence in the land of ancient drama: Karolos Koun's attempts to acculturate Shakespeare in Greece -- 24 "To be/not to be": Hamlet and the threshold of potentiality in post-communist Bulgaria -- 25 What's in a name? Shakespeare and Japanese pop culture -- 26 "Subjugating Arab forms to European meters"? Shakespeare, Abu Shadi, and the first translations of the sonnets into Arabic -- 27 Shakespeare's anāshīd -- 28 Paul Robeson, Margaret Webster, and their transnational Othello -- Part V Transmedia Shakespeares -- 29 Ecologies of the Shakespearean artists' book -- 30 Falstaff and the constructions of musical nostalgia -- 31 The Moor makes a cameo: Serial, Shakespeare, and the white racial frame -- 32 De-emphasizing race in young adult novel adaptations of Othello -- 33 Resisting history and atoning for racial privilege: Shakespeare's Henriad in HBO's The Wire -- 34 Indigenizing Shakespeare: Haider and the politics of appropriation -- 35 Ovidian appropriations, metamorphic illusion, and theatrical practice on the Shakespearean stage -- 36 Determined to prove a villain? Appropriating Richard III's disability in recent graphic novels and comics -- 37 Some Tweeting Cleopatra: crossing borders on and off the Shakespearean stage -- 38 The Sandman as Shakespearean appropriation -- 39 Shakespeare's scattered leaves: mutilated books, unbound pages, and the circulation of the First Folio -- Index.
520 ## - SUMMARY, ETC.
Summary, etc. This volume addresses topics such as trans-and intermedia performances; Shakespearean utopias and dystopias; the ethics of appropriation; Shakespeare and Global justice as well as a section on how to approach the teaching of these topics.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Shakespeare, William,-1564-1616-Adaptations-History and criticism.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Shakespeare, William,-1564-1616-Influence.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Cultural appropriation.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Iyengar, Sujata.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Jacobson, Miriam.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Desmet, Christy
Title The Routledge Handbook of Shakespeare and Global Appropriation
Place, publisher, and date of publication Oxford : Taylor & Francis Group,c2019
International Standard Book Number 9781138050198
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE
Uniform title Routledge Literature Handbooks Series
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5884074">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5884074</a>
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