From Face to Face : (Record no. 130214)
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| 000 -LEADER | |
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| fixed length control field | 04731nam a22004693i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC5024424 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240729131444.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2016 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789004324558 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9789004321847 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC5024424 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL5024424 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaPaEBR)ebr11437347 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1004191796 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | NB1296.3 .P78 2016 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 731.820937 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Prusac, Marina. |
| 245 10 - TITLE STATEMENT | |
| Title | From Face to Face : |
| Remainder of title | Recarving of Roman Portraits and the Late-Antique Portrait Arts. Second, Revised Edition. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 2nd ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Boston : |
| Name of producer, publisher, distributor, manufacturer | BRILL, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2016. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2016. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (381 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Monumenta Graeca et Romana Series ; |
| Volume/sequential designation | v.18 |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Intro -- Contents -- Preface -- Editorial note -- Acknowledgments -- List of diagrams and sketches -- List of figures and photo credits -- Introduction -- The history of sculpture reuse and related problems -- The Stand der Forschung of sculpture reuse -- The identification of recarved sculpture -- Organisation of the material -- Terminology -- Definitions of "style" -- The function of recarved portraits -- Chapter One -- The reuse of sculpture and recarving portraits -- Criteria for identification -- Spolia and the recarving of portraiture -- The reuse of private sculpture -- Relocated and discarded sculpture -- Portrait heads in secondary contexts -- Pagan sculptures in the early Christian period -- The reuse of statuary in late-antique Constantinople -- Marmora et ornamenta -- The archetype of portraits -- Chapter Two -- Statistical analyses -- The relationship between new and recarved portraits -- Test case within a defined geographical area -- Chapter Three -- The 1st-2nd centuries CE and the damnatio memoriae portraits -- The significance of imperial portraiture -- The damnatio memoriae portraits -- Female portraits -- Chapter Four -- The 3rd century CE -- Economy and reuse -- The styles of the recarved portraits from the 3rd century ce -- Gallienus and a break with tradition -- The soldier emperor portraits -- The philosopher portraits -- A change in portrait function -- Chapter Five -- Late Antiquity and the emergence of new visual expressions -- The Tetrarchic period -- The Constantinian period -- Visual expression in the Constantinian period -- From Valentinian I to Justinian I -- Private recarved portraits in Late Antiquity -- Chapter Six -- Recarving methods -- Marble and quarries -- Workshops -- Tools -- From face to face -- Hairstyles -- Facial features -- Ears -- Eyes -- The lower facial features and the mouth -- Techniques. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Chapter Seven -- Classifications -- The Bandit group -- The Helmet group -- The Ephesos-Tetrarch group -- The Athens group -- The Plotinus group -- The Eutropius group -- The Iamblichus group -- From the Bandit group to the Eutropius group: a development of technique? -- Chapter Eight -- Social aspects -- Imperial vs. private portraits -- Gods and humans -- Recarvings across gender lines -- Recarved female portraits -- Recarved portraits on sarcophagi -- Norms -- Conclusions -- Oblivion and reinvention -- Summary -- Map with portrait provenances -- The Roman imperial succession until Justinian I -- Catalogue of recarved portraits -- Introduction to the catalogue -- Period 1 -- Male p ortraits -- Imperial -- Private -- Female portraits -- Imperial -- Private -- Period 2 -- Male portraits -- Imperial -- Private -- Female portraits -- Imperial -- Private -- Period 3 -- Male portraits -- Imperial -- Private -- Female portraits -- Imperial -- Private -- Bibliography -- Ancient sources -- Modern sources -- Index of museums and collections -- Concordances -- General index -- Plates 1-155. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Portrait sculpture, Roman. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Altered sculptures. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Prusac, Marina |
| Title | From Face to Face |
| Place, publisher, and date of publication | Boston : BRILL,c2016 |
| International Standard Book Number | 9789004321847 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Monumenta Graeca et Romana Series |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5024424">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5024424</a> |
| Public note | Click to View |
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