The Place of the Viewer : (Record no. 12204)
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000 -LEADER | |
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fixed length control field | 03653nam a22004333i 4500 |
001 - CONTROL NUMBER | |
control field | EBC5842348 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | MiAaPQ |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20240724113847.0 |
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
fixed length control field | m o d | |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
fixed length control field | cr cnu|||||||| |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 240724s2019 xx o ||||0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9789004400535 |
Qualifying information | (electronic bk.) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
Canceled/invalid ISBN | 9789004400238 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (MiAaPQ)EBC5842348 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (Au-PeEL)EBL5842348 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (OCoLC)1096213733 |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | MiAaPQ |
Language of cataloging | eng |
Description conventions | rda |
-- | pn |
Transcribing agency | MiAaPQ |
Modifying agency | MiAaPQ |
050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
Classification number | N71 .H687 2019 |
082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Classification number | 700.1 |
100 1# - MAIN ENTRY--PERSONAL NAME | |
Personal name | Houston, Kerr. |
245 14 - TITLE STATEMENT | |
Title | The Place of the Viewer : |
Remainder of title | The Embodied Beholder in the History of Art, 1764-1968. |
250 ## - EDITION STATEMENT | |
Edition statement | 1st ed. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Place of production, publication, distribution, manufacture | Boston : |
Name of producer, publisher, distributor, manufacturer | BRILL, |
Date of production, publication, distribution, manufacture, or copyright notice | 2019. |
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
Date of production, publication, distribution, manufacture, or copyright notice | ©2019. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 1 online resource (282 pages) |
336 ## - CONTENT TYPE | |
Content type term | text |
Content type code | txt |
Source | rdacontent |
337 ## - MEDIA TYPE | |
Media type term | computer |
Media type code | c |
Source | rdamedia |
338 ## - CARRIER TYPE | |
Carrier type term | online resource |
Carrier type code | cr |
Source | rdacarrier |
505 0# - FORMATTED CONTENTS NOTE | |
Formatted contents note | Intro -- Contents -- Acknowledgements -- Figures -- Introduction -- 1 "A Hundred Different Points of View": Baudelaire and the Place ofthe Viewer -- 2 A Brief Prehistory of Interest in the Physical Viewer -- 3 The Place of the Viewer: Perspectives and Approaches -- Chapter 1 The Communicative Viewpoint: Photography, Frontality, and Multiplicity in the 1800s -- 1 Art History, Distance, and the Photograph -- 2 "When a Choice Has Been Made": Talbot, Ruskin, and the Place of the Photographer -- 3 Photography as Language: Subjective and Objective Viewpoints in the 1850s -- 4 Constructed Viewpoints: Art History, Photography, and Related Discourses, 1860-1880 -- 5 Remote Viewing: Connoisseurship and Photography in the Late 1800s -- 6 The Appeal of die reine Frontansicht: German-language Scholarship in the 1890s -- 7 The Center Cannot Hold: Multiple Viewpoints in the Early 1900s -- 8 Conclusion -- Chapter 2 The Beholder in Motion: Kinetic Viewership -- 1 Introduction: Recent Assertions about Kinetic Viewership -- 2 Landskips and Kinema: towards a Prehistory of the Kinetic Viewer -- 3 Freud and Moses, Empathy and Kinesis -- 4 Space, Time, and the Work of Art in the 1920s and 1930s -- 5 Motion and Nomenclature: the Arrival of the Kinetic Viewer -- 6 Conclusion -- Chapter 3 The Body Physical, the Body Politic: Incorporated Viewership in the 1960s -- 1 Sides at War: Viewership and the Viewer in the 1960s -- 2 The Active Viewer: Politics and Artistic Discourses, c. 1960 -- 3 Embodied Poses: Leo Steinberg and Kinesthetic Empathy -- 4 Ideas in Translation: Gestalt Theory and Phenomenology -- 5 The Place of the Viewer in 'Art and Objecthood' -- 6 Conclusion -- Epilogue Art History and the Place of the Viewer since 1968 -- 1 The "Idea of the Spectator": Theorizations of the Audience, c. 1972 -- 2 The Persistent Centrality of the Viewer -- Bibliography -- Index. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | In The Place of the Viewer, Kerr Houston offers a richly detailed chronological overview of art historians' evolving attempts to account for the physical position of the viewer in discussing works of art. |
588 ## - SOURCE OF DESCRIPTION NOTE | |
Source of description note | Description based on publisher supplied metadata and other sources. |
590 ## - LOCAL NOTE (RLIN) | |
Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Art-Psychology. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Art criticism-History. |
655 #4 - INDEX TERM--GENRE/FORM | |
Genre/form data or focus term | Electronic books. |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
Relationship information | Print version: |
Main entry heading | Houston, Kerr |
Title | The Place of the Viewer |
Place, publisher, and date of publication | Boston : BRILL,c2019 |
International Standard Book Number | 9789004400238 |
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5842348">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=5842348</a> |
Public note | Click to View |
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