Theatre, Time and Temporality : (Record no. 119275)
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| 000 -LEADER | |
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| fixed length control field | 04657nam a22004813i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC4729450 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240729130914.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2016 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781783207220 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781783207213 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC4729450 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL4729450 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaPaEBR)ebr11291166 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaONFJC)MIL966062 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)961343779 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN1655.I26 2016 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 792 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Ian Rabey, David. |
| 245 10 - TITLE STATEMENT | |
| Title | Theatre, Time and Temporality : |
| Remainder of title | Melting Clocks and Snapped Elastics. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Bristol : |
| Name of producer, publisher, distributor, manufacturer | Intellect, Limited, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2016. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2016. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (280 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Issn Series |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Cover -- Half Title -- Title -- Copyright -- Contents -- Acknowledgements -- Introduction -- Part I: Theatre in Time -- Chapter 1: Whose Time Is It? -- What Fundamental Things Apply? -- Time Is Ticking (Clock of The Heart) -- Temporality: What Is 'The Time'? -- Intensifying Combinations: Theatrical Time -- Melting Clocks and Snapped Elastics -- Wild Mercury -- Points of Departure -- Creative Tension -- Stretch and Flow -- Cause and Effect -- Slaves To The Rhythm -- Morality and Money -- (Un)Doing The Maths -- Beating The Bounds -- Chapter 2: Theatre in Time -- Starting The Day -- Interlude: Ways of Speed -- Starting The Night -- Chronos and Kairos -- Bachelard and The Dialectic of Duration -- Prigogine and Theatre As Dissipative Structure -- Theatre As Diffusive Resonance: Green's Random -- Theatre As Dissipative Structure: Wesker's The Kitchen -- Theatre As Chaotic Map: Beckett's Krapp's Last Tape -- Barbara Adam and Quantum Theatrics -- Chronos V. Kairos: Thomas's Flowers of The Dead Red Sea:'The Whole Fucking Shit Palace Falls on Our Heads' -- Theatrical Timescapes -- Interval: A Hole in The Night -- Part Ii: Time in Theatre -- Chapter 3: Shapes of Time -- Everything Must Change -- Distinctions in Time -- Models of Theatrical Time: A Survey -- Temporal 'Thickness' in Morality Plays -- Dr Faustus: 'The Double Motion of The Planets' -- Shakespeare: Too Long for A Play -- Dislocations in Dreamtime -- Wilder: Stygian Perspectives on The Passing World -- Priestley: Hinges in Time -- Wesker: Disillusion and Dynamism -- Comical-Historical-Tragical -- Interlude 1: 'Why Don't You All Just F-F-Fade Away'?: Further Thoughts on Staging Ageing -- Chapter 4: Principles of Uncertainty -- Beckett: Marking Time/Shoring Up The Debris -- Pinter: in Search of Lost Time -- Barker: 'The Sheer Suspension of Not Knowing' -- Complicating Shadows. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Ed Thomas: Memory, Desire and The Parts You Throw Away -- Butterworth: Time Past and Time Present -- Breaking The Loop: Mcdowall's Radical Uncertainty -- Interlude 2: The Clock in The Forest: Jerusalem Unenclosed: A Case History -- Chapter 5: Time Out of Joint -- Timebends and Countermyths -- Bond: Time as Blood Money -- Neilson's The Wonderful World of Dissocia: 'Inside-Between The Carvings of The Clock' -- Once Upon A Time: Churchill's Traumatic Dystopias -- The Time that Does Not Heal -- Rudkin: The Once and Future -- Rifkin: Searching for the New 'Time Rebels' -- Reverse Engineering: The Radicalization of Bradley Manning -- Inconclusion: Repent, Harlequin … -- Stolen Moments -- Envoi: Give Me Just a Little More Time -- References -- Index. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Theatre, Time and Temporality is the first book-length exploration of the subject of temporality within theatre and performance. David Ian Rabey brings in sources ranging from medieval and Renaissance theatre to contemporary performances to analyse ways that time can be presented, communicated and transformed in the theatre. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Drama--History and criticism. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Ian Rabey, David |
| Title | Theatre, Time and Temporality |
| Place, publisher, and date of publication | Bristol : Intellect, Limited,c2016 |
| International Standard Book Number | 9781783207213 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Issn Series |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4729450">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4729450</a> |
| Public note | Click to View |
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