Orientalist Poetics : (Record no. 123906)
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| fixed length control field | 05130nam a22004813i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC4816719 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240729131126.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2002 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781351913218 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9780754603047 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC4816719 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL4816719 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaPaEBR)ebr11355907 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaONFJC)MIL997484 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)975224071 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | 2001046047 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 821/.8093256 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Haddad, Emily A. |
| 245 10 - TITLE STATEMENT | |
| Title | Orientalist Poetics : |
| Remainder of title | The Islamic Middle East in Nineteenth-Century English and French Poetry. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Oxford : |
| Name of producer, publisher, distributor, manufacturer | Taylor & Francis Group, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2002. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2002. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (229 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | The Nineteenth Century Series |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Acknowledgments -- Introduction -- 1 To instruct without displeasing: Percy Shelley's The Revolt of Islam and Robert Southey's Thalaba the Destroyer -- Instruction in The Revolt of Islam -- Tyranny: the Orient's chief export -- Tyranny's comrades: religion and sexism -- Orientalism and Shelley's poetics -- Morals vs. materials: instruction and pleasure in Thalaba the Destroyer -- The desert, Islam: foreignness as a hermeneutic category -- Foreignness general and particular: character as archetype -- Extremes: too many notes? -- Southey and his readers: delighted, informed, or distressed -- Representation and the "Arabesque ornament -- 2 Representing, misrepresenting, not representing: Victor Hugo's Les Orientates and Alfred de Musset's "Namouna -- Hugo's preface: poetic ideals and the Orient as subject -- La Douleur du pacha": the Orient as origin or as end -- Adieux de l'hôtesse arabe": stasis -- Novembre": returning to Paris, the self, and mimesis -- Hugo's critics: E.J. Chételat -- George Gordon Byron's Don Juan: "But what's reality? -- Namouna": fragmentary representation -- No narrative, no representation -- Authority, referents, and representation -- The Middle East: "impossible à décrire -- 3 Orientalist poetics and the nature of the Middle East -- William Wordsworth and the nature of the Middle East -- Felicia Hemans's ambivalence -- Truth in illustrating Robert Southey and Thomas Moore -- Leconte de Lisle: "Le Désert," "le désert du monde -- Théophile Gautier: the composite desert -- In deserto": European nature in absentia -- Out of the desert: Byron's "Turkish Tales -- Matthew Arnold in Bukhara: nature in the Middle Eastern city -- Alfred Tennyson's Basra: natural phenomena and urban construction -- Orientalist poetics, Oscar Wilde -- 4 The Orient's art, orienting art. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | A confederation of the Middle East and art: Wordsworth -- The Middle East as a source of art: Leconte de Lisle -- Middle Eastern art and Gautier's imagination -- Nightingales and roses I: Walter Savage Landor and oriental literature -- Nightingales and roses II: Moore and the Orient as an ideal -- Hemans's Middle Eastern models -- Grounding a poetics in the 1001 Nights: Tennyson -- The Orient and Tennyson's p(a)lace of art -- Gautier's orientalist poetics and art for art's sake -- Orientalist poetics, Oscar Wilde: culmination -- Bibliography -- Index. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Orientalist Poetics is the only book on literary orientalism that spans the nineteenth century in both England and France with particular attention to poetry and poetics. It convincingly demonstrates orientalism's centrality to the evolution of poetry and poetics in both nations, and provides a singularly comprehensive and definitive analysis of the aesthetic impact of orientalism on nineteenth-century poetry. Because it examines the poetry of the entire century across both national literatures, the book is in a unique position to articulate the essential part orientalism plays in major developments of nineteenth-century poetics. Orientalist Poetics effectively bridges the gap between the analysis of poetics and the analysis of orientalism. In showing that major poetic developments have roots in orientalism, Haddad's book offers a valuable and innovative revisionist view of nineteenth-century literary history. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | French poetry. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Haddad, Emily A. |
| Title | Orientalist Poetics |
| Place, publisher, and date of publication | Oxford : Taylor & Francis Group,c2002 |
| International Standard Book Number | 9780754603047 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 830 #4 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | The Nineteenth Century Series |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4816719">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4816719</a> |
| Public note | Click to View |
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