A Companion to American Indie Film. (Record no. 119096)
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| control field | EBC4721398 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240729130908.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2016 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781118758014 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781118758328 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC4721398 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL4721398 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaPaEBR)ebr11285655 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaONFJC)MIL965329 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)961185860 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | PN1995.9.I457.C667 2017 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.430973 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | King, Geoff. |
| 245 12 - TITLE STATEMENT | |
| Title | A Companion to American Indie Film. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Newark : |
| Name of producer, publisher, distributor, manufacturer | John Wiley & Sons, Incorporated, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2016. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2017. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (545 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 490 1# - SERIES STATEMENT | |
| Series statement | Wiley Blackwell Companions to Film Directors Series |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Intro -- Title Page -- Copyright Page -- Contents -- Contributors -- Acknowledgements -- Introduction What Indie Isn't… Mapping the Indie Field -- Part One Indie Culture -- Chapter 1 Indie Film as Indie Culture -- Autonomy and Authenticity -- Slanted and Enchanted and Indie Game -- Conclusion -- References -- Chapter 2 The Making of the Indie Scene: The Cultural Production of a Field of Cultural Production -- Fields, Scenes, and Movements -- The Work of Culture in Fields/Scenes/Movements -- The Cultural Production of the Field of Cultural Production -- The Artist, the Community, and the Movement -- Notes -- References -- Chapter 3 Indie as Organic: Tracing Discursive Roots -- Roots -- Substance -- Handling -- Effects -- Discursive Roots and Rhetorical Oppositions -- References -- Part Two Indie and Other Media -- Chapter 4 Quirky Culture: Tone, Sensibility, and Structure of Feeling -- Quirky and Indie -- Quirky, Tone, and Structure of Feeling -- The Quirky Sensibility and "Innocence" -- Quirky Culture: Music, Comedy, and Radio -- Conclusion -- Notes -- References -- Chapter 5 Independent Intersections: Indie Music Cultures and American Indie Cinema -- Punk and the Beginnings of a New Independent Cinema -- The Historical Emergence of Indie -- The Growth of Indie -- Into the New Millennium -- Conclusion -- Notes -- References -- Chapter 6 Post-Cinema Soderbergh -- To Recap: Post-Cinema Soderbergh -- The Twittering Soderbergh -- Unglued? Glue and Short Fiction Online and Offline -- The Soderbergh Web -- Soderbergh TV, Round 2 -- Social Media and the Less-Small Screen -- Notes -- References -- Part Three Criticism, Marketing, and Positioning Indie -- Chapter 7 Structuring Indie and Beasts of the Southern Wild: The Role of Review Journalism -- Evaluating Authenticity and Originality -- Shaping a Preferred Indie Aesthetic -- The Stakes for Writers. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | The Politics of Awarding Distinction -- Conclusion: A Permanent Conflict -- Note -- References -- Chapter 8 Marketing American Indie in the Shadow of Hollywood -- Introduction -- Understanding the Indie in Independent -- Film Selection -- Ain't Them Bodies Saints (2013) -- Blue Jasmine (2013) -- Frances Ha (2013) -- 12 Years a Slave (2013) -- Marketing Indie -- Notes -- References -- Part Four Movements/Moments -- Chapter 9 Proto-Indie 1960s "Half-Way" Cinema -- The Second and Third Waves of Indie Cinema -- The Historical Establishment of the First Wave of Indie Cinema -- Conventions and Viewing of First-Wave Indie Cinema -- Conclusion -- Selected Filmography of First-Wave Indie Cinema -- Notes -- References -- Chapter 10 From Independent to Indie: The Independent Feature Project and the Complex Relationship between American Independent Cinema and Hollywood in the 1980s -- Introduction. Contemporary American Independent Cinema and Institutional Infrastructure -- The Beginnings of the IFP: Marshaling Resources -- Layers of Independence: Navigating between Art and Commerce -- Taking American Independent Cinema to the Next "Level" -- Conclusion - IFP: An (Ultra-) Successful Failure? -- Note -- Notes -- References -- Chapter 11 Going Mainstream: The Indie Film Movement in 1999 -- Introduction -- The Talented Mr. Ripley -- The Sixth Sense and Fight Club -- American Beauty -- The Blair Witch Project -- Aftermath: The Rise of Indiewood -- References -- Chapter 12 Looking through a Rearview Mirror: Mumblecore as Past Tense -- Four Eyed Monsters -- The Actor-Based Films of Andrew Bujalski -- Word and Image: Aaron Katz's Quiet City -- Improvisation, Cassavetes, and Norman Mailer -- Greta Gerwig and Joe Swanberg -- Writing with Somebody's Brain: Ronald Bronstein's Frownland -- Anecdotal Narrative: The Films of Frank V. Ross -- The Ascendance of Mumblecore. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | The Decline and Death of Mumblecore -- Conclusion -- Notes -- References -- Part Five Indie as Regional -- Chapter 13 The Pull of Place: Regional Indie Film Production -- "Regional" Filmmaking: Historical Place in the Literature -- What is Regional Filmmaking? -- Increased Visibility of Regional Filmmaking -- Rise of Regional: Tax Incentives -- Rise of Regional: Locating Personal and Professional Networks -- Rise of Regional: Thematic/Aesthetic Concerns -- Conclusion -- Note -- References -- Chapter 14 Rural Crimewave: Reconfiguring Regional Spaces through Genre in US Indie Cinema -- Defining the Rural Crime Film -- Frozen River -- Winter's Bone -- A Single Shot -- Casting the Rural Crime Film -- Marketing and Distributing the Rural Crime Film -- Conclusion -- References -- Part Six Aesthetics and Politics -- Chapter 15 Life During Wartime: Emotionalism, Capitalist Realism, and Middle-Class Indie Identity -- Class and Indie Cinema -- Indie Emotionalism -- Spectacular Dysfunction: Young Adult -- Fearful Energy: Touchy Feely -- Conclusion: Indie Class Consciousness -- Notes -- References -- Chapter 16 Indie Cinema and the Neoliberal Commodification of Creative Labor: Rethinking the Indie Sensibility of Christopher Nolan -- Neoliberalism and Independent Cinema -- Indie Filmmakers and the Studio Sector -- Christopher Nolan -- Conclusion -- Note -- References -- Chapter 17 "They Believe Every Fuckin' Word Because You're Super Cool": Masculine Cool '90s Style in Reservoir Dogs -- "Stealing" and Those Suits -- "Men's Cinema" -- Reservoir Dogs' Two Beginnings -- The Severed Ear -- Mr Orange and the Performance(s) of Masculinity -- The End -- Note -- References -- Chapter 18 The Craft of Independent Filmmaking: Editing in John Sayles' Return of the Secaucus Seven and Baby It's You -- Knowing That and Knowing How -- Evaluating John Sayles' Editing. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Conclusion: Jack Ryan's Epithets -- Notes -- References -- Part Seven Kickstarting Indie -- Chapter 19 Crowdfunding, Independence, Authorship -- Money -- Authorship -- Moral Economy -- Conclusion -- Notes -- References -- Chapter 20 Go Digital or Go Dark: Crowdfunding, Independent Financing, and Arthouse Exhibition on Kickstarter -- Independent Cinema and Arthouse Exhibition -- Transitioning to Digital Projection -- Crowdfunding and Kickstarter -- The Arthouse Experience: Building Community on Kickstarter -- Kickstarter: Dilemmas and Possibilities -- References -- Part Eight Indie Acting and Stardom -- Chapter 21 Casing Indie Acting -- "Quality" Acting -- John Cusack's Lovers and Losers -- Giancarlo Esposito's Riffs on Race -- Michelle Williams' Working-Class Women -- Lupe Ontiveros's Servants, Solidarity, and Sabotage -- Tapping Talent -- Notes -- References -- Chapter 22 Flexible Stardom: Contemporary American Film and the Independent Mobility of Star Brands -- Star Brands -- Stars, Independence, Flexibility -- Sindiependence and the Hyphenates -- Philip Seymour Hoffman - Flexible Star -- Flexible Stardom and the Space of Independence -- Notes -- References -- Index -- EULA. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Independent films--United States--History and criticism. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | King, Geoff |
| Title | A Companion to American Indie Film |
| Place, publisher, and date of publication | Newark : John Wiley & Sons, Incorporated,c2016 |
| International Standard Book Number | 9781118758328 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE | |
| Uniform title | Wiley Blackwell Companions to Film Directors Series |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4721398">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4721398</a> |
| Public note | Click to View |
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