ORPP logo

The Place of the Viewer : (Record no. 12204)

MARC details
000 -LEADER
fixed length control field 03653nam a22004333i 4500
001 - CONTROL NUMBER
control field EBC5842348
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240724113847.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240724s2019 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9789004400535
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9789004400238
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC5842348
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL5842348
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1096213733
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N71 .H687 2019
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 700.1
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Houston, Kerr.
245 14 - TITLE STATEMENT
Title The Place of the Viewer :
Remainder of title The Embodied Beholder in the History of Art, 1764-1968.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Boston :
Name of producer, publisher, distributor, manufacturer BRILL,
Date of production, publication, distribution, manufacture, or copyright notice 2019.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2019.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (282 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Intro -- Contents -- Acknowledgements -- Figures -- Introduction -- 1 "A Hundred Different Points of View": Baudelaire and the Place ofthe Viewer -- 2 A Brief Prehistory of Interest in the Physical Viewer -- 3 The Place of the Viewer: Perspectives and Approaches -- Chapter 1 The Communicative Viewpoint: Photography, Frontality, and Multiplicity in the 1800s -- 1 Art History, Distance, and the Photograph -- 2 "When a Choice Has Been Made": Talbot, Ruskin, and the Place of the Photographer -- 3 Photography as Language: Subjective and Objective Viewpoints in the 1850s -- 4 Constructed Viewpoints: Art History, Photography, and Related Discourses, 1860-1880 -- 5 Remote Viewing: Connoisseurship and Photography in the Late 1800s -- 6 The Appeal of die reine Frontansicht: German-language Scholarship in the 1890s -- 7 The Center Cannot Hold: Multiple Viewpoints in the Early 1900s -- 8 Conclusion -- Chapter 2 The Beholder in Motion: Kinetic Viewership -- 1 Introduction: Recent Assertions about Kinetic Viewership -- 2 Landskips and Kinema: towards a Prehistory of the Kinetic Viewer -- 3 Freud and Moses, Empathy and Kinesis -- 4 Space, Time, and the Work of Art in the 1920s and 1930s -- 5 Motion and Nomenclature: the Arrival of the Kinetic Viewer -- 6 Conclusion -- Chapter 3 The Body Physical, the Body Politic: Incorporated Viewership in the 1960s -- 1 Sides at War: Viewership and the Viewer in the 1960s -- 2 The Active Viewer: Politics and Artistic Discourses, c. 1960 -- 3 Embodied Poses: Leo Steinberg and Kinesthetic Empathy -- 4 Ideas in Translation: Gestalt Theory and Phenomenology -- 5 The Place of the Viewer in 'Art and Objecthood' -- 6 Conclusion -- Epilogue Art History and the Place of the Viewer since 1968 -- 1 The "Idea of the Spectator": Theorizations of the Audience, c. 1972 -- 2 The Persistent Centrality of the Viewer -- Bibliography -- Index.
520 ## - SUMMARY, ETC.
Summary, etc. In The Place of the Viewer, Kerr Houston offers a richly detailed chronological overview of art historians' evolving attempts to account for the physical position of the viewer in discussing works of art.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art-Psychology.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art criticism-History.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Houston, Kerr
Title The Place of the Viewer
Place, publisher, and date of publication Boston : BRILL,c2019
International Standard Book Number 9789004400238
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5842348">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5842348</a>
Public note Click to View

No items available.

© 2024 Resource Centre. All rights reserved.