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Beyond the Screen : (Record no. 109866)

MARC details
000 -LEADER
fixed length control field 05815nam a22004933i 4500
001 - CONTROL NUMBER
control field EBC4514163
003 - CONTROL NUMBER IDENTIFIER
control field MiAaPQ
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240729130447.0
006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS
fixed length control field m o d |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field cr cnu||||||||
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240724s2012 xx o ||||0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780861969135
Qualifying information (electronic bk.)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9780861967032
035 ## - SYSTEM CONTROL NUMBER
System control number (MiAaPQ)EBC4514163
035 ## - SYSTEM CONTROL NUMBER
System control number (Au-PeEL)EBL4514163
035 ## - SYSTEM CONTROL NUMBER
System control number (CaPaEBR)ebr11204097
035 ## - SYSTEM CONTROL NUMBER
System control number (CaONFJC)MIL914794
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)948925863
040 ## - CATALOGING SOURCE
Original cataloging agency MiAaPQ
Language of cataloging eng
Description conventions rda
-- pn
Transcribing agency MiAaPQ
Modifying agency MiAaPQ
050 #4 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1993.5.A1 -- .B496 2016eb
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Braun, Marta.
245 10 - TITLE STATEMENT
Title Beyond the Screen :
Remainder of title Institutions, Networks, and Publics of Early Cinema.
250 ## - EDITION STATEMENT
Edition statement 1st ed.
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture Bloomington :
Name of producer, publisher, distributor, manufacturer John Libbey & Company, Limited,
Date of production, publication, distribution, manufacture, or copyright notice 2012.
264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Date of production, publication, distribution, manufacture, or copyright notice ©2012.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (346 pages)
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Intro -- Contents -- Introduction -- PART I: Charity and Religion -- 1. "Neutrality-Humanity": The Humanitarian Mission and the Films of the American Red Cross -- 2. Early Missionary Filming and the Emergence of the Professional Camera man -- 3. Mission on Screen: the Church Army and its Multi-Media Activities -- 4. "Baits to Entrap the Pleasure-Seeker and the Worldling": Charity Bazaars Introduce Moving Pictures to Irela nd -- 5. Paroles éducatives et religieuses lors des projections de films en France avant 1915 -- 6. Mütter, verzaget nicht! (1911) [Mothers, Despair Not!]: Henny Porten's Promotion for Mothers' Welfare -- PART II: Government and Civics -- 7. The Tsar and The Kinemat ograph: Film as History and The Chronicle of the Russian Monarchy -- 8. "Wheelbarrows" and "Real Soldiers": Advertising, Audiences and War Films of all Varieties -- 9. "What is a Picture?": Film as Defined in British Law Before 1910 -- 10. Le cinéma et les élections au Québec: de l'attraction à la banalité -- 11. A Moving Picture Farce: Public Opinion and the Beginnings of Film Censorship in Quebec -- PART III: Education and Advocacy -- 12. Health Instruction on Screen: The Department of Health in New York City, 1909-1917 -- 13. John Collier, Thomas Edison and the Educational Promotion of Moving Pictures -- 14. "And They Can See Half-Naked Dancers, Catching Young Men In Their Nets": Teachers and the Cinema in Norway, 1907-1913 -- 15. Documentaries, Family Film Nights and the First Film University: The Early Works and Big Ideas of Belgian Film Pioneer Hippolyte De Kempeneer (1876-1944) -- PART IV: Science and Magic -- 16. The School of the Future or Ganot's Physics?: Edison's Foray into Educational Cinema.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 17. Multi-Purposing Early Cinema: A Psychological Experiment Involving Van Bibber's Experiment (Edison, 1911) -- 18. Dissecting the Medical Training Film -- 19. Corporal Permeability and Shadow Pictures: Reconsidering Uncle Josh at the Moving Picture Show (1902) -- 20. Eroticism and Death: The Skeleton in the Trick Film -- 21. Magies en images, les prestidigitateurs et la machine -- PART V: Art and Aesthetics -- 22. Early Film Colour, Today and Yesterday -- 23. Salvage Ethnography and the Exoticisation of Decay in Peter Delpeut's Lyrical Nitrate and Bill Morrison's Decasia -- 24. Picture Craft, Visual Education and the Lantern: A Lecture Fantasy -- 25. The Scope of Those Scopes: Production Diversity for the Mutoscope and Biograph During the Movies' Early Years -- 26. The High-Stakes History of the French Camera Operators' Union before the First World War -- PART VI: Exhibition and Showmanship -- 27. Les séries culturelles de la conférence-avec-projection et de la projection-avec-boniment: continuités et ruptures -- 28. Les "conférenciers de cinéma" en France (1896-1930): Historique à travers différents lieux de projection, genres filmiques et réseaux -- 29. Les images en mouvement au théâtre de variétés: le cas de l'Apollo de Düsseldorf -- 30. Royals, Rembrandts and Luxors: Patterns and Clusters in the Nomenclature of Dutch Cinemas -- 31. Local Showmanship in the Early Feature Era: The Case of Stanley Mastbaum -- 32. A Transformative Moment: Samuel Rothafel and the Rise of Multi-Class Moviegoing in the Midwest, 1911-1913 -- PART VII: Community and thePublic Sphere -- 33. "This Splendid Temple": Watching Movies in the Wanamaker Department Store -- 34. "Boost Your Town in the Movies": Municipal Film Companies in the United States, 1910-1917.
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 35. Early Cinema and the Public Sphere of the Neighbourhood Meeting Hall: The Longue Durée of Working-Class Sociability -- 36. Trans-Inter-National Public Spheres -- 37. Turning the Social Problem into Performance: Slumming and Screen Culture in Victorian Lantern Shows -- Editors and contributors -- Index of Films -- Index of Names.
520 ## - SUMMARY, ETC.
Summary, etc. Beyond the Screen captures this pioneering vision of the future of cinema.
588 ## - SOURCE OF DESCRIPTION NOTE
Source of description note Description based on publisher supplied metadata and other sources.
590 ## - LOCAL NOTE (RLIN)
Local note Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2024. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Motion pictures--History--20th century.
655 #4 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic books.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Keil, Charlie.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name King, Rob.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Moore, Paul.
776 08 - ADDITIONAL PHYSICAL FORM ENTRY
Relationship information Print version:
Main entry heading Braun, Marta
Title Beyond the Screen
Place, publisher, and date of publication Bloomington : John Libbey & Company, Limited,c2012
International Standard Book Number 9780861967032
797 2# - LOCAL ADDED ENTRY--CORPORATE NAME (RLIN)
Corporate name or jurisdiction name as entry element ProQuest (Firm)
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4514163">https://ebookcentral.proquest.com/lib/orpp/detail.action?docID=4514163</a>
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