How to Make Animated Films : (Record no. 117070)
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| 000 -LEADER | |
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| fixed length control field | 07471nam a22004813i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC4689175 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240729130811.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2009 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781136139345 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9780240810331 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC4689175 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL4689175 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaPaEBR)ebr11289084 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaONFJC)MIL276912 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)961451862 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | NC1765.W49 2009 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 741.5/8 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | White, Tony. |
| 245 10 - TITLE STATEMENT | |
| Title | How to Make Animated Films : |
| Remainder of title | Tony White's Masterclass Course on the Traditional Principles of Animation. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Independence : |
| Name of producer, publisher, distributor, manufacturer | CRC Press LLC, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2009. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2009. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (512 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Cover -- Half Title -- Title Page -- Copyright -- Table of Contents -- Preface -- Introduction -- First … A Reality Check -- Your Own Personal Animation Course -- 2D Or Not 2D? - That Is the Question -- However ... -- Prerequisites for Study -- Equipment -- Let the Fun Begin! -- Acknowledgments -- PART 1: How to Be an Animator -- 10-Step Foundation Course -- Masterclass 1: Animation Basics -- Key, Breakdown, and In-Between Positions -- Creating Key Positions -- Creating the Breakdown Position -- Top Pegs/Bottom Pegs -- Charting Explained -- In-Betweening -- Flipping as Opposed to Rolling -- Arcs and Paths of Action -- Timing and the Spacing of Drawings -- Suggested Reading -- Assignment 1 -- Masterclass 2: The Bouncing Ball -- Weight, Mass, and Flexibility -- Gravity and the Path of Action -- Key Positions -- Squash -- Stretch -- Timing -- Weight -- In-Betweening the Bouncing Ball -- Distorting Mass and Volume -- The Descending Bounce -- Flip Your Drawings … Always! -- Final Double-Checks -- Suggested Reading -- Assignment 2 -- Masterclass 3: Generic Walks -- The Lower Body -- Walk Cycle -- Shooting a Walk Cycle -- In-Betweening on One's -- Testing the Walk -- The Upper Body -- Suggested Reading -- Assignment 3 -- Masterclass 4: Personality Walks -- Hip and Shoulder Rotation -- Overlapping Action on the Hands -- Overlapping Action on the Head -- Rotation on the Head -- Keeping Good Balance Throughout -- In-Between Placement and Timing -- Double-Bounce Walk -- Chart Timing and Variation -- Observation and Reference Footage -- The Animator's Survival Kit -- Suggested Reading -- Assignment 4 -- Masterclass 5: Generic Runs -- Key Generic Run Stages -- Run Exercise -- Additional Pointers for Runs -- Head-On Runs -- Suggested Reading -- Assignment 5 -- Masterclass 6: Quadruped Walks -- Front Legs -- Rear Legs -- Synching the Legs Together. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Adding the Body -- Neck and Head -- Adding the Tail -- Moving Background -- Multilayered Backgrounds -- Nonwalk Pans -- Realistic Quadrupeds -- Suggested Reading -- Assignment 6 -- Masterclass 7: Weight -- Standard Rubber Ball -- Ping-Pong Ball -- Bowling Ball -- Comparing the Three Versions -- The Pose Is Everything -- Tips -- Suggested Reading -- Assignment 7 -- Masterclass 8: Anticipation -- The Benefi ts of Anticipation -- Anticipations Are for Everything -- Suggested Reading -- Assignment 8 -- Masterclass 9: Dialog -- Body Language -- Facial Animation -- Lip Synching -- Two-Character Dialog -- Further References -- Suggested Reading -- Assignment 9 -- Masterclass 10: Final Project -- Staggers -- Successive Breakouts of Joints -- Eye Blinks -- Eyebrows -- Always Gravity! -- Conclusion -- Suggested Reading -- Assignment 10 -- PART 2: How to Make an Animated Film -- Production Challenge -- Film Production 1: Exploring Ideas, Storytelling, and Scriptwriting -- Meaning and WTF? -- Assignment -- Film Production 2: Concept Art, Viz Dev , and Camera Maps -- Concept Art -- Camera Map -- Assignment -- Film Production 3: Character Design -- Style -- Personality -- Attitude -- Proportion -- Head Heights -- Silhouette -- Detail -- Process -- Warm-Up Exercise -- Assignment -- Film Production 4: Thumbnails -- Assignment -- Film Production 5: Storyboards -- Process -- Final Check -- Assignment -- Film Production 6: Filmmaking Techniques -- Framing -- Transitions -- Staging -- Continuity -- Crossing the Line -- Assignment -- Film Production 7: Audio Record -- Guide Track -- Final Track -- Assignment -- Film Production 8: Animatic and Bacher Boards -- Bacher Boards -- Animatic Process -- The Animatic Is Your Film Bible -- Check Your Scene Timings -- Assignment -- Film Production 9: Background and Environment Layouts -- Distance and Perspective. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Focus of Attention -- Silhouetted Action -- Process -- Dividing the Layout -- Pose Test Animatic -- Assignment -- Film Production 10: Color Script -- The Right Time to Do the Color Script -- Process -- Professional Approach -- Size of Artwork -- Don't Ignore the Color Script! -- Four Valuable Tips -- Assignment -- Film Production 11: Audio Breakdown -- Assignment -- Film Production 12: Block in Key Poses -- Assignment -- Film Production 13: Placement and Timing -- Assignment -- Film Production 14: Two-Dimensional In-Betweening -- Assignment -- Film Production 15: Rolling, Flipping, and Pencil Testing -- Flipping -- Full-Scene Flipping -- Pencil Test -- Assignment -- Film Production 16: Clean-Up -- Line Quality -- Shapes, Dimensions, and Volumes -- Assignment -- Film Production 17: Scanning -- Peg Bar -- Secure the Field Guide Scanning Area -- Scanner Size -- Assignment -- Film Production 18: Background and Environments -- Compositional Color Values -- Horizontals and Verticals -- Light Source and Contrast -- Perspective and Lines of Focus -- Verticals in Panning Shots -- Light Against Dark, Dark Against Light -- Areas of Greatest Contrast -- Use Your Eyes -- Assignment -- Film Production 19: Coloring -- Flat-Colored Backgrounds -- Imported Background Artwork -- Assignment -- Film Production 20: Compositing -- Layers -- Transparency -- Cycle Animation -- Depth of Field -- Titles and Eff ects -- Assignment -- Film Production 21: Rendering -- Screen Format Ratio -- Resolution -- Frame Rates -- Assignment -- Film Production 22: Final Edit -- Scene Edit -- Music -- Sound Effects -- Final Audio Mix -- Music and Eff ects Track -- Assignment -- APPENDIXES -- Appendix 1: About the Accompanying DVD -- Appendix 2: About the Desktop Academy -- Appendix 3: About the Animaticus Foundation -- Appendix 4: About the DigiPen Institute of Technology. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Appendix 5: Exposure, Exhibitions, and Festivals -- Appendix 6: Exposure Sheets and Production Folders -- Appendix 7: Glossary -- Index. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Animation (Cinematography). |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Spencer, Kathryn. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | White, Tony |
| Title | How to Make Animated Films |
| Place, publisher, and date of publication | Independence : CRC Press LLC,c2009 |
| International Standard Book Number | 9780240810331 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4689175">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4689175</a> |
| Public note | Click to View |
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