Socially Engaged Art after Socialism : (Record no. 127618)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 04770nam a22004453i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC4890574 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240729131315.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2017 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781786722225 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781784537135 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC4890574 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL4890574 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaPaEBR)ebr11426153 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaONFJC)MIL1027734 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)1001288207 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N6490.G35 2017 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 701.03 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Galliera, Izabel. |
| 245 10 - TITLE STATEMENT | |
| Title | Socially Engaged Art after Socialism : |
| Remainder of title | Art and Civil Society in Central and Eastern Europe. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | London : |
| Name of producer, publisher, distributor, manufacturer | I. B. Tauris & Company, Limited, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2017. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2017. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (386 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Cover -- Author bio -- Endorsements -- Title page -- Copyright information -- Contents -- List of illustrations -- Acknowledgements -- Introduction -- Within and Beyond the Borders of Bulgaria, Hungary and Romania -- Subversive Potential in Social Capital -- Politics of Socially Engaged Art in CEE -- Research Methodologies and Significance -- 1 Points of Contention: Socially Engaged Art Practice in Contemporary Theory -- 2 Civil Society, and Social,Cultural and Political Capital -- Civil Society -- Social, Cultural and Political Capital -- 3 Historical Antecedents: Participatory Art under Socialism, 1956-89 -- Socially Engaged Art in Socialist Hungary -- Participatory Art in Socialist Romania -- Unconventional Art in Socialist Bulgaria -- Part I From Second Society to Civil Society -- 4 Civil Society in a Period of Post-Socialist Transition -- 5 Antipolitics: Exhibitions at the Soros Centres for Contemporary Art -- Reclaiming Public Life through Interventionist Public Art -- Curatorial Visions: Framing Community-Oriented Art Projects -- Soros Centres for Contemporary Arts: Constraint and Self-Determination -- 6 Sofia: Participatory Public Art and Emerging Contemporary Art Institutions -- Friendship Networks in Post-1989 Emerging Art Institutions for Contemporary Art -- Part II From Localized Public Sites To EU Transnational Public Spheres -- 7 Place-Making: Framing Art in Public Spaces Curatorially -- Moszkva Tér (Gravitacio) / Moscow Square (Gravitation) -- Visual Seminar -- Spațiul Public București / Public Art Bucharest -- Catching Up to Europe with Culture -- 8 Representing Counterpublics in Bucharest, Budapest and Sofia -- h.arta: Undermining Curatorial Protocols in Self-Organizing Collaborative Projects -- János Sugár: Staging Confrontation in Participatory Public Art -- Luchezar Boyadjiev: Roma Counterpublic Art Monuments in Sofia. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Ivan Moudov: Performing a Museum of Contemporary Art through Collective Participation -- 9 Contesting the Politics of Belonging in the Post-1989 EU Community -- About the Artists: Bejenaru and Big Hope -- 'Mental Maps' in 'Fortress Europe' -- The Power of the Gaze -- Constructing Differential Spaces through Social Capital and Political Capital -- Part III Institutionalized and Institutionalizing -- 10 Institutionalized Community Arts Programmes -- Art for Social Change: Bypassing Systemic Causes -- cARTier: Cultivating Self-Help through Art in Marginalized Communities -- Participation and Collaboration as Apolitical Strategies of Engagement -- 11 Big Hope: Reviving Leftist Activism in Budapest -- Hungarian Cultural Institutions: Stage for Populist Right-Wing Narratives -- Big Hope and Homelessness -- Disobbedienti -- In and Out of Institutions -- 12 Self-Institutionalizing as Political Agency -- From DINAMO to IMPEX: Expanding Institutional Framing -- Department of Art in Public Space: Challenging the Left's Official Condemnation -- 0GMS's Self-Institutionalization -- Self-Institutionalizing as Platforms for Self-Determination -- Conclusion -- Notes -- Bibliography -- Index. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Art, Modern--20th century. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Galliera, Izabel |
| Title | Socially Engaged Art after Socialism |
| Place, publisher, and date of publication | London : I. B. Tauris & Company, Limited,c2017 |
| International Standard Book Number | 9781784537135 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4890574">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4890574</a> |
| Public note | Click to View |
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