Sounding the Self : (Record no. 113373)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 05269nam a22004453i 4500 |
| 001 - CONTROL NUMBER | |
| control field | EBC4617360 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | MiAaPQ |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240729130630.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS | |
| fixed length control field | m o d | |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
| fixed length control field | cr cnu|||||||| |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240724s2005 xx o ||||0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781891278969 |
| Qualifying information | (electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| Canceled/invalid ISBN | 9781891278228 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (MiAaPQ)EBC4617360 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (Au-PeEL)EBL4617360 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (CaPaEBR)ebr11241122 |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | (OCoLC)956277733 |
| 040 ## - CATALOGING SOURCE | |
| Original cataloging agency | MiAaPQ |
| Language of cataloging | eng |
| Description conventions | rda |
| -- | pn |
| Transcribing agency | MiAaPQ |
| Modifying agency | MiAaPQ |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | ML3920 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 615.85154 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Smeijsters, Henk. |
| 245 10 - TITLE STATEMENT | |
| Title | Sounding the Self : |
| Remainder of title | Analogy in Improvisational Music Therapy. |
| 250 ## - EDITION STATEMENT | |
| Edition statement | 1st ed. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | Dallas, TX : |
| Name of producer, publisher, distributor, manufacturer | Barcelona Publishers, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2005. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Date of production, publication, distribution, manufacture, or copyright notice | ©2005. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 1 online resource (215 pages) |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | computer |
| Media type code | c |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | online resource |
| Carrier type code | cr |
| Source | rdacarrier |
| 505 0# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Cover Page -- Title Page -- Copyright Page -- Dedication -- Acknowledgments -- Contents -- Foreword -- Introductionxi -- Part I: Research and Theory in Music Therapy -- Chapter One Multiple perspectives on the development of an evidence-based music therapy: A personal history -- Introduction -- The development of research topics in music therapy -- The agenda for the future: Peer debriefing -- Chapter Two Criteria for indications in music therapy -- Introduction -- Research -- Examples of indications -- Discussion -- Epilogue: A client-focused and evidence-based music therapy treatment -- Chapter Three Toward a general theory of music therapy? -- Introduction -- The dialogue -- Peer debriefing -- A categorization of questions and statements -- Part II: Toward a Theory of Analogy in Music Therapy -- Chapter Four The power of music -- Introduction -- Form and content -- Cognitive processing -- Music: The irrational and numinous -- Referential meaning of 'empty' words -- Symbolic knowledge -- Intimate knowledge -- Conclusions and outlook -- Chapter Five Analogy: A core category in the writings of music therapists -- Introduction -- Research -- Examples of concepts used by music therapists -- Analogy as a core category -- Epilogue: Triangulation -- Chapter Six Forms of feeling and forms of perception -- Introduction -- To begin with: The hypothesis and one example -- A perspective from psychology -- A perspective from art -- Therapy beyond words: Personal change by analogous experiences -- Chapter Seven Defining and redefining the core category of analogy -- Introduction -- Defining analogy -- A glossary of concepts -- Objections -- Toward an intermediary language -- A semiotic perspective from music therapy clinical practice -- Epilogue: Redefining analogy -- Chapter Eight The analogy of musical interaction and the development of an independent self. |
| 505 8# - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Introduction -- Theme and variation between mother and child -- Conservation and variation in music and music therapy -- Epilogue: The analogous triangle -- Chapter Nine Examples of analogy from research and clinical practice -- Introduction -- The man who could not drive his car -- The woman who struggled with her mother -- A fight between mother and daughter -- The woman who locked herself in a cage -- The man who passed the 'point of no return' -- The man who lost his future -- The girl who was not there -- Chapter Ten Researching analogies -- Introduction -- Knowledge development by triangulating clinical experience, naturalistic inquiry, and double-loop learning -- Principles of naturalistic inquiry -- Techniques of naturalistic inquiry -- Naturalistic inquiry on analogies -- Epilogue -- Chapter Eleven Epilogue: A never-ending story -- Analogy -- Metaphors, symbols and signs -- Musical meaning -- Verbal language -- Expression and impression -- Closing -- References -- Index -- The Author -- Footnotes -- page_3 -- page_4 -- page_8 -- page_24 -- page_31 -- page_36 -- page_46 -- page_48 -- page_49 -- page_50 -- page_65 -- page_87 -- page_92 -- page_136 -- page_153 -- page_161 -- page_163 -- page_181. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | A general theory on the role of analogy in music therapy, explaining how a person can use music to "sound" his or her Self, and how the Self interacts with the environment. The values of analogy are examined in terms of the differences between representing human experience through language versus music. The author demonstrates how the concept of analogy can be used in formulating treatment goals and interventions, evaluating the effectiveness of treatment, and developing rationales about treatment and effectiveness. Qualitative research is advocated. |
| 588 ## - SOURCE OF DESCRIPTION NOTE | |
| Source of description note | Description based on publisher supplied metadata and other sources. |
| 590 ## - LOCAL NOTE (RLIN) | |
| Local note | Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Music therapy--Research. |
| 655 #4 - INDEX TERM--GENRE/FORM | |
| Genre/form data or focus term | Electronic books. |
| 776 08 - ADDITIONAL PHYSICAL FORM ENTRY | |
| Relationship information | Print version: |
| Main entry heading | Smeijsters, Henk |
| Title | Sounding the Self: |
| Place, publisher, and date of publication | Dallas, TX : Barcelona Publishers,c2005 |
| International Standard Book Number | 9781891278228 |
| 797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN) | |
| Corporate name or jurisdiction name as entry element | ProQuest (Firm) |
| 856 40 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4617360">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4617360</a> |
| Public note | Click to View |
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